Kid Congo on the island of the pink monkey birds #kidcongopowers #ArchibaldPrize 2019
Kid Congo on the island of the pink monkey birds #kidcongopowers #ArchibaldPrize 2019
FFS. Not every is antisemitism. #Archibaldprize
FFS. Not every is antisemitism. #Archibaldprize
'Jarinyanu David Downs' (1995)
Oil on canvas
119 x 89.2 cm
#ArchibaldPrize finalist
'Jarinyanu David Downs' (1995)
Oil on canvas
119 x 89.2 cm
#ArchibaldPrize finalist
Vincent Namatjira’s “King Dingo” is one of my favourite works in the Wynne Prize this year. The artist explains he has painted the dingo as a symbol of Indigenous power.
#ArchibaldPrize #AGNSW #painting #art #Sydney
Vincent Namatjira’s “King Dingo” is one of my favourite works in the Wynne Prize this year. The artist explains he has painted the dingo as a symbol of Indigenous power.
#ArchibaldPrize #AGNSW #painting #art #Sydney
oil on board
Tsering Hannaford
2025 Archibald Prize finalist
Art Gallery of New South Wales Sydney
#Art, #TseringHannaford, #Disability, #ArchibaldPrize, #Gratitude
oil on board
Tsering Hannaford
2025 Archibald Prize finalist
Art Gallery of New South Wales Sydney
#Art, #TseringHannaford, #Disability, #ArchibaldPrize, #Gratitude
'Ivy Shore' (1961)
Oil on masonite
126.3 x 110.8 cm
#ArchibaldPrize finalist now in National Portrait Gallery collection
'Roderick Shaw' (1956)
Oil on hardboard
127 x 101.6 cm
#ArchibaldPrize finalist now in Art Gallery of NSW collection
'Ivy Shore' (1961)
Oil on masonite
126.3 x 110.8 cm
#ArchibaldPrize finalist now in National Portrait Gallery collection
'Roderick Shaw' (1956)
Oil on hardboard
127 x 101.6 cm
#ArchibaldPrize finalist now in Art Gallery of NSW collection
'Martin Place'
Oil on board
50 x 60 cm
'Woman in Red Jacket' (1945)
Oil on canvas
96 x 87 cm
Santry’s mother, Mary Elizabeth Santry
#ArchibaldPrize finalist
Draughtsman, cartoonist, illustrator, and painter
'Martin Place'
Oil on board
50 x 60 cm
'Woman in Red Jacket' (1945)
Oil on canvas
96 x 87 cm
Santry’s mother, Mary Elizabeth Santry
#ArchibaldPrize finalist
Draughtsman, cartoonist, illustrator, and painter
'Cuban Taxi' (2015)
Enamel on aluminium
60 x 60 cm
'Jason Phu' (2019)
Enamel, gloss acrylic, aluminium, plywood and metal sign on board
153 x 153 cm
#ArchibaldPrize finalist
'Cuban Taxi' (2015)
Enamel on aluminium
60 x 60 cm
'Jason Phu' (2019)
Enamel, gloss acrylic, aluminium, plywood and metal sign on board
153 x 153 cm
#ArchibaldPrize finalist
Natasha Walsh, “The Yellow Odalisque of Brunswick” – a portrait of South Sudanese artist Atong Atem in a reimagined version of Henri Matisse’s “Yellow odalisque”.
#ArchibaldPrize #AGNSW #painting #art #Sydney
Natasha Walsh, “The Yellow Odalisque of Brunswick” – a portrait of South Sudanese artist Atong Atem in a reimagined version of Henri Matisse’s “Yellow odalisque”.
#ArchibaldPrize #AGNSW #painting #art #Sydney
'Grey, green and brown' (1946)
Oil on canvas
91.4 x 71.1 cm
#ArchibaldPrize finalist
The model is Hester Clarke
Art Gallery of NSW
'Contemplation' (1951)
Oil on canvas
64.2 × 77 cm
@ngvmelbourne.bsky.social
'Grey, green and brown' (1946)
Oil on canvas
91.4 x 71.1 cm
#ArchibaldPrize finalist
The model is Hester Clarke
Art Gallery of NSW
'Contemplation' (1951)
Oil on canvas
64.2 × 77 cm
@ngvmelbourne.bsky.social
Vipoo Srivilasa’s “Self-portrait as a cat king” is a ceramic tile featuring the artist amongst his Burmese cats. He writes that the work blends “identity, culture and affection for my feline companions into a single frame.”
#ArchibaldPrize #AGNSW #painting #art #Sydney
Vipoo Srivilasa’s “Self-portrait as a cat king” is a ceramic tile featuring the artist amongst his Burmese cats. He writes that the work blends “identity, culture and affection for my feline companions into a single frame.”
#ArchibaldPrize #AGNSW #painting #art #Sydney
It wasn’t easy to choose, but I voted for Loribelle Spirovski’s “Finger painting of William Barton” in the Archibald Prize this year.
I love this painting for its looseness and freedom, the way it lets the light in.
#ArchibaldPrize #AGNSW #painting #art #Sydney
It wasn’t easy to choose, but I voted for Loribelle Spirovski’s “Finger painting of William Barton” in the Archibald Prize this year.
I love this painting for its looseness and freedom, the way it lets the light in.
#ArchibaldPrize #AGNSW #painting #art #Sydney
'Iluwanti Ken' (2026)
Acrylic on canvas
198 x 198 cm
Winner #ArchibaldPrize
'Iluwanti Ken' (2026)
Acrylic on canvas
198 x 198 cm
Winner #ArchibaldPrize
'Portrait of Betty Margaret Ince (Shelton)'
Oil on canvas
90.5 x 75cm
'Miss Margaret Smith' (1962)
Oil on canvas
100 x 74 cm
#ArchibaldPrize finalist now in National Portrait Gallery collection
'Portrait of Betty Margaret Ince (Shelton)'
Oil on canvas
90.5 x 75cm
'Miss Margaret Smith' (1962)
Oil on canvas
100 x 74 cm
#ArchibaldPrize finalist now in National Portrait Gallery collection
Peter Ke Heng Chen’s “I’m a little fish in New York (ripples of ambition)”. A portrait of the artist’s son, the loveable comedian Aaron Chen. I can see a father looking at his grown-up, successful son. A very tender painting.
#ArchibaldPrize #AGNSW #painting #art #Sydney
Peter Ke Heng Chen’s “I’m a little fish in New York (ripples of ambition)”. A portrait of the artist’s son, the loveable comedian Aaron Chen. I can see a father looking at his grown-up, successful son. A very tender painting.
#ArchibaldPrize #AGNSW #painting #art #Sydney
'John Mellis Napier' (1955)
Oil on board
67 x 54 cm
#ArchibaldPrize finalist
'The Artist's House'
Oil on canvas on board
43 x 53 cm
'Prospecting - Hill End'
Oil on board
44.5 x 54.5 cm
'John Mellis Napier' (1955)
Oil on board
67 x 54 cm
#ArchibaldPrize finalist
'The Artist's House'
Oil on canvas on board
43 x 53 cm
'Prospecting - Hill End'
Oil on board
44.5 x 54.5 cm
Claudia Chan Shaw
oil on linen
Sally Ryan
Archibald Prize finalist 2023
Art Gallery of New South Wales Sydney
#Art, #SallyRyan, #ClaudiaChanShaw, #ArchibaldPrize
Claudia Chan Shaw
oil on linen
Sally Ryan
Archibald Prize finalist 2023
Art Gallery of New South Wales Sydney
#Art, #SallyRyan, #ClaudiaChanShaw, #ArchibaldPrize