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ナックイメージテクノロジーは、ARRIのシネマカメラ「ALEXA 35」のアップグレード機となる『ALEXA

Well, this is exciting and big news from ARRI. The company is launching a new cinema camera called the ALEXA 35 Xtreme, which aims to streamline your productions and save you money on set. How, you ask? Well, the ALEXA 35 Xtreme is a unique upgrade for the ALEXA 35 that will include a more powerful processor, faster memory, new sensor modes, longer recording times, and faster frame rates. It will also unlock the new ARRICORE codec that will give shooters even higher quality images and lower data rates. Set to release in multiple different options, or sets as they call it, each will feature different licenses aimed at your level of production requirements. Here’s everything you need to know. --- The ARRI ALEXA 35 Xtreme Cinema Camera Set to combine the superior image quality and reliability of the ALEXA 35 with higher frame rates up to 660 fps, the more-efficient ARRICORE RGB codec, longer pre-record times, and improved Wi-Fi, the ALEXA 35 Xtreme is one of the more exciting announcements to come to the high-end cinema camera market in quite some time. The biggest improvement for the Xtreme here is going to be its new sensor, which will allow for faster and larger onboard memory and enable frame rates up to 660 fps, an insane number that will be quite popular with all types of shooters. The processor will still be able to maintain the full 17 stops of dynamic range up to 330 fps, and when utilizing frame rates up to 660 fps with Sensor Overdrive mode, it will also still reach up to 11 stops of dynamic range. The ARRICORE Codec The other major piece of news here is that the ALEXA 35 Xtreme will feature the next-gen ARRICORE RGB codec that will feature even greater image quality and lower data rates with your video files. Workflows will stay pretty much the same with your audio, textures, wrappers, etc, but your prerecording times will now be five times longer, which will help facilitate the high-speed capture in higher resolutions. ALEXA 35 Xtreme shooters will also be able to access up to 30 seconds in 4.6K Open Gate as well as five full minutes of prerecording time in ProRes 422 HQ at 24 fps. New Camera Sets and Options What’s most interesting about the ARRI ALEXA 35 Xtreme, though, might be its multiple set options. Since the ALEXA 35 Xtreme has the same housing and connector locations as the ALEXA 35, it can utilize the same accessory ecosystem. This means all of your extensions, mounts, brackets, etc, will still be compatible. The ARRI ALEXA 35 Xtreme will come in either a Base or Premium license, and then offer different set options like an Entry Set, an Operator Set, and a Production Set, as well as other premium bundles which will include LPL-mount and PL-mount set options. Here are all of the specs and features for the ARRI ALEXA 35 Xtreme Base Entry Set below, where you can also check out prices and purchase prices for all options. * ALEXA 35 XTREME Camera with Base License * Upgradeable with Separate Licenses * LPL Mount (LBUS) and PL-to-LPL Adapter * ARRICORE Codec, | 660 fps with Upgrade * CCM-1 7" Camera Control Monitor * BUD-1 Plate and B-Mount Battery Adapter * BPA-6 Bridge Plate Adapter * CCH-4 Top Handle, UAP-3 Top Plate ARRI ALEXA 35 XTREME Base Entry Set Continuing to innovate cine-style capture, ARRI introduces the ALEXA 35 XTREME Base Entry Set.

Stijn Van der Veken, ASC, SBC was one of the first people to try ARRI’s new ALEXA 35 Xtreme with the new ARRICORE codec and higher slow motion speeds. "We all know what chopped vegetables look like when they drop on a cutting board at 240 fps," Stijn said. "But this is another and very practical use of the camera. Maybe you don’t need to go all the way to 240 fps, but you have that option without dialing down your resolution. You don’t have to reboot the camera. Changing frame rates is quick and easy. The ALEXA 35 becomes more versatile." read more... The post Stijn Van der Veken, ASC, SBC on ALEXA 35 Xtreme appeared first on Film and Digital Times.

Stijn Van der Veken, ASC, SBC was one of the first people to try ARRI’s new ALEXA 35 Xtreme with the new ARRICORE codec and higher slow motion speeds. "We all know what chopped vegetables look like when they drop on a cutting board at 240 fps," Stijn said. "But this is another and very practical use of the camera. Maybe you don’t need to go all the way to 240 fps, but you have that option without dialing down your resolution. You don’t have to reboot the camera. Changing frame rates is quick and easy. The ALEXA 35 becomes more versatile." read more... The post Stijn Van der Veken, ASC, SBC on ALEXA 35 Xtreme appeared first on Film and Digital Times.

