Explore the raw and powerful insights in “#FuckArt,” where the pursuit of true beauty challenges conventions and invites a deeper understanding beyond the surface.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
September 27, 2026 at 8:30 PM
Explore the raw and powerful insights in “#FuckArt,” where the pursuit of true beauty challenges conventions and invites a deeper understanding beyond the surface.
ARTISTS
sites.google.com/.../fab.../t...
Felice Casorati, Uova e limoni ̶s̶u̶l̶ ̶p̶a̶e̶s̶a̶g̶g̶i̶o̶, 1950, GAM, Torino
Altro titolo: «Cazzo!» «Ssst... silenzio!», 2026
#felicecasorati #silenzio #gam #torino #dadaism #newdada #popart #conceptualart #citationism #imitationart #appropriationart #fakeart #fuckart
sites.google.com/.../fab.../t...
Felice Casorati, Uova e limoni ̶s̶u̶l̶ ̶p̶a̶e̶s̶a̶g̶g̶i̶o̶, 1950, GAM, Torino
Altro titolo: «Cazzo!» «Ssst... silenzio!», 2026
#felicecasorati #silenzio #gam #torino #dadaism #newdada #popart #conceptualart #citationism #imitationart #appropriationart #fakeart #fuckart
September 23, 2026 at 11:12 AM
ARTISTS
sites.google.com/.../fab.../t...
Felice Casorati, Uova e limoni ̶s̶u̶l̶ ̶p̶a̶e̶s̶a̶g̶g̶i̶o̶, 1950, GAM, Torino
Altro titolo: «Cazzo!» «Ssst... silenzio!», 2026
#felicecasorati #silenzio #gam #torino #dadaism #newdada #popart #conceptualart #citationism #imitationart #appropriationart #fakeart #fuckart
sites.google.com/.../fab.../t...
Felice Casorati, Uova e limoni ̶s̶u̶l̶ ̶p̶a̶e̶s̶a̶g̶g̶i̶o̶, 1950, GAM, Torino
Altro titolo: «Cazzo!» «Ssst... silenzio!», 2026
#felicecasorati #silenzio #gam #torino #dadaism #newdada #popart #conceptualart #citationism #imitationart #appropriationart #fakeart #fuckart
September 18, 2026 at 7:35 PM
Dive into a bold exploration of art that defies convention in our blog post “#FuckArt,” where we crave a raw, unfiltered connection to beauty that breaks all the rules.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
September 2, 2026 at 8:30 PM
Dive into a bold exploration of art that defies convention in our blog post “#FuckArt,” where we crave a raw, unfiltered connection to beauty that breaks all the rules.
ARTISTS
sites.google.com/view/fabioom...
Andy Warhol, Time Capsules 613/614/615, after 1987, Warhol Museum, Pittsburgh
Another title: Luckily, there’s a niece who’ll throw all this useless memory away, 2026
#andywarhol #TimeCapsule #dada #citationism #popart #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Andy Warhol, Time Capsules 613/614/615, after 1987, Warhol Museum, Pittsburgh
Another title: Luckily, there’s a niece who’ll throw all this useless memory away, 2026
#andywarhol #TimeCapsule #dada #citationism #popart #appropriationart #fakeart #fuckart
September 1, 2026 at 9:15 AM
ARTISTS
sites.google.com/view/fabioom...
Andy Warhol, Time Capsules 613/614/615, after 1987, Warhol Museum, Pittsburgh
Another title: Luckily, there’s a niece who’ll throw all this useless memory away, 2026
#andywarhol #TimeCapsule #dada #citationism #popart #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Andy Warhol, Time Capsules 613/614/615, after 1987, Warhol Museum, Pittsburgh
Another title: Luckily, there’s a niece who’ll throw all this useless memory away, 2026
#andywarhol #TimeCapsule #dada #citationism #popart #appropriationart #fakeart #fuckart
August 29, 2026 at 1:20 PM
Dive into a bold exploration of unconventional beauty in our blog post “#FuckArt,” where the desire for transcendence challenges the norms of artistic expression.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
August 23, 2026 at 8:30 PM
Dive into a bold exploration of unconventional beauty in our blog post “#FuckArt,” where the desire for transcendence challenges the norms of artistic expression.
Dive into the provocative thoughts of " #FuckArt," where the quest for true beauty defies convention and seeks the raw, unfiltered experience we all crave.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
August 15, 2026 at 9:30 AM
Dive into the provocative thoughts of " #FuckArt," where the quest for true beauty defies convention and seeks the raw, unfiltered experience we all crave.
ARTISTS
Frank Stella, Scramble: Green Double / Left N, Right 8, 1977
Another title: Granny Squares, 2026, Grandma’s collection (Piastrelis de none, 2026, Racuelta de none, Udin)
#frankstella #scramble #granny #square #grandma #piastrelis #none #udin
#dadaism #appropriationart #fakeart #fuckart
Frank Stella, Scramble: Green Double / Left N, Right 8, 1977
Another title: Granny Squares, 2026, Grandma’s collection (Piastrelis de none, 2026, Racuelta de none, Udin)
#frankstella #scramble #granny #square #grandma #piastrelis #none #udin
#dadaism #appropriationart #fakeart #fuckart
August 13, 2026 at 11:16 AM
ARTISTS
Frank Stella, Scramble: Green Double / Left N, Right 8, 1977
Another title: Granny Squares, 2026, Grandma’s collection (Piastrelis de none, 2026, Racuelta de none, Udin)
#frankstella #scramble #granny #square #grandma #piastrelis #none #udin
#dadaism #appropriationart #fakeart #fuckart
Frank Stella, Scramble: Green Double / Left N, Right 8, 1977
Another title: Granny Squares, 2026, Grandma’s collection (Piastrelis de none, 2026, Racuelta de none, Udin)
#frankstella #scramble #granny #square #grandma #piastrelis #none #udin
#dadaism #appropriationart #fakeart #fuckart
ARTISTS
sites.google.com/view/fabioom...
Emilio Isgrò, Pagina cancellata, 1968, Serigrafia
Altro titolo: Nell'arte contemporanea a quali condizioni questa cosa viene considerata arte?, Maggio 2026, Federico Ferrari, Il Giornale dell’arte
#EmilioIsgrò #dadaism #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Emilio Isgrò, Pagina cancellata, 1968, Serigrafia
Altro titolo: Nell'arte contemporanea a quali condizioni questa cosa viene considerata arte?, Maggio 2026, Federico Ferrari, Il Giornale dell’arte
#EmilioIsgrò #dadaism #appropriationart #fakeart #fuckart
August 8, 2026 at 9:41 AM
ARTISTS
sites.google.com/view/fabioom...
Emilio Isgrò, Pagina cancellata, 1968, Serigrafia
Altro titolo: Nell'arte contemporanea a quali condizioni questa cosa viene considerata arte?, Maggio 2026, Federico Ferrari, Il Giornale dell’arte
#EmilioIsgrò #dadaism #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Emilio Isgrò, Pagina cancellata, 1968, Serigrafia
Altro titolo: Nell'arte contemporanea a quali condizioni questa cosa viene considerata arte?, Maggio 2026, Federico Ferrari, Il Giornale dell’arte
#EmilioIsgrò #dadaism #appropriationart #fakeart #fuckart
