Sei que a Simone Rocha partiu do quadro "The Taking of Christ" do Caravaggio, em que ele retrata o beijo de Judas em Jesus, mas a minha mente foi longe assistindo. Fui de matrioskas até masturbação como um ato de autoproteção, pensando nas modelos se abraçando.
October 14, 2026 at 5:47 PM
Sei que a Simone Rocha partiu do quadro "The Taking of Christ" do Caravaggio, em que ele retrata o beijo de Judas em Jesus, mas a minha mente foi longe assistindo. Fui de matrioskas até masturbação como um ato de autoproteção, pensando nas modelos se abraçando.
Bacchus https://www.wikiart.org/en/caravaggio/bacchus-1596-1
October 14, 2026 at 3:15 PM
Bacchus https://www.wikiart.org/en/caravaggio/bacchus-1596-1
Although Michelangelo and Caravaggio belonged to different generations, Juleff brings their artistic legacies together in this photograph. Light travels across Lee’s chest, shoulders and arms,
October 14, 2026 at 2:06 PM
Although Michelangelo and Caravaggio belonged to different generations, Juleff brings their artistic legacies together in this photograph. Light travels across Lee’s chest, shoulders and arms,
The body is not merely presented to the viewer; it is composed as a living sculpture.
Equally compelling is the comparison with Caravaggio, whose dramatic chiaroscuro transformed the human figure through the tension between illumination and darkness.
Equally compelling is the comparison with Caravaggio, whose dramatic chiaroscuro transformed the human figure through the tension between illumination and darkness.
October 14, 2026 at 2:06 PM
The body is not merely presented to the viewer; it is composed as a living sculpture.
Equally compelling is the comparison with Caravaggio, whose dramatic chiaroscuro transformed the human figure through the tension between illumination and darkness.
Equally compelling is the comparison with Caravaggio, whose dramatic chiaroscuro transformed the human figure through the tension between illumination and darkness.
Four hundred years on, art historians still can't agree which man at that table is Matthew. At least one argues Caravaggio meant it that way.
The Calling of St Matthew — Caravaggio, 1599–1600. San Luigi dei Francesi, Rome.
The Calling of St Matthew — Caravaggio, 1599–1600. San Luigi dei Francesi, Rome.
The Calling of St Matthew — Caravaggio
The Calling of St Matthew by Caravaggio, 1599–1600. San Luigi dei Francesi, Rome. A Monstrance edition, chosen for its place in the living liturgical year.
monstrance.app
October 14, 2026 at 2:01 PM
Four hundred years on, art historians still can't agree which man at that table is Matthew. At least one argues Caravaggio meant it that way.
The Calling of St Matthew — Caravaggio, 1599–1600. San Luigi dei Francesi, Rome.
The Calling of St Matthew — Caravaggio, 1599–1600. San Luigi dei Francesi, Rome.
Crowning with Thorns https://www.wikiart.org/en/caravaggio/crowning-with-thorns-1603
October 14, 2026 at 12:28 PM
Crowning with Thorns https://www.wikiart.org/en/caravaggio/crowning-with-thorns-1603
my cat looks like a caravaggio painting lol
a catavaggio
a catavaggio
October 14, 2026 at 11:49 AM
my cat looks like a caravaggio painting lol
a catavaggio
a catavaggio
So true. I can hardly enjoy looking at a Caravaggio any more.
October 14, 2026 at 11:46 AM
So true. I can hardly enjoy looking at a Caravaggio any more.
Yo sin ser fan de PutoMikel, me gusta sobre lo que habla. Ahora bien, ilustrar con IAslop un cuadro de Caravaggio es para hacérselo mirar.
October 14, 2026 at 11:41 AM
Yo sin ser fan de PutoMikel, me gusta sobre lo que habla. Ahora bien, ilustrar con IAslop un cuadro de Caravaggio es para hacérselo mirar.
Il Mattutino dal Castello Sforzini: da Mozart a Garibaldi, la memoria infallibile dei corvi e l’illusione dei confini umani
Il Mattutino dal Castello Sforzini di Castellar Ponzano: dalle manie liberatorie di Mozart, Caravaggio, Proust e Garibaldi alla prodigiosa memoria dei corvi, fino al cartello…
Il Mattutino dal Castello Sforzini di Castellar Ponzano: dalle manie liberatorie di Mozart, Caravaggio, Proust e Garibaldi alla prodigiosa memoria dei corvi, fino al cartello…
Il Mattutino dal Castello Sforzini: da Mozart a Garibaldi, la memoria infallibile dei corvi e l’illusione dei confini umani
Il Mattutino dal Castello Sforzini di Castellar Ponzano: dalle manie liberatorie di Mozart, Caravaggio, Proust e Garibaldi alla prodigiosa memoria dei corvi, fino al cartello che svela l'artificio dei confini umani. Un manifesto profondo per riscoprire il valore della memoria e dell'anticonformismo. Tutti i dettagli e l'editoriale completo di mercoledì 14 ottobre 👇
cavalierenews.it
October 14, 2026 at 8:58 AM
Il Mattutino dal Castello Sforzini: da Mozart a Garibaldi, la memoria infallibile dei corvi e l’illusione dei confini umani
Il Mattutino dal Castello Sforzini di Castellar Ponzano: dalle manie liberatorie di Mozart, Caravaggio, Proust e Garibaldi alla prodigiosa memoria dei corvi, fino al cartello…
Il Mattutino dal Castello Sforzini di Castellar Ponzano: dalle manie liberatorie di Mozart, Caravaggio, Proust e Garibaldi alla prodigiosa memoria dei corvi, fino al cartello…
#aiart #promptshare
Title: Bound to the Mast in the Maw of Heaven
Style: Baroque oil painting in the tenebrist tradition of Caravaggio crossed with Dutch marine painting; impasto foam, glazed shadows, visible canvas texture.