ARRI has announced the release of a new full-frame cinema camera, the ALEXA 35 Xtreme. This model brings several updates along with a proprietary codec that enhances performance. The new camera is equipped with an advanced image processor, faster memory, and improved frame rates, featuring the new ARRICore Codec that delivers higher resolution images at lower data rates. At the core of the ALEXA 35 Xtreme is a newly designed sensor that allows for faster frame rates due to its larger memory capacity. It can capture up to 330 frames per second and offers 17 stops of dynamic range. In The post ARRI Takes ALEXA to the Xtreme with Updated Design and New High Performance Codec first appeared on 4K Shooters.

B&H is pleased to share the new ARRI ALEXA 35 Xtreme cinema camera that can streamline your production and save you time and money. The ALEXA 35 Xtreme brings numerous updates to the ALEXA 35, including a powerful new processor, faster memory, new sensor modes, longer recording times, faster frame rates, and the new ARRICORE codec that provides higher quality images with lower data rates.

Stijn Van der Veken, ASC, SBC was one of the first people to try ARRI’s new ALEXA 35 Xtreme with the new ARRICORE codec and higher slow motion speeds. "We all know what chopped vegetables look like wh...

Well, this is exciting and big news from ARRI. The company is launching a new cinema camera called the ALEXA 35 Xtreme, which aims to streamline your productions and save you money on set. How, you ask? Well, the ALEXA 35 Xtreme is a unique upgrade for the ALEXA 35 that will include a more powerful processor, faster memory, new sensor modes, longer recording times, and faster frame rates. It will also unlock the new ARRICORE codec that will give shooters even higher quality images and lower data rates. Set to release in multiple different options, or sets as they call it, each will feature different licenses aimed at your level of production requirements. Here’s everything you need to know. * * * ### The ARRI ALEXA 35 Xtreme Cinema Camera Set to combine the superior image quality and reliability of the ALEXA 35 with higher frame rates up to 660 fps, the more-efficient ARRICORE RGB codec, longer pre-record times, and improved Wi-Fi, the ALEXA 35 Xtreme is one of the more exciting announcements to come to the high-end cinema camera market in quite some time. The biggest improvement for the Xtreme here is going to be its new sensor, which will allow for faster and larger onboard memory and enable frame rates up to 660 fps, an insane number that will be quite popular with all types of shooters. The processor will still be able to maintain the full 17 stops of dynamic range up to 330 fps, and when utilizing frame rates up to 660 fps with Sensor Overdrive mode, it will also still reach up to 11 stops of dynamic range. ### The ARRICORE Codec The other major piece of news here is that the ALEXA 35 Xtreme will feature the next-gen ARRICORE RGB codec that will feature even greater image quality and lower data rates with your video files. Workflows will stay pretty much the same with your audio, textures, wrappers, etc, but your prerecording times will now be five times longer, which will help facilitate the high-speed capture in higher resolutions. ALEXA 35 Xtreme shooters will also be able to access up to 30 seconds in 4.6K Open Gate as well as five full minutes of prerecording time in ProRes 422 HQ at 24 fps. ### New Camera Sets and Options What’s most interesting about the ARRI ALEXA 35 Xtreme, though, might be its multiple set options. Since the ALEXA 35 Xtreme has the same housing and connector locations as the ALEXA 35, it can utilize the same accessory ecosystem. This means all of your extensions, mounts, brackets, etc, will still be compatible. The ARRI ALEXA 35 Xtreme will come in either a Base or Premium license, and then offer different set options like an Entry Set, an Operator Set, and a Production Set, as well as other premium bundles which will include LPL-mount and PL-mount set options. Here are all of the specs and features for the ARRI ALEXA 35 Xtreme Base Entry Set below, where you can also check out prices and purchase prices for all options. * ALEXA 35 XTREME Camera with Base License * Upgradeable with Separate Licenses * LPL Mount (LBUS) and PL-to-LPL Adapter * ARRICORE Codec, | 660 fps with Upgrade * CCM-1 7" Camera Control Monitor * BUD-1 Plate and B-Mount Battery Adapter * BPA-6 Bridge Plate Adapter * CCH-4 Top Handle, UAP-3 Top Plate ### ARRI ALEXA 35 XTREME Base Entry Set Continuing to innovate cine-style capture, **ARRI** introduces the **ALEXA 35 XTREME Base Entry Set**.