Carey Candrian, PhD, writes in The New England Journal of Medicine that bias against LGBTQ patients continues due to a lack of information. View article...

The National Institutes of Health for decades has been our vehicle for alleviating suffering. Its work has saved millions of people’s lives

Ze moest haar meerdere erkennen in de Amerikaanse Ty Walker en de Zwitserse Sina Candrian.

57 Jugendliche schreiben, drehen, gestalten – und räumen in eineinhalb Minuten mit Vorurteilen auf. Mit «Don't Grow Up! #GrowStrong» lässt Gorilla Schweiz die Jugend selbst das Wort ergreifen. Geschäftsführerin Sina Candrian über echte Partizipation – und den Mut, Verantwortung zu teilen.

Candrian Attahiyyat meninggalkan jejak dedikasi terhadap pelestarian cagar budaya dan sejarah, khususnya tentang Jakarta.

ABOVE: Installation view, Jeffrey Gibson, boshullichi / inlvchi – we will continue to change, Kunsthaus Zürich, 2025, photo by Franca Candrian, Kunsthaus Zürich Jeffrey Gibson was far more open about the act of dreaming and the beliefs that make-up spirituality than I expected. I

It was a great pleasure to work with Maria over the course of 3 years. It began with the end of 2006 tennis season. Our first collaboration was focused on the '06 US Open and was sharpened by the idea...

ABOVE: Installation view, Jeffrey Gibson, boshullichi / inlvchi – we will continue to change, Kunsthaus Zürich, 2025, photo by Franca Candrian, Kunsthaus Zürich Jeffrey Gibson was far more open about the act of dreaming and the beliefs that make-up spirituality than I expected. I started our conversation saying that I like to keep things loose, […] The post Jeffrey Gibson: More Colors than The Eye Can See first appeared on Hi-Fructose Magazine.

Arkeolog Candrian Attahiyyat berpendapat penambahan unsur kekinian dalam bangunan cagar budaya dimungkinkan asalkan tetap menjaga bentuk asli cagar budaya ...

The National Institutes of Health for decades has been our vehicle for alleviating suffering. Its work has saved millions of people’s lives

In the agglomeration of Zurich, a young family purchased a plot of land adjacent to their parental home in order to build two residential units for themselves and relatives. The designed figure is ori...

Contributed by Chantal Hochuli _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ Kerry James Marshall – The Histories is on view at Kunsthaus Zürich from 27 February to 16 August 2026. The exhibition marks the first large-scale survey of Marshall’s work in the German-speaking world, bringing together central works from different phases of his career as well as new paintings. Marshall’s monumental, multilayered paintings place Black figures at the centre of the image. Since the early 1980s, his work has engaged with the Western tradition of history painting, questioning its omissions, exclusions and inherited hierarchies. The exhibition graphics were designed by Lena Huber and Chantal Hochuli, using Riant Display and Kit Rounded. The exhibition is a cooperation with the Royal Academy of Arts, London, and the Musée d’Art Moderne de Paris. It was realised under the direction of Mark Godfrey in collaboration with the participating institutions, including Cathérine Hug for Kunsthaus Zürich. _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Kerry James Marshall. Photography: Franca Candrian. License: All Rights Reserved. _ This post was originally published at Fonts In Use * * *

Contributed by Chantal Hochuli _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ Design for Lygia Clark. Retrospektive, shown at Kunsthaus Zürich from 14 November 2025 to 8 March 2026. Curated by Cathérine Hug, the exhibition is dedicated to one of the key figures of Brazilian Neoconcretismo, whose work consistently challenged the boundary between artwork and viewer through movement, perception, and participation. The graphic concept by Lena Huber was developed in response to this open, sensory practice, using **Kynema** across the exhibition identity. Its precise but lively character accompanied a display that moved between structure and experience. The exhibition was realised in cooperation with Neue Nationalgalerie Berlin and Associação Cultural O Mundo de Lygia Clark. _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ _Works: © Associação Cultural O Mundo de Lygia Clark. Photography: Franca Candrian. License: All Rights Reserved. _ This post was originally published at Fonts In Use * * *