YouTube video by ActivityVEVO

Provided to YouTube by ColumbiaSin City · AC/DCPowerage℗ 1978 J. Albert & Son Pty LtdReleased on: 1978-05-05Guitar, Composer, Lyricist: Angus YoungVocal, Com...

Acclaimed Brooklyn-based post punk outfit Activity -- currently, Grooms' Travis Johnson (vocals, guitar), Bri DiGiola (bass), Russian Baths' Jess Rees and their newest member The Pains of Being Pure at Heart's and Peel Dream Magazine's Brian Alvarez -- will be releasing their third album, the Jeff Berner-produced A Thousand Years In Another Way on June 6, 2025 through Western Vinyl. A friend asked why the album captured the strange, heavy feeling of being alive right now better than anything else. "Evil is very real and having its way, and love is also real and hasn't lost yet," Activity's Travis Johnson told the friend -- describing the album's overall tone. The album doesn't try to explain the strange time we're living in; it simply feels like it. it's a mix of violence, alienation, and tenderness, reflecting the surreal, dreamlike -- and often nightmarish-- rhythm of our daily lives. The ten-song album sees the Brooklyn-based outfit crafting a blend of experimental rock, electronics and found sounds with a sense of paranoia, desperate flickers of hope and a warped reality. Continuing their ongoing collaboration with Berner, the band manipulated sounds and played with room acoustics to create a feeling that's disorientating and uneasy -- like the air is thick and the walls are listening. Coming out of a period of increased uncertainty, the Brooklyn-based quartet -- then Johnson, Rees and former drummer Steven Levine -- pieced the album together from various fragments, including clipped samples, looping guitar lines and spectral melodies. Johnson, Rees and DiGioia share vocal and writing duties, shaping material that feels both deeply personal and strangely alien. Throughout the album, there's a sense that things could shift or fall apart at any second -- nothing says one thing for long. A Thousand Years In Another Way's first single, album opening track "In Another Way" is a brooding and uneasy track that captures the captures an alienated and painfully lonely narrator's desperate desire to connect with someone while struggling with the chaos and uncertainty within and without. According to the band's Johnson, the album's first single is "a way of letting off a bunch of aggression, rage and resentment at things not being the way they hold be, both personal and global (wishing things were 'another way'), and feeling completely important about it, except when playing the song." Directed by the band's former dummer Steven Levine, the accompanying video for "In Another Way" is brooding, uneasy, mysterious and deeply indebted to cinema. The band's Johnson says of the video "It was shot in a neighborhood hangout, Film Noir Cinema. The owner is a big obscure movie and music guy, and it seemed perfect. Also, one of my favorite movies is Mulholland Drive, and it seemed fun to do a reference to the Club Silencio scene as a nod to David Lynch following his passing.”

Acclaimed Brooklyn-based post punk outfit Activity — currently, Grooms‘ Travis Johnson (vocals, guitar), Bri DiGiola (bass), Russian Baths‘ Jess Rees and their newest member The Pains of Being Pure at Heart‘s and Peel Dream Magazine‘s Brian Alvarez — will be releasing their third album, the Jeff Berner-produced A Thousand Years In Another Way on Friday through Western Vinyl.  The ten-song album sees the Brooklyn-based outfit crafting a blend of experimental rock, electronics and found sounds with a sense of paranoia, desperate flickers of hope and a warped reality. Continuing their ongoing collaboration with Berner, the band manipulated sounds and played with room acoustics to create a feeling that’s disorientating and uneasy — like the air is thick and the walls are listening.  Coming out of a period of increased uncertainty, the Brooklyn-based quartet — then Johnson, Rees DiGiola and former drummer Steven Levine — pieced the album together from various fragments, including clipped samples, looping guitar lines and spectral melodies. Johnson, Rees and DiGioia share vocal and writing duties, shaping material that feels both deeply personal and strangely alien. Throughout the album, there’s a sense that things could shift or fall apart at any second — nothing says one thing for long.  In the lead up to the album's release later this week, I wrote about two of the album's previously released singles: Album opening track “In Another Way” is a brooding and uneasy track that captures the captures an alienated and painfully lonely narrator’s desperate desire to connect with someone while struggling with the chaos and uncertainty within and without. According to the band’s Johnson, the album’s first single is “a way of letting off a bunch of aggression, rage and resentment at things not being the way they hold be, both personal and global (wishing things were ‘another way’), and feeling completely important about it, except when playing the song.”  “Scissors,” the album’s second and latest single is a trance-inducing and decidedly trip-hop inspired song featuring swirling, atmospheric synths, bursts of feedback-driven shoegazer guitars and skittering, reverb-soaked beats serving as a brooding and menacing bed for Jess Rees’ dreamy delivery. “The song is about being intentionally reckless and breaking things apart, knowing you’re doing it. About not being precious, and digging into that pile of parts inside and finding a better way with what you already have,” the band’s Rees says, while adding, “I was listening to Beak> a lot at the time.” A Thousand Years In Another Way's third and final pre-release single "Heavy Breathing" is a brooding and uneasy tune that recalls Depeche Mode's "Never Let Me Down Again," anchored around a glistening and looping guitar line, glitchy and skittering beats and eerily atmospheric synths serving as lush bed for Johnson's achingly plaintive delivery. The band's Travis Johnson says, "The song started off as this very quiet somber lullaby type thing until a friend suggested we ‘go Duran Duran’ with it. Not sure we pulled that off whatsoever but what it turned into felt right. I don't really want to get into what the song is actually about so I'll just say it's to do with wishing things had been better for someone than they were." The accompanying video was directed by Yasmeen Night, who says “‘Heavy Breathing’ was a song that really spoke to me. There was a theme of constant movement that I felt in the music that had to make it into the visual. I was so happy when I found out the band was on board to do some stop-motion animation for the video. I expected them to run after explaining how many hours and frames of photos were involved, but they were just as excited as I was. Between the time-lapse shots and the stop motion, I think we took roughly 10,000 individual frames that were then edited into the video. There’s also this concept of playing with time – slowing down seconds and speeding up hours – combined with a metaphor for running away from or conceding to what you fear.”

