#Allner
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designcuration.bsky.social
IDEA magazine 180 by Walter Allner (1983)
April 9, 2025 at 11:35 AM
designreviewed.com
1940s design and painting by Walter Allner. Scanned from Publimondial 13, 1948 designreviewed.com/artefacts/pu...
September 17, 2025 at 6:22 AM
designreviewed.com
Gebrauchsgraphik, 01, 1938. Cover design by Heinz Allner designreviewed.com/artefacts/ge... #illustration #GraphicDesigner
January 26, 2025 at 9:50 AM
designreviewed.com
Gebrauchsgraphik, 12, 1954. Cover design by Walter Allner designreviewed.com/artefacts/ge...
May 9, 2025 at 6:40 PM
danielgray.com
Fortune covers by Walter Allner
March 2, 2026 at 4:48 PM
designreviewed.com
Gebrauchsgraphik, 01, 1942. Cover design by Heinz Allner designreviewed.com/artefacts/ge...
June 10, 2026 at 3:39 PM
fortune.com
This 1972 gate-fold cover collage was created by Walter Allner, the Bauhaus-trained graphic designer who was art director of Fortune magazine from 1962 to 1974. trib.al/M1FX1LA
May 29, 2025 at 3:02 PM
ueberdenkerin.bsky.social
'Denkmäler' #FotoVorschlag

Fachwerkhaus in Hennef-Allner (1670 erbaut und seit 1983 unter Denkmalschutz stehend)
April 18, 2025 at 12:39 PM
guido-kuehn.bsky.social
Radikaler Satz ist eine Bleisatzspielart der 1960er: man entwickelt das Satzarrangement unmittelbar aus den Setzkästen auf die Schließplatte. Was mich extrem ankotzt:
eine halbe Million auf der Straße, im ÖRR anders als bei 1.000 Wutbauern kein Brennpunkt kein nix, dafür Nazis auf den Talkshowsofas
Foto Datei eines Bleisatzdrucks. Der Text lautet: Lanz, Plasberg, Hayali, Miosga, Maischberger, will, Allner, ... Naivität, Quotengeilheit, Vorsatz, handwerkliches Unvermögen - als der Faschismus die mediale Bühne betrat, musste er eigentlich nur noch fragen: Welche Kamera. Der Text ist mit Zier und Azuréemustern versetzt und in der Futura, sowie der Tannenberg abgefasst Foto Datei eines Bleisatzdrucks. Der Text lautet: Lanz, Plasberg, Hayali, Miosga, Maischberger, will, Allner, ... Naivität, Quotengeilheit, Vorsatz, handwerkliches Unvermögen - als der Faschismus die mediale Bühne betrat, musste er eigentlich nur noch fragen: Welche Kamera. Der Text ist mit Zier und Azuréemustern versetzt und in der Futura, sowie der Tannenberg abgefasst Foto Abzug eines Bleisatzdrucks auf der Druckmaschine neben der Bleisatzform. Der Text lautet: Lanz, Plasberg, Hayali, Miosga, Maischberger, will, Allner, ... Naivität, Quotengeilheit, Vorsatz, handwerkliches Unvermögen - als der Faschismus die mediale Bühne betrat, musste er eigentlich nur noch fragen: Welche Kamera. Der Text ist mit Zier und Azuréemustern versetzt und in der Futura, sowie der Tannenberg abgefasst Foto Hand hält Abzug eines Bleisatzdrucks vor Druckmaschine und Druckform. Der Text lautet: Lanz, Plasberg, Hayali, Miosga, Maischberger, Will, Allner, ... Naivität, Quotengeilheit, Vorsatz, handwerkliches Unvermögen - als der Faschismus die mediale Bühne betrat, musste er eigentlich nur noch fragen: Welche Kamera. Der Text ist mit Zier und Azuréemustern versetzt und in der Futura, sowie der Tannenberg abgefasst
February 3, 2025 at 7:53 PM
designreviewed.com
Publimondial 10, 1947. Cover design by Walter Allner. designreviewed.com/artefacts/pu... #walterallner #publimondial #illustration
November 19, 2024 at 2:33 PM
chrisbriem.bsky.social
Cover of Fortune Magazine, June 1952
Rebuilding Pittsburgh
Walter Heinz Allner (1909-2006)
February 7, 2026 at 1:28 AM
sarcher.bsky.social
One of Walter Allner’s brilliant covers for Fortune Magazine, this one from December, 1952 when apparently it was all over. #stonks
A boldly colorful Fortune magazine cover by Walter Allner featuring a stylized financial graph with blue, yellow, green, pink and orange regions on a grid
April 7, 2025 at 3:39 PM
lronlacy.bsky.social
#Fortune for #SEPTEMBER 1951
Illustration by Walter Allner (1909-2006 👉ALT)
Cover of *Fortune*, September 1951
#FortuneCover #illustration #illustrationart #illustrationartists #WalterAllner #graphicdesign
Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. image & words quoted from https://poulwebb.blogspot.com/2021_01_10_archive.html
September 22, 2026 at 3:39 PM
guido-kuehn.bsky.social
Auf meinem Blog eine Erklärung wie es zu den AfD Talkshowdauerwerbeschleifen kommt und der Druck in nunmehr auch fehlerfrei wieder zusammengesetzt.

