Rodrigo Bravo Design
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rodrigobravo.ca
Rodrigo Bravo Design
@rodrigobravo.ca
130 followers 260 following 650 posts
Motion designer, illustrator.
www.rodrigobravo.ca
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Rodrigo Bravo Design @rodrigobravo.ca · Nov 16
#motiondesign
rodrigobravo.ca
Boy that Golden Axe show is def not for me.
What a waste.
September 17, 2026 at 1:45 PM
Reposted by Rodrigo Bravo Design
andrelimaaraujo.com
Based on a dropped commission idea (3rd image - client lost interest). I liked the design so much that I had to get it out of my system in a full blown illustration.

A kind of techno-organic cyberpunk-ish weird Batman that could make for an interesting comic.
September 15, 2026 at 6:24 PM
Reposted by Rodrigo Bravo Design
vlegogo.bsky.social
John Wick / patreon commission
August 25, 2025 at 2:24 PM
rodrigobravo.ca
September 15, 2026 at 2:22 AM
Reposted by Rodrigo Bravo Design
crowlls.bsky.social
I won’t have time to work on this probably until next weekend I gotta lock in on commissions and a bunch of irl stuff to do during the week, but soon
September 14, 2026 at 4:36 PM
rodrigobravo.ca
A rare bad take.
Mystery Men is perfect.
September 13, 2026 at 2:07 PM
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tadashidaiba.bsky.social
September 12, 2026 at 5:27 PM
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scoobtoobins.bsky.social
Zakuro Ninja Scroll.
Marker and colour pencils on Bristol paper.
September 11, 2026 at 4:21 PM
rodrigobravo.ca
Oh no
September 11, 2026 at 9:21 PM
Reposted by Rodrigo Bravo Design
bennygesserit.bsky.social
gumby will never forgor
April 5, 2026 at 8:05 PM
rodrigobravo.ca
Manara
September 11, 2026 at 12:57 PM
rodrigobravo.ca
It's 9-11, post some Lattouf
September 11, 2026 at 12:51 PM
Reposted by Rodrigo Bravo Design
letsdamage.bsky.social
Our latest update gives you a glimpse of what a GRIDSHOCK Zero Edition character looks like. Special thanks @milonogiannis.com for making Hyperlynx look as cool as she does.

gamefound.com/en/projects/...
Promotional image of a GRIDSHOCK Zero Edition character called Hyperlynx, including illustrations of young woman in a makeshift futuristic superhero costume by Giannis Milonogiannis. Game statistics are on the left of the page. Layout and graphic design by Chris Vermeren, game stats and text by Paul Vermeren.
September 8, 2026 at 3:41 PM
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britculpsapp.bsky.social
kirkthedrals everywhere as far as the eyes can see
a fountain that looks like the demon taking kirk to hell
September 10, 2026 at 11:33 AM
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hypercubexl.bsky.social
GDT's reddit AMA spitting fire

