#52frames_goldenhour
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chocolatemal.bsky.social
I had some good luck with #sunrise and #sunset over the past week or so for #52Frames_goldenhour
#mistymorning
#cattlephotography
#lakechamplain
#goldenhour
#ethereal
#fujifilm
September 28, 2026 at 2:14 AM
markflinders.bsky.social
27/52 Golden Hour

#52frames_goldenhour
#52frames_photographers
#nikon
#nikonz6iii
#photowalkwithfriends
#eastcoastkin
September 26, 2026 at 4:36 PM
plantspetspics.bsky.social
52Frames Week 39 Golden Hour
“Catwalk”

#52frames_goldenhour #photography #cat #goldenhour #stunday #catwalk
A grey tabby cat is walking away from the camera and is looking to right off into the distance . There’s a nice golden light shining thru the trees in front of the cat. There’s a tire patch covered in tan leaves in the foreground
September 27, 2026 at 12:28 PM
luckyloralee.bsky.social
"Golden Hour" is the theme for this week at 52frames.com
For those who don't know, that is traditionally the hour after sunrise or the hour before sunset.
This is my image. I waited for that bird.
#52frames_goldenhour
#52frames_photographer
#Sunrise
#SunrisePhotography
#iPhonegraphy
#MontereyBay
September 27, 2026 at 2:43 PM
studio522.bsky.social
52Frames - Golden Hour - ATL Magic: This is the known view of downtown Atlanta from the Jackson Street Bridge. After a week of more rain than not, or so it seemed, tonight was cooler and clear, so I captured Atlanta with a golden glow.

#52frames_goldenhour #ATL #magichour #jacksonstreetbridge
September 28, 2026 at 1:52 AM
lamfa.bsky.social
Week #39 of 52Frames: Golden Hour!

“Present, Unseen."

Extreme elongation of shadows are only possible at golden hour...

#52frames #52frames_goldenhour #photography #color #abstract #minimalism #quebec #canada #eastcoastkin
A long human shadow stretches almost the full height of the vertical frame across a lawn illuminated by warm morning golden-hour light. The photographer remains outside the image, visible only through the dark silhouette cast forward by the low sun. The shadow begins beyond the bottom edge and narrows upward toward a clearly defined head and shoulders positioned within the brightest area of grass near the top of the frame. Its exaggerated length transforms an ordinary standing figure into an almost monumental presence. The surrounding grass glows in yellows, ochres, and muted greens, with scattered autumn leaves adding small touches of orange and brown. Cooler, darker areas within the shadows contrast strongly with the sunlit ground. A broad diagonal shadow enters from the upper left, adding another geometric layer without overtaking the central figure. The composition is simple but slightly uncanny: no person is actually visible, yet the photographer’s presence dominates nearly the entire image. The low morning light becomes both subject and means of representation, turning absence into a temporary self-portrait made entirely from light and shadow.
September 28, 2026 at 12:22 PM