cartoons.guido-kuehn.de/radikaler-sa...
Foto Datei eines Bleisatzdrucks. Der Text lautet: Lanz, Plasberg, Hayali, Miosga, Maischberger, will, Allner, ... Naivität, Quotengeilheit, Vorsatz, handwerkliches Unvermögen - als der Faschismus die mediale Bühne betrat, musste er eigentlich nur noch fragen: Welche Kamera. Der Text ist mit Zier und Azuréemustern versetzt und in der Futura, sowie der Tannenberg abgefasst
February 3, 2025 at 9:25 PM
lronlacy.bsky.social
#Fortune for #AUGUST 1954
‘In this issue: The Changing American Market: 1954-59...’
#FortuneCover, August 1954
Illustration by Walter Heinz Allner (1909-2006 👉ALT)
#illustration #illustrationart #illustrationartists #WalterAllner #graphicdesign #graphicdesigner #marketconditions
‘Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage.’ image & words quoted from https://poulwebb.blogspot.com/2021_01_10_archive.html SEE ALSO: http://dada.compart-bremen.de/item/agent/627#:~:text=Allner%20was%20a%20designer%2C%20typographer,Schmidt%20and%20Laszlo%20Moholy%2DNagy
August 13, 2026 at 12:48 PM
teachercat.bsky.social
#ArtistFave15
#MusicChallenge

Thanks to @geodrew.bsky.social and @olgalovesyuri.bsky.social for continuing this 💜.

My Artists for October is a progressive rock band, formed in 1997 in Freising, 🇩🇪 as a Pink Floyd cover band by
P.P. *R*issettio,
C. *P*ostl,
K. *W*allner, and
Y. *L*ang
⬇️
RPWL
geodrew.bsky.social GeoDrew @geodrew.bsky.social · Sep 30
Big 🙏🏽 to all for ur amazing album/track picks 4 #ArtistFaveLP 🤩 It was so awesome that we’ll do it again later in October 🥳

4 now, pls join @olgalovesyuri.bsky.social & me 4 the October round of our flagship #ArtistFave15 😍

