-Lying at a Q&A that Sally is the character most like him to spite an audience member who went on about hating her.
-Saying Barry wouldn't stand a chance against Walter White.
-Lying at a Q&A that Sally is the character most like him to spite an audience member who went on about hating her.
-Saying Barry wouldn't stand a chance against Walter White.
Stephen Platt & Patrick Shen do it repeatedly with Hong Rengan & Yuan Shikai. Marie-Claire Bergère too with Sun Yat-Sen albeit only once or twice.
Stephen Platt & Patrick Shen do it repeatedly with Hong Rengan & Yuan Shikai. Marie-Claire Bergère too with Sun Yat-Sen albeit only once or twice.
Masterly work is done balancing scholarly rigour with accessible writing. His Hong Xiuquan biography for example is the best introduction to learning about the Taiping.
Masterly work is done balancing scholarly rigour with accessible writing. His Hong Xiuquan biography for example is the best introduction to learning about the Taiping.
I always forget that Guan Yu is the one who's a fugitive and Zhang Fei (a landlord) is the rich kid of the three.
I always forget that Guan Yu is the one who's a fugitive and Zhang Fei (a landlord) is the rich kid of the three.
I get the Kurosawa comparisons in theory but there was none of the visceral energy he brings to the table even in his quietest films.
On those grounds, they might have oversold it. Although it's certainly not bad & Episode 3 has that feel of everyone in the world suddenly being hostile to each other.
I get the Kurosawa comparisons in theory but there was none of the visceral energy he brings to the table even in his quietest films.
The use of a long take felt obligatory too.
The use of a long take felt obligatory too.
On those grounds, they might have oversold it. Although it's certainly not bad & Episode 3 has that feel of everyone in the world suddenly being hostile to each other.
On those grounds, they might have oversold it. Although it's certainly not bad & Episode 3 has that feel of everyone in the world suddenly being hostile to each other.
The only change is he's made to ditch the pretension of being better than the other industrialists in any way.
The only change is he's made to ditch the pretension of being better than the other industrialists in any way.
Ridley Scott directed a hagiography compared to Wajda.
Ridley Scott directed a hagiography compared to Wajda.
Had been meaning to watch more of his stuff since Kanal and Ashes and Diamonds.
Had been meaning to watch more of his stuff since Kanal and Ashes and Diamonds.
My personal reading on the ending is it's a dream where he's preparing for the worst but still hoping for the best.
My personal reading on the ending is it's a dream where he's preparing for the worst but still hoping for the best.
Compare with Chiang Kai-Shek seeing his & China's ordeals in Job & Hong Xiuquan, whilst known for the "Jesus' brother" part, also envisioned himself as among the Old Testament Patriarchs.
Compare with Chiang Kai-Shek seeing his & China's ordeals in Job & Hong Xiuquan, whilst known for the "Jesus' brother" part, also envisioned himself as among the Old Testament Patriarchs.
There's moments though where you see the director he becomes. The family picnic will definitely remind you of Peppermint Candy's opening.
There's moments though where you see the director he becomes. The family picnic will definitely remind you of Peppermint Candy's opening.
I enjoyed it & there's more background on Late Qing and Warlord China compared to Marie-Claire Bergere's, but the latter's still great & *far* more available so it remains my recommendation for a Sun Yat-Sen biography.
I enjoyed it & there's more background on Late Qing and Warlord China compared to Marie-Claire Bergere's, but the latter's still great & *far* more available so it remains my recommendation for a Sun Yat-Sen biography.
Liked it well enough but calling it "folk horror" seems a stretch. Far more "folk coming-of-age" than horror bar one or two scenes that by the end feel obligatory more than anything.
Liked it well enough but calling it "folk horror" seems a stretch. Far more "folk coming-of-age" than horror bar one or two scenes that by the end feel obligatory more than anything.
Rarely, if ever, picked a winning man or cause.
Rarely, if ever, picked a winning man or cause.
Been getting into slower cinema and I liked Kaili Blues well enough. Long Day's Journey Into Night is supposedly even better but want to know before jumping in.
Been getting into slower cinema and I liked Kaili Blues well enough. Long Day's Journey Into Night is supposedly even better but want to know before jumping in.
Convinced Spielberg sought a similar hard-nosed idealist ("it's hell but we *need* to do it but without becoming it") vibe for Saving Private Ryan but failed to pull it off.
Convinced Spielberg sought a similar hard-nosed idealist ("it's hell but we *need* to do it but without becoming it") vibe for Saving Private Ryan but failed to pull it off.
"What about online play?" Okay, don't do it there, but let me hack Story Mode the way God intended.
"What about online play?" Okay, don't do it there, but let me hack Story Mode the way God intended.