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This little boy was not happy about the tourists visiting his village in Botswana.

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Young boy in an African village with a sullen expression
April 16, 2026 at 3:33 AM
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"Untitled" by Akinola Lasekan (Nigerian) - Oil on board / 1967 - Yemisi Shyllon Museum of Art, Pan-Atlantic University (Lagos, Nigeria) #WomenInArt #AkinolaLasekan #Lasekan #art #artText #BlueskyArt #YemisiShyllonMuseumofArt #YSMA #Pan-AtlanticUniversity #NigerianArt #AfricanPortrait #NigerianArtist
Painted in 1967, a few years after Nigeria’s independence, this untitled portrait reflects artist Akinola Lasekan’s commitment to portraying Nigerians with seriousness and grace rather than as ethnographic types. Recognized as a pioneer of Nigerian modernism and especially admired for portraiture, Lasekan combined formal training under British educator Kenneth Murray with close observation of everyday people, using color and light to affirm their individuality. This vertical bust-length portrait depicts a Black woman facing slightly left against a curtain-like wash of mint and teal greens. Her deep brown skin is modeled with warm highlights across her forehead, nose, and collarbones, and a small scar on one cheek. She wears a tall, carefully wrapped pink and peach head tie that twists into a knot above her head, echoing the soft folds of cloth at her shoulders. Her blouse is patterned with narrow vertical stripes of rose, coral, and pale cream, as its rounded neckline frames the strong column of her neck. Long gold earrings with rounded drops hang just below her jawline. Her dark eyes are focused, but not on us. Her lips are gently closed, giving her expression a mix of composure and quiet resolve. Soft, blended brushstrokes keep surfaces smooth while faint vertical bands in the background suggest fabric behind her, keeping all attention on her calm, dignified presence. The woman’s elaborate head wrap, striped dress, and possible facial marks signal cultural rootedness, yet her direct, weighing gaze feels unmistakably contemporary. Set against the luminous green field, she appears neither idealized nor romanticized, but present as a thinking person who holds our look. By centering a Black woman as the sole subject, with no narrative scene around her, Lasekan quietly challenges colonial hierarchies that had long marginalized Africans. The work conveys beauty, self-possession, and the importance of seeing Nigerian women as protagonists in their own visual histories.
November 19, 2025 at 10:19 PM
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African Wall Art Portrait Queen of the Blossoms Black Woman Printable Download
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African Wall Art Portrait Queen of the Blossoms Black Woman Printable Download
Creative Photography and Artwork for HTFMThis stunning portrait showcases a radiant Black woman crowned with hibiscus flowers and intricate jewelry. A celebration of feminine strength and natural beau...
hard2findmerchandise.gumroad.com
August 18, 2025 at 10:29 PM