Deets below & early posts fr 5pm 30 September 🙌

Still picking my artist 😱
October 1, 2025 at 4:13 PM
lronlacy.bsky.social
#Fortune for #APRIL 1952
‘In this issue: First of a Series on Selling’
#Illustration by Walter Allner (1909-2006)
👉ALT
Cover of *Fortune*, April 1952
#FortuneCover #illustrationart #graphicdesign #WalterAllner #sales #marketresearch #retailing #distribution #mailorder
‘Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage.’ & TEXT https://poulwebb.blogspot.com/2021_01_10_archive.html
April 3, 2026 at 12:27 PM
lronlacy.bsky.social
#Fortune for #APRIL 1952
‘In this issue: First of a Series on Selling’
#Illustration by Walter Allner (1909-2006)
👉ALT
Cover of *Fortune*, April 1952
#FortuneCover #illustrationart #graphicdesign #WalterAllner #sales #marketresearch #retailing #distribution #mailorder
‘Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage.’ & TEXT https://poulwebb.blogspot.com/2021_01_10_archive.html
April 3, 2025 at 1:21 PM
lronlacy.bsky.social
#Fortune for #SEPTEMBER 1951
Illustration by Walter Allner (1909-2006 👉ALT)
Cover of *Fortune*, September 1951
#FortuneCover #illustration #illustrationart #illustrationartists #WalterAllner #graphicdesign
Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. image & words quoted from https://poulwebb.blogspot.com/2021_01_10_archive.html
September 22, 2025 at 2:50 PM
aluckmann.bsky.social
#187: Josef Bernard and Heinz Nicolas, St. Josef, Hennef-Allner (1956-57)
A fieldstone church. It is a simple gabled building built on a steep slope. The main figure of the building is a series of buttresses that create narrow bays. A clerestory window runs along the top of the wall. There is a small metal-faced chimney. Photo via Pfarrverband Geistingen Hennef Rott, https://www.katholische-kirche-hennef.de/Unsere_Kirchen/Filialkirche_st-josef-hennef-allner/ A simple church interior. There is one wide central pew leading to the altar, which is of fieldstone, as is the space behind. The rest of the walls are whitewashed. Stained-glass clerestory windows run along the top o fthe right wall, which also has three windows cut lower. The ceiling is of wood, with large treusses running from the buttresses. Photo via Pfarrverband Geistingen Hennef Rott, https://www.katholische-kirche-hennef.de/Unsere_Kirchen/Filialkirche_st-josef-hennef-allner/ A sketch of the church, NOT (I don't think) by the architects but rather for the book "Neue Kirchen im Erzbistum Köln, 1945-56" by Willy Weyres. A large stair leads up to the entrance; the church is perpendicular to the hill's slope. To the left is a small space, presumably a parish hall. Plan showing baptismal chapel (left), sacristy, and space for choir running alongside one side of the church. From "Neue Kirchen im Erzbistum Köln, 1945-56" by Willy Weyres
December 31, 2025 at 5:34 PM
lronlacy.bsky.social
#Fortune for #JUNE 1952
‘Rebuilding Pittsburgh’
Illustration by Walter Allner (1909-2006 👉ALT)
Cover of *Fortune*, June 1952.
#illustrationart #illustrationartists #graphicdesign #WalterAllner #Pittsburgh #GoldenTriangle
‘Walter Allner (1909-2006) Designer, typographer and painter Walter Allner was trained at the Bauhaus where he studied with masters Josef Albers, Wassily Kandinsky, Paul Klee, and Joost Schmidt. He was the Paris editor of Graphis magazine from 1945-1948 and in 1949 emigrated to the US. Allner was an influential art director at Fortune magazine from 1963-1974. During his 12 years at Fortune, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage.’ - https://poulwebb.blogspot.com/2021_01_10_archive.html
June 18, 2026 at 1:34 PM
lronlacy.bsky.social
#Fortune for #FEBRUARY 1953
‘How Much Strength behind the Curtain? (four articles on Soviet Russia)’
Cover of *Fortune*, Feb. 1953
#Illustration by Walter Allner (1909-2006)
👉ALT
#FortuneCover #illustrationart #WalterAllner #graphicdesign #graphicdesigners #ColdWar #IronCurtain
image from https://poulwebb.blogspot.com/2021_01_10_archive.html http://dada.compart-bremen.de/item/agent/627#:~:text=Allner%20was%20a%20designer%2C%20typographer,Schmidt%20and%20Laszlo%20Moholy%2DNagy: ‘Allner was a designer, typographer and painter who pioneered computer-designed magazine layout. He collaborated with engineers to develop technology-aided design. In the late 1920s he studied at the Dessau Bauhaus. His teachers included Paul Klee, Wassily Kandinsky, Joost Schmidt and Laszlo Moholy-Nagy. During his 12 years at Fortune magazine, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. ...’
February 25, 2025 at 5:22 PM
graphique.bsky.social
Fortune: Nuts and Bolts (1951), Walter Allner https://a-g-i.org/design/fortune-nuts-and-bolts
May 4, 2026 at 8:00 AM
lronlacy.bsky.social
#Fortune for #FEBRUARY 1953
‘How Much Strength behind the Curtain? (four articles on Soviet Russia)’
Cover of *Fortune*, Feb. 1953
#Illustration by Walter Allner (1909-2006 👉ALT)
#FortuneCover #illustrationart #WalterAllner #graphicdesign #graphicdesigners #ColdWar #IronCurtain
image from https://poulwebb.blogspot.com/2021_01_10_archive.html http://dada.compart-bremen.de/item/agent/627#:~:text=Allner%20was%20a%20designer%2C%20typographer,Schmidt%20and%20Laszlo%20Moholy%2DNagy: ‘Allner was a designer, typographer and painter who pioneered computer-designed magazine layout. He collaborated with engineers to develop technology-aided design. In the late 1920s he studied at the Dessau Bauhaus. His teachers included Paul Klee, Wassily Kandinsky, Joost Schmidt and Laszlo Moholy-Nagy. During his 12 years at Fortune magazine, in addition to maintaining the magazine’s Bauhaus-inspired contemporary typography and elegant overall design scheme, he personally created 79 covers, which ran the gamut from minimalist graphic abstraction to complex photographic collage. ...’
February 25, 2026 at 1:57 PM