Dustin Douglas & the Electric Gentlemen, Dropsonic and Gasoline Lollipop bring the rock; Mobley brings the throwback soul.

Acclaimed Brooklyn-based post punk outfit Activity — currently, Grooms‘ Travis Johnson (vocals, guitar), Bri DiGiola (bass), Russian Baths‘ Jess Rees and their newest member The Pains of Being Pure at Heart‘s and Peel Dream Magazine‘s Brian Alvarez — will be releasing their third album, the Jeff Berner-produced A Thousand Years In Another Way on June 6, 2025 through Western Vinyl.  A friend asked why the album captured the strange, heavy feeling of being alive right now better than anything else. “Evil is very real and having its way, and love is also real and hasn’t lost yet,” Activity’s Travis Johnson told the friend — describing the album’s overall tone. The album doesn’t try to explain the strange time we’re living in; it simply feels like it. it’s a mix of violence, alienation, and tenderness, reflecting the surreal, dreamlike — and often nightmarish– rhythm of our daily lives.  The ten-song album sees the Brooklyn-based outfit crafting a blend of experimental rock, electronics and found sounds with a sense of paranoia, desperate flickers of hope and a warped reality. Continuing their ongoing collaboration with Berner, the band manipulated sounds and played with room acoustics to create a feeling that’s disorientating and uneasy — like the air is thick and the walls are listening.  Coming out of a period of increased uncertainty, the Brooklyn-based quartet — then Johnson, Rees DiGiola and former drummer Steven Levine — pieced the album together from various fragments, including clipped samples, looping guitar lines and spectral melodies. Johnson, Rees and DiGioia share vocal and writing duties, shaping material that feels both deeply personal and strangely alien. Throughout the album, there’s a sense that things could shift or fall apart at any second — nothing says one thing for long.  Last month, I wrote about the album's first single "In Another Way," a brooding and uneasy track that captures an alienated and painfully lonely narrator's desperate desire to connect with someone while struggling with the chaos and uncertainty both with A Thousand Years In Another Way‘s first single, album opening track “In Another Way” is a brooding and uneasy track that captures the captures an alienated and painfully lonely narrator’s desperate desire to connect with someone while struggling with the chaos and uncertainty within and without. According to the band’s Johnson, the album’s first single is “a way of letting off a bunch of aggression, rage and resentment at things not being the way they hold be, both personal and global (wishing things were ‘another way’), and feeling completely important about it, except when playing the song.”  "Scissors," the album's second and latest single is a trance-inducing and decidedly trip-hop inspired song featuring swirling, atmospheric synths, bursts of feedback-driven shoegazer guitars and skittering, reverb-soaked beats serving as a brooding and menacing bed for Jess Rees' dreamy delivery. "The song is about being intentionally reckless and breaking things apart, knowing you're doing it. About not being precious, and digging into that pile of parts inside and finding a better way with what you already have,” the band's Rees says, while adding, “I was listening to Beak> a lot at the time." The accompanying video was directed by Yasmeen Night who says, "Listening to ‘Scissors’ made me feel like I was in a trance, or a dream state. In the video, I wanted to lean on the concept of coming in and out of consciousness. Opening and closing your eyes - forgetting what is real and what isn’t."

Dustin Douglas & the Electric Gentlemen, Dropsonic and Gasoline Lollipop bring the rock; Mobley brings the throwback soul.

Song · 2009 · Duration 2:18

Dustin Douglas & the Electric Gentlemen, Dropsonic and Gasoline Lollipop bring the rock; Mobley brings the throwback soul.

Dustin Douglas & the Electric Gentlemen, Dropsonic and Gasoline Lollipop bring the rock; Mobley brings the throwback soul.