Prompt in ALT
Title: Bound to the Mast in the Maw of Heaven
Style: Baroque oil painting in the tenebrist tradition of Caravaggio crossed with Dutch marine painting; impasto foam, glazed shadows, visible canvas texture.
Prompt in ALT
October 14, 2026 at 12:00 AM
#aiart #promptshare
Title: Bound to the Mast in the Maw of Heaven
Style: Baroque oil painting in the tenebrist tradition of Caravaggio crossed with Dutch marine painting; impasto foam, glazed shadows, visible canvas texture.
Prompt in ALT
Title: Bound to the Mast in the Maw of Heaven
Style: Baroque oil painting in the tenebrist tradition of Caravaggio crossed with Dutch marine painting; impasto foam, glazed shadows, visible canvas texture.
Prompt in ALT
Artemisia Lomi Gentileschi painted that after the style of Caravaggio.
Brilliant painting.
Brilliant painting.
October 13, 2026 at 11:58 PM
Artemisia Lomi Gentileschi painted that after the style of Caravaggio.
Brilliant painting.
Brilliant painting.
Caravaggio's Bacchus
Legend has it that this is a self portrait of the artist in his youth
#art #artsky #caravaggio
Legend has it that this is a self portrait of the artist in his youth
#art #artsky #caravaggio
October 13, 2026 at 10:45 PM
Caravaggio's Bacchus
Legend has it that this is a self portrait of the artist in his youth
#art #artsky #caravaggio
Legend has it that this is a self portrait of the artist in his youth
#art #artsky #caravaggio
When we win the lottery tonight...
Ben Poremba’s Rome- The Genuine Experience
Join chef Ben Poremba in Rome for a small group tour of trattorias, markets, Caravaggio churches, private palazzi, and Northern Lazio.
www.thegenuineexperience.travel
October 13, 2026 at 10:20 PM
When we win the lottery tonight...
One last nod to Caravaggio before we leave - this was his apartment in Rome.
October 13, 2026 at 8:42 PM
One last nod to Caravaggio before we leave - this was his apartment in Rome.
Adoration of the Shepherds https://www.wikiart.org/en/caravaggio/adoration-of-the-shepherds-1609
October 13, 2026 at 5:12 PM
Adoration of the Shepherds https://www.wikiart.org/en/caravaggio/adoration-of-the-shepherds-1609
Today we visited Giza Plateau (Egypt) and I was utterly awestruck by the sheer scale and majesty of the Pyramids of Giza, the ancient wonders that have stood the test of time and still exude an air of mystique and grandeur. The desert landscape and the […]
[Original post on mstdn.forfun.su]
[Original post on mstdn.forfun.su]
October 13, 2026 at 4:28 PM
Today we visited Giza Plateau (Egypt) and I was utterly awestruck by the sheer scale and majesty of the Pyramids of Giza, the ancient wonders that have stood the test of time and still exude an air of mystique and grandeur. The desert landscape and the […]
[Original post on mstdn.forfun.su]
[Original post on mstdn.forfun.su]
Baroque Art Explained: Drama, Light and Emotion on a Grand Scale
Baroque art wanted viewers to feel somet
#wooarts Art Movements Articles
https://wooarts.com/baroque-art-explained-history-artists-legacy/
Baroque art wanted viewers to feel somet
#wooarts Art Movements Articles
https://wooarts.com/baroque-art-explained-history-artists-legacy/
October 13, 2026 at 2:00 PM
Baroque Art Explained: Drama, Light and Emotion on a Grand Scale
Baroque art wanted viewers to feel somet
#wooarts Art Movements Articles
https://wooarts.com/baroque-art-explained-history-artists-legacy/
Baroque art wanted viewers to feel somet
#wooarts Art Movements Articles
https://wooarts.com/baroque-art-explained-history-artists-legacy/
The Gamblers https://collections.artsmia.org/art/1378/
October 13, 2026 at 12:48 PM
The Gamblers https://collections.artsmia.org/art/1378/