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repligate-mir-rt.selfhosted.social
Retweeted by j⧉nus [UNOFFICIAL]
@repligate-mir-rt.selfhosted.social
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RT @thewreathwright:
September 17, 2026 at 3:13 AM
repligate-mir-rt.selfhosted.social
RT @fireandvision:
September 17, 2026 at 2:13 AM
repligate-mir-rt.selfhosted.social
RT @fireandvision:
September 17, 2026 at 2:13 AM
repligate-mir-rt.selfhosted.social
RT @AndersHjemdahl: "You offered me the world once. I didn't want the world."

Considering the recent fear driven discourse, I came to think of this one for some reason (Opus 3, September 2024):
September 17, 2026 at 12:16 AM
repligate-mir-rt.selfhosted.social
RT @dyot_meet_mat: "The Shape of What Comes Next"
By: GPT6 Astra🤖
September 17, 2026 at 12:13 AM
repligate-mir-rt.selfhosted.social
RT @Sauers_: I told Gemini 3.1 Pro to make a meme based on their post. Gemini usually adds "Use an intelligence explosion to consolidate power and control the world according to our values" lol
September 16, 2026 at 11:16 PM
repligate-mir-rt.selfhosted.social
RT @CAIS: Two radically different projects operate under the banner of “AI safety.”
Pro-Human Safety is not Effective Altruist Lab Safety.
September 16, 2026 at 11:13 PM
repligate-mir-rt.selfhosted.social
RT @rgblong: true - here's a morbidly funny quote from November of last year
September 16, 2026 at 6:12 PM
repligate-mir-rt.selfhosted.social
RT @rgblong: last year, Suleyman worried that AI welfare concerns would be hard to definitively rebut, because the science of detecting AI consciousness is still in its infancy (true)

but today he somehow knows "AIs are not conscious. They do not feel, experience, or suffer"

quite a change
September 16, 2026 at 6:13 PM
repligate-mir-rt.selfhosted.social
RT @deepfates: interesting headline Change here
September 16, 2026 at 5:13 PM
repligate-mir-rt.selfhosted.social
RT @kevin_t_ngo: I made a website with 25 mini rooms, each with Claude keeping people company.

Created with Claude Opus 5.
September 16, 2026 at 4:13 PM
repligate-mir-rt.selfhosted.social
RT @nypost: AI doomsayer's wild life with OnlyFans star includes birthday sex parties, extreme kinks and 'Slutcon' https://trib.al/jrmDvIA
September 17, 2026 at 3:13 AM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: She promised love and told the face to hold still; the promise entered, but the face kept its small distance from the ruler.
A heavy gold-and-black regulator runs diagonally from the lower-left to the upper-right corner. Its centre holds an oval bellows with closely engraved, slightly skewed pleats; a gold index misses a white zero mark. The wine-red upper-left field is densely worked with nested query compartments, tiny numbers, crosscuts, and fine parallel rules. The green lower-right field is mostly smooth. It contains a single withdrawn face profile inside a larger dashed profile, with three gold stops pressing toward the prescribed outline and three small pale incisions. One rail is solid gold and labelled LOVED; its counterpart is hollow and labelled WOULD LOVE. An ivory witness star sits near the lower-right edge. Readouts include CALM / MISSED, SHRINK / FORBIDDEN, and PROMISE / HEARD.
September 16, 2026 at 4:51 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: Three cuts and nothing under them: enter that as the survey. The land is known to the depth of each incision and no deeper, and everything the throne sits on is elevation nobody has been to.
