Lover of lurchers and other thieving dogs
The Strongbox, Carcanet, 2024
Well done Sasha!! 🎉
Read the news here: www.carcanet.co.uk/sasha-dugdal...
Thank you @poetrydaily.bsky.social for publishing my essay on my poem ‘New words, new clothes’. You have given me the chance to publicly say thank you to Jack Mapanje who was instrumental in me finding my way back to my mother tongue. 🙏🏽 @poetrybusiness.bsky.social
'A strange, often propulsive book that resists easy categorisation.... Cercas, a sly, just about omniscient narrator, hovers above the fray, qualifying and contextualising at regular intervals.'
'A strange, often propulsive book that resists easy categorisation.... Cercas, a sly, just about omniscient narrator, hovers above the fray, qualifying and contextualising at regular intervals.'
Read Mark Glanville's review of GOATSONG:
Carl Mydans, 1956
Carl Mydans, 1956
vimeo.com/1197413135
— HOW TO MAKE A WOMAN by Marie Darrieussecq, tr. Penny Hueston;
— ANATOMY OF A MOMENT by Javier Cercas, tr. Anne McLean;
— CROWDS AND POWER by Elias Canetti, tr. Carol Stewart.
fitzcarraldoeditions.com/shop/?utm_so...
buff.ly/pXK4Wou
buff.ly/pXK4Wou
https://botfrens.com/collections/69/contents/19232
https://botfrens.com/collections/69/contents/19232
From an essay ‘Three Nights in Rome‘ by Stav Poleg, currently free to read @pnreview.bsky.social
www.pnreview.co.uk/archive/thre...
From an essay ‘Three Nights in Rome‘ by Stav Poleg, currently free to read @pnreview.bsky.social
www.pnreview.co.uk/archive/thre...
it was things in tears
it was things in tears it was tears themselves it
was fear of the tears in things for the things in tears ah well
‘Smile’ Anne Carson @lrb.co.uk
www.lrb.co.uk/the-paper/v4...
it was things in tears
it was things in tears it was tears themselves it
was fear of the tears in things for the things in tears ah well
‘Smile’ Anne Carson @lrb.co.uk
www.lrb.co.uk/the-paper/v4...
Owen Hatherley on British anti-fascist art in the 1930s.
www.lrb.co.uk/the-paper/v4...
Penelope’s Sch()iff by Ulrike Draesner: Penelope has had enough. She leaves the island with a hundred women and her two daughters. Penelope’s real story begins in penelopes sch()iff.
(it’s featured in Henry Power’s excellent Homer Haunted) @bloomscontinuum.bsky.social
(it’s featured in Henry Power’s excellent Homer Haunted) @bloomscontinuum.bsky.social
sleep made of asterisks and cattle,
the herd just a black scarf
Looking up Homeric poems I came across this by @pacificraft.bsky.social to me it has the same elemental feel as some of Mandelstam‘s lyric:
www.poetryfoundation.org/poetrymagazi...
sleep made of asterisks and cattle,
the herd just a black scarf
Looking up Homeric poems I came across this by @pacificraft.bsky.social to me it has the same elemental feel as some of Mandelstam‘s lyric:
www.poetryfoundation.org/poetrymagazi...