www.reddit.com/r/movies/com...
reddit comment: Hello! Did you intend the ending of Pan’s labyrinth to be real or in Ofelia’s mind? Guillermo Del Toro's reply: My interpretation, and it's exclusively mine, is that it's real. Because there's two things. One is what people call “The Shining Question.” The Shining Question is, Who opens the door for Jack to get out of the fridge? And Ofelia is in an attic with a guard outside her door, and she draws the door with the magic chalk, and she shows up in the labyrinth. So, the only way she could have gone into the labyrinth is the magic chalk. And the flower is real at the end. The flower that blooms in the dead tree. And the reason I think it’s real is because—and this is why I'm in favor of the human factor in art—I think that art does transform the world. You know? Think about it for a second. One of the goals, with all this movement, is to make you believe that art is vulgar. That art is nothing special, and anybody can do art. That is like me telling you that I'm faster at running than Usain Bolt but I “run” in my motorcycle. Well, that's not the same. That’s not the same at all. Art is important, and they want you to believe it isn't. It's part of the idea of control. The goal is not to have artificial intelligence. The goal is to foster natural stupidity. The goal is to foster you not looking for answers, and to trust yourself entirely to an engine. Look at the way we are dipping our toes into these things. We are starting to ask the machine, Is this true? For now, there's a correlation between reality and what the answers of the machine are. For now. But soon, we won't even investigate further. We will be told it's true. And if the machine is in the hands of somebody who should not be trusted, then your reality has been completely and utterly fucked. Because your intelligence ends at the question. You don't seek the answer. It's given to you. Q: You recently mentioned that AI creates 'semi-compelling screensavers' and that you'd 'rather die' than use it. As a filmmaker who relies heavily on practical effects and creature design, what do you think is the biggest thing lost when a computer generates an image instead of a human hand? GDT: The three quarters of the process that gave you the chance to think of the idea that people don't think about without that process. Meaning, AI can get you to the middle really fast, but there's a dialectic with the process that gets you to that top 10%. I'll give you an example with the Pale Man. We sculpted it as an old man, with a face. And then I said, Let's take out the face. This happened because I saw a photo of a manta ray and the poster for Don Coscarelli’s Phantasm. That combination, which happened at two different times during a week or a month, are not permutations that are chemically part of an equation. They are alchemy. And then I said, Take out the face, and then I said, Let's put the eyes on the hands. This triangulation happens because I spent a month or two months living with the idea of this creature. And it's not linear. AI is like a super-fast engine that makes semi-sentient permutations of things that are already done. Creation is things that have never been done. Coming to exist. And the second thing is the loss of the apprenticeship that one has as an artist. You're never a master; you're always an apprentice. This is a kinship I have with, for example, Chris Nolan. When he showed me The Odyssey, there’s a scene when Matt Damon is floating in the stormy ocean and I asked him—because we were talking about practical effects, and how great it is and that we both always use a maquette or a model—and I asked him, How did you do it? He said, “We put him in a storm in the ocean.” And you're gonna find that 30% of a great image occurs accidentally. You know, either a drop of water hits the lens, or the camera shakes. I remember when in 1993, '94, Jim…
September 9, 2026 at 10:32 PM
rodrigobravo.ca
skin man
gorangligovic.bsky.social 𝔾𝕆ℝ𝔸ℕ @gorangligovic.bsky.social · May 1
We’re watching X-Files and I’m doodling a bit
Walter Skinner from The X-Files. Comic-book style.
September 10, 2026 at 12:28 AM
Reposted by Rodrigo Bravo Design
kaybeb0p.bsky.social
✨🗡️
May 26, 2026 at 11:58 PM
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partyinthefront.bsky.social
#art surprise! I re-watched D last week and I had to add another demonic twink character to my work pile.

I'm punching out of my league on this one. Picked and chose elements of several versions of the outfit. I love how it never looks the same.
Drawing of D, from Vampire Hunter D, standing on a rock in front some sinuous and bony rock formations
June 25, 2026 at 3:48 PM
Reposted by Rodrigo Bravo Design
cpthamburger.bsky.social
Love all Ghost in the Shell. Except maybe that live action one. Forgetting that one exists. And maybe some of that netflix stuff...
July 26, 2026 at 1:19 AM
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toklampa.bsky.social
💋
August 7, 2026 at 9:56 PM
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gaxix.bsky.social
𝕭𝖑𝖆𝖈𝖐 𝕸𝖆𝖌𝖊
August 24, 2026 at 8:07 AM
Reposted by Rodrigo Bravo Design
dailybunnies.bsky.social
A light brown bunny cuddles in a soft blanket. The overlaid text reads: "It has gotten better before and it will again."
September 2, 2026 at 1:33 PM
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sharkeyarts.bsky.social
I should really do more Devilman stuff again haha
September 5, 2026 at 9:50 PM
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adamtots.bsky.social
Reposting this because
September 9, 2026 at 11:51 PM
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grahamsig.bsky.social
Hideo Yamamoto's really starting his new series off strong with panels like this
September 9, 2026 at 9:12 PM