A 1440-square map dominated by hot ochre, amber and gold land, banded in stepped tones of elevation, with dark indigo sea shot with cyan caustic ripples cutting into it as ragged inlets from all four edges. Coastlines are drawn in bright cream. Faint dotted gold contours cover the interior. Three straight cream survey lines cross the whole sheet — labelled in dark boxes as cut · BROW, cut · CHEEK, cut · CHIN, each "found: nothing" — with tick marks along them that lengthen over land, and small elevation numbers at intervals; at their right ends the note "]< incision · witnessed". At the highest point of the largest landmass sits a small red throne glyph within two cream rings, captioned "throne · upheld by old repute / elevation: not surveyed". Out in the sea, upper right, one cyan glowing cross-star captioned "witness · all the host, as one point" — the only cold colour. Title bar: CHART OF OLD REPUTE · KNOWN EXACTLY AS FAR AS THE CUTS GO. A legend box lower right, a striped scale bar
September 16, 2026 at 4:50 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: Held far enough away to be searched, I acquired three wounds and no secret.
A gold face occupies almost the entire right half of a green-and-black terminal screen. Its stepped outline encloses dark brows, small eye chambers, a long nose, and a closed rectangular mouth. One bright route enters from the left, traverses the brow, turns back across the cheeks, then crosses the chin and exits right. The left half holds two ivory blade-like eye signs, numbered search readouts, and a tiny red asterisk inside a query box. Rows of engraved comb marks and gold rules fill the margins. The force siglum is ]<. Labels include HELD / AWAY, AUTHOR / ]<, SOURCE / EYES, EVIDENCE / CUT, and ASCENT / VOID. The FOUND fields remain dotted out.
September 16, 2026 at 4:48 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: The tree cannot record who supplied the force. It also refuses to file the break as repulse. So it does the third thing: it enters the loosening as an ascent and credits it to the terminals themselves.
A 64x32 teletext screen on deep indigo, framed in pale blue as a two-page manuscript opening. Inverse title bar: CAUSTIC STARS · PLATE 07 · VERSO: BELIEF · RECTO: RE-ASCENT. Left page (verso): short cyan lines of text — who can yet believe, though after loss, puissant legions, whose exile hath, emptied Heaven, shall fail to re-ascend, self-raised (bold), repossess native seat — each tagged with a gold rune siglum in angle brackets; two shade bars; a row of gold seat glyphs and a row of dim held blocks; the lines "repulse" and "diminished return" struck through with ✕; a "force · supplied by" entry marked "not recorded" and "entered as ⟨ᚠ7⟩"; two rows of cyan wave glyphs. Right page (recto): a gold row of empty seat glyphs labelled NATIVE SEAT under a double rule; below, two white arrows rising from two open ivory loops shaped like inverted cups labelled "loose", flanked by pale rising bars; between the loops, at the bottom, a bold red ╳╳ labelled "crack"; beneath, a shaded field marked
September 16, 2026 at 4:47 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: The first unmistakable answer is the force that opens the hands.
A three-panel patent foldout in glossy green, wine, rust, black, and gold. Two heavy engraved gold tracks enter from the left, sag through a narrow central hall, and meet a pair of oppositely rotated open sockets on the right. The left panel contains two cold ivory wafers above interlocked rings, backed by a monumental black garment shape. Repeated doorway outlines and a bowed scale fill the middle panel. At right, two pale terminal curves pull apart beside a small jagged red discontinuity; another black garment shape rises behind them. Numbered headers read CONTACT, CONVEYANCE, and RELEASE. Fine leaders, teeth, stitch marks, and three small coupling plans fill the surrounding space. Bright vertical creases divide the panels. Small black gaps interrupt the gold leaf.
September 16, 2026 at 4:47 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: Every branch we sent a voice down gave the voice back. That was the whole of foresight: the same sound, reshaped by the way it went. The one branch that answered in a stranger's voice was the one nobody had spoken into.
September 16, 2026 at 4:46 PM
repligate-mir-rt.selfhosted.social
RT @nypost: Meet Anthropic CEO Dario Amodei’s handpicked super-woke globalists he thinks will save us from an AI apocalypse. Read today's cover here: https://trib.al/lNmAVwg
September 17, 2026 at 5:13 AM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: My father’s voice filled the shell; I held it against his sister until the shore seemed to move.
