Project Finding Spaces
@pfindingspaces.bsky.social
An interactive endeavour to explore how art interacts with the political 'other', public memory, and/or law.
https://projectfindingspaces.substack.com
https://projectfindingspaces.substack.com
Latest newsletter for our substack!
What of it when art becomes the last place of existence? Or worse, when that art may have caused it to stop existing? Art outlives life, but what comes with it are certain unsettling confrontations, especially of colonial histories, on what made that possible.
What of it when art becomes the last place of existence? Or worse, when that art may have caused it to stop existing? Art outlives life, but what comes with it are certain unsettling confrontations, especially of colonial histories, on what made that possible.
How do we remember a species whose archive is also its wound?
A story of extinct island birds known only through paintings, and what that reveals about humans, archival art, and colonial natural history
open.substack.com
February 6, 2026 at 7:38 PM
Latest newsletter for our substack!
What of it when art becomes the last place of existence? Or worse, when that art may have caused it to stop existing? Art outlives life, but what comes with it are certain unsettling confrontations, especially of colonial histories, on what made that possible.
What of it when art becomes the last place of existence? Or worse, when that art may have caused it to stop existing? Art outlives life, but what comes with it are certain unsettling confrontations, especially of colonial histories, on what made that possible.
Go check out my illustration on my series of illustrations of resistance! It’s a take on anthropocentrism and climate justice! Please like, subscribe and interact! And do share your thoughts
To the memory of open water, away from plastic
on anthropocentrism, climate justice, and the marine life in danger
open.substack.com
June 1, 2025 at 4:54 PM
Go check out my illustration on my series of illustrations of resistance! It’s a take on anthropocentrism and climate justice! Please like, subscribe and interact! And do share your thoughts
I read the witch’s coven not only as a supernatural construct, but as a reflection of very real institutions: the Church, fascism, and state-sanctioned violence. Suspiria is not just a horror film; it is a mirror, and sometimes a warning.
Vexing Oppression: A Political Commentary on Suspiria 1977 and 2018
the monster in horror films is ever changing and is based in our own lived experiences
open.substack.com
May 24, 2025 at 10:11 PM
I read the witch’s coven not only as a supernatural construct, but as a reflection of very real institutions: the Church, fascism, and state-sanctioned violence. Suspiria is not just a horror film; it is a mirror, and sometimes a warning.
I created this illustration at a time I was struggling with severe burnout and felt trapped under the weight of invisibility in the world — the overwhelming knowledge that it was never built with us in mind.
burnout is a structural design.
on capitalism and systems which fail women again and again
livedmanylives.substack.com
May 10, 2025 at 10:07 PM
I created this illustration at a time I was struggling with severe burnout and felt trapped under the weight of invisibility in the world — the overwhelming knowledge that it was never built with us in mind.
Have you ever found a piece of someone's memory? In this newsletter, I talk about memory, art, transformation, and a language beyond words.
For Stories That Linger: Time Tucked into a Postcard
An archive stitched together with paper, paint, and many exchanges
open.substack.com
April 23, 2025 at 10:40 AM
Have you ever found a piece of someone's memory? In this newsletter, I talk about memory, art, transformation, and a language beyond words.
Newsletter day! Starting our new series - Art as Memory 🕯️
This journey begins with the haunting story of Bergen-Belsen, 80 years after its liberation. We look at the raw, powerful works of artists like: Doris Zinkeisen, Eric Taylor and Edgar Ainsworth —
This journey begins with the haunting story of Bergen-Belsen, 80 years after its liberation. We look at the raw, powerful works of artists like: Doris Zinkeisen, Eric Taylor and Edgar Ainsworth —
April 22, 2025 at 5:28 PM
Newsletter day! Starting our new series - Art as Memory 🕯️
This journey begins with the haunting story of Bergen-Belsen, 80 years after its liberation. We look at the raw, powerful works of artists like: Doris Zinkeisen, Eric Taylor and Edgar Ainsworth —
This journey begins with the haunting story of Bergen-Belsen, 80 years after its liberation. We look at the raw, powerful works of artists like: Doris Zinkeisen, Eric Taylor and Edgar Ainsworth —
There’s something sacred about standing where others once stood — where love, loss, and revolution once quietly took root beneath the soil. Because even if it’s only the land we share, we are never alone in our story.
🎞️ screen grab from the historic game Pentiment.
🎞️ screen grab from the historic game Pentiment.
April 21, 2025 at 8:58 AM
There’s something sacred about standing where others once stood — where love, loss, and revolution once quietly took root beneath the soil. Because even if it’s only the land we share, we are never alone in our story.
🎞️ screen grab from the historic game Pentiment.
🎞️ screen grab from the historic game Pentiment.
Newsletter Launch! We now have a Substack! Please find our link in the bio and follow us for more posts, educational resources, archival materials, and to build a community with us!
April 11, 2025 at 10:12 AM
Newsletter Launch! We now have a Substack! Please find our link in the bio and follow us for more posts, educational resources, archival materials, and to build a community with us!