The British Archaeological Association is excited to present a diverse conference which includes postgraduate students and early career researchers.

This multidisciplinary volume explores the rich history, techniques, and ritual uses of medieval Western embroidery through expert essays and over 100 vivid colour illustrations.

The Misericordia International 17th Colloquium invites interdisciplinary paper proposals on the thematic exploration of visual and sensory dimensions of choir stalls, with a submission deadline of 30 October 2026.

Explore the rich tapestry of history and creativity in this collection of essays that delve into the Bayeux Tapestry’s creation, preservation, and enduring influence on art and culture across Europe, written in honour of Shirley Ann Brown.

The UCLA CMRS Center for Early Global Studies is pleased to announce a John W. Baldwin Post-Doctoral Fellowship for a recent Ph.D. whose work focuses on European medieval studies within the global comparative context.

The Medieval Academy of America's podcast ‘The Multicultural Middle Ages’ is inviting episode proposals for its sixth season, focusing on the diverse aspects of the Middle Ages, with a submission deadline of 15 October 2026.

The Mary Jaharis Center for Byzantine Art and Culture and the Mashtot Chair of Armenian Studies at Harvard University are pleased to announce the first lecture in the 2026–2027 East of Byzantium lecture series.

The Courtauld is delighted to announce its Medieval Seminars for Autumn 2026.

Papers are invited for this interdisciplinary workshop in Rome from January 19-21, 2027, exploring the transformation of traditional Roman public spaces into sacred urban landscapes. Submissions are due by 30 September 2026.

ICMA is inviting paper submissions for its sponsored panel ‘Visual Cultures of Surveillance in the Medieval World’ at IMC Leeds 2027. Deadline is 23 September 2026.

The AVISTA is pleased to invite submissions to its sponsored hybrid session, Unfinished, Damaged, Reimagined: Rethinking the Fragment, at the 2027 International Congress on Medieval Studies (Kalamazoo, MI, 13–15 May 2027)

Papers are invited for this IMC Leeds 2027 session that explores the dynamic interactions between otherworldly and earthly communities in the late medieval British Isles, addressing themes of emotion, journeys, and material culture. Deadline is 18 September 2026.

Papers are invited for the 'From the Heavens to the Earth: Honoring Danielle B. Joyner' sessions at ICMS 2027, focusing on her diverse scholarly interests including temporality, eco-criticism, and the study of birds, with a particular encouragement for submissions from her friends and collaborators.

Papers are invited for the Leeds IMC 2027 session titled “Going Green: turning an ecological lens on medieval art and architecture,” focusing on the relationship between medieval communities and their environments through art and architecture. Submissions due by September 17, 2026.

The British Archaeological Association is seeking paper proposals for sponsored sessions at the 2027 International Medieval Congress, themed ‘Communities,’ which will explore the formation, identity, and interaction of various communal groups in the medieval period.

Heather Pulliam's new publication, ‘Art, Nature and the Body in Early Medieval Britain and Ireland,’ explores how early medieval art objects shaped spiritual experiences and interactions with the natural world through phenomenological and eco-critical lenses.

The International Conference "Claustrum: Art, Iconography and Spirituality in Medieval Franciscan Convents," scheduled for October 23-24, 2026 in Santarém, Portugal, invites researchers to submit proposals on themes related to medieval Franciscan art, spirituality, and ecology by 4 September 2026.

This call for papers invites scholars to explore how zoomorphic imagery in medieval Eurasian art (500-1500 CE) serves as a vehicle for transcultural exchange and artistic innovation, with submissions due by August 31, 2026, for a session at CAA 2027.

The Route des Normands Association invites proposals for linked sessions at the 2027 International Medieval Congress in Leeds, focusing on the material culture and consequences of mobility across the Norman worlds, exploring themes of architecture, artistic production, liturgy, and networks of patronage. The deadline is 14 September 2026.

Papers are invited for the Leeds IMC 2027 that explore the identities, practices, and relationships of regular canons from the 11th to 15th centuries, focusing on their communal life and influences across various fields such as history, liturgy, and art.

The new book, "Fifteenth-Century Burgundian Sculpture: Works, Artists, Questions," offers an in-depth exploration of Burgundian sculpture through various studies that examine its artists, works, iconography, and cultural influence across Europe and beyond.

The Centre for Medieval and Renaissance Research at the University of Winchester is pleased to sponsor The Middle Ages in Modern Games strand at the Leeds International Medieval Congress, 5 to 8 July 2027. This strand examines the use of social groups, hierarchies, and other themes related to the congress theme of “Communities” in the design, representation, reception, and discussion of the Middle Ages in modern games.

The Medieval Southern Italy Working Group, founded by Maria Harvey and the Center for the Art and Architectural History of Port Cities “La Capraia,” aims to foster collaboration among art historians focused on medieval southern Italy through workshops and annual meetings in Naples.

The new book provides a comprehensive, multidisciplinary overview of the roofing systems of Italian churches from the Middle Ages to the early modern period, highlighting their technological, artistic, and symbolic significance while addressing their limited scholarly attention in the field.

This new publication explores the diverse roles of textiles in manuscripts from late antiquity to the early modern period, highlighting their connections to global trade and cultural interactions across various regions.