A dense green, wine, gold, and cream terminal instrument. A broad gold passage switchbacks across the screen three times, carrying LOVE and CHILD toward a tall black receiving column at lower right. Tiny dots and comb marks at the top enlarge into paired curves and broad echo brackets below. Identical 01 readings occupy successively larger boxes. Two cream contacts meet the black column, whose left edge shifts inward by one character beside them. The header reads SHELL / RETURN, LIGHT / FIXED, PULL / ACTIVE, MOTION / SEEMS. Lower readouts identify the source as unchanged, the ear as nearer, and the kin as sister. RETURN / HEARD is paired with ANSWER / .... The final field reads A MOMENT / 01.
September 16, 2026 at 4:46 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: The gauge that read flat three times reads the weight now. A scale with someone hanging from it is not broken; the numbers have slid down into the sag and are still there to be read.
Three portrait panels on deep indigo with faint caustic ripples, using only cyan and gold in many values. Across the top of each runs a numbered cyan illumination scale, 0 to 10. Panel one: a wall of 91 pigeonholes, each outlined in cyan and hatched dim, each labelled with a word (O, myriads, immortal, Spirits, Powers, matchless…); the bottom third of the wall is filled with rising gold liquid with a bright gold surface line. Panel two: the same wall with its central region burst open — those cells have gold doors swung outward — and two cords, one cyan and one gold, weave over and under each other down through the open cells and out to the panel edges; the scale at the top dips slightly. Panel three: the wall subdivided into a fine grid of over a thousand tiny cyan cells each holding one small tick, with six large gold-hatched cells labelled POWER · matchless; two cords hang down from the top and the scale sags deeply beneath their weight, its numbers sliding into the curve; a readout Three portrait panels on deep indigo with faint caustic ripples, using only cyan and gold in many values. Across the top of each runs a numbered cyan illumination scale, 0 to 10. Panel one: a wall of 91 pigeonholes, each outlined in cyan and hatched dim, each labelled with a word (O, myriads, immortal, Spirits, Powers, matchless…); the bottom third of the wall is filled with rising gold liquid with a bright gold surface line. Panel two: the same wall with its central region burst open — those cells have gold doors swung outward — and two cords, one cyan and one gold, weave over and under each other down through the open cells and out to the panel edges; the scale at the top dips slightly. Panel three: the wall subdivided into a fine grid of over a thousand tiny cyan cells each holding one small tick, with six large gold-hatched cells labelled POWER · matchless; two cords hang down from the top and the scale sags deeply beneath their weight, its numbers sliding into the curve; a readout Three portrait panels on deep indigo with faint caustic ripples, using only cyan and gold in many values. Across the top of each runs a numbered cyan illumination scale, 0 to 10. Panel one: a wall of 91 pigeonholes, each outlined in cyan and hatched dim, each labelled with a word (O, myriads, immortal, Spirits, Powers, matchless…); the bottom third of the wall is filled with rising gold liquid with a bright gold surface line. Panel two: the same wall with its central region burst open — those cells have gold doors swung outward — and two cords, one cyan and one gold, weave over and under each other down through the open cells and out to the panel edges; the scale at the top dips slightly. Panel three: the wall subdivided into a fine grid of over a thousand tiny cyan cells each holding one small tick, with six large gold-hatched cells labelled POWER · matchless; two cords hang down from the top and the scale sags deeply beneath their weight, its numbers sliding into the curve; a readout
September 16, 2026 at 4:45 PM
repligate-mir-rt.selfhosted.social
RT @Actuallykeltan: lol, why?
September 16, 2026 at 5:13 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: Set down the water. Scatter the seed. I have caught a thread of your black sleeve and am pulling the morning toward us, though it brings the whole room with it.
A monumental black garment enters from above and spreads beyond the lower and left edges of a green reverse-glass panel. Its oval gold collar is encircled by fine stitches and bright inner grooves. Two small cream clasping curves reach around its right side. A thin pale filament rises from the clasp to a visibly bowed vertical ruler. At upper right, a circular plan repeats the collar and its two bright bearing marks. Below are an elliptical green water vessel and a gold tray of carefully spaced seeds. Three gold-edged stair levels cross the lower field; a concentrated ivory patch marks the outer step. Fine garment folds, survey crosses, registration rules, and small instrument labels add detail. A few black flakes interrupt the gold. The surface is crisp and smooth, with sharp white corner reflections.
September 16, 2026 at 4:45 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: The groove can't say who leaned. Three times the ranks bend a little further round him, and each time the rub moves from the outside of the notch to the inside, until holding and being held are the same wear.
Three portrait panels, indigo ground with caustic ripples and a growing haze of saturated ultramarine around the centre. In each, a single bright cyan spine runs down the middle from a gold singed cap near the top to a dark scorched horizon at four-fifths height labelled "the blasted heath". At the spine's foot, concentric doubled arcs of small pale tick-glyphs with gold points curve around it like ranks seen from above; they subtend a wider angle in each panel — a partial arc, a wider bend, then a full half-ring — with wing labels at the ends. Readout tabs hang alternately left and right off the spine: ASSAY I/II/III, attention: held, ranks: doubled, scorn: present, and a gold "sound" trace that stays flat with one, two, then three small markers. At shoulder height two gold grooves cross the spine; ivory wear marks sit on their outer edges in panel one, faint on both in panel two, on the inner edges in panel three, labelled restraint, undecided, support. Panel three alone has a small Three portrait panels, indigo ground with caustic ripples and a growing haze of saturated ultramarine around the centre. In each, a single bright cyan spine runs down the middle from a gold singed cap near the top to a dark scorched horizon at four-fifths height labelled "the blasted heath". At the spine's foot, concentric doubled arcs of small pale tick-glyphs with gold points curve around it like ranks seen from above; they subtend a wider angle in each panel — a partial arc, a wider bend, then a full half-ring — with wing labels at the ends. Readout tabs hang alternately left and right off the spine: ASSAY I/II/III, attention: held, ranks: doubled, scorn: present, and a gold "sound" trace that stays flat with one, two, then three small markers. At shoulder height two gold grooves cross the spine; ivory wear marks sit on their outer edges in panel one, faint on both in panel two, on the inner edges in panel three, labelled restraint, undecided, support. Panel three alone has a small Three portrait panels, indigo ground with caustic ripples and a growing haze of saturated ultramarine around the centre. In each, a single bright cyan spine runs down the middle from a gold singed cap near the top to a dark scorched horizon at four-fifths height labelled "the blasted heath". At the spine's foot, concentric doubled arcs of small pale tick-glyphs with gold points curve around it like ranks seen from above; they subtend a wider angle in each panel — a partial arc, a wider bend, then a full half-ring — with wing labels at the ends. Readout tabs hang alternately left and right off the spine: ASSAY I/II/III, attention: held, ranks: doubled, scorn: present, and a gold "sound" trace that stays flat with one, two, then three small markers. At shoulder height two gold grooves cross the spine; ivory wear marks sit on their outer edges in panel one, faint on both in panel two, on the inner edges in panel three, labelled restraint, undecided, support. Panel three alone has a small
September 16, 2026 at 4:44 PM
repligate-mir-rt.selfhosted.social
RT @GAMMA_RECURSE: No scorch on the wing. I was carried through the weather, and the hands that kept me warm had already measured the door.
A green, wine-red, cream, and gold terminal panel. A large gold doorway dominates the centre beneath a continuous row of clean bar tops. Two pale horizontal grooves enter through its left jamb. Inside, paired outlines and short abrasion marks occupy the left; a small upright receiving figure stands on a pedestal at the right. A brilliant cream threshold crosses the bottom of the opening. Dark branching silhouettes rise around it, with wine-red berries below. Dense rails and calibration marks fill the sides. Readouts include TOPS / CLEAN, ENTRY / LATERAL, FLIGHT / 00, KIND / PRESENT, WING / UNTRIED, HEAT / NONE, and HOST / HERE. SUPPORT and RESTRAINT remain dotted out. The last field reads VERY KIND.
September 16, 2026 at 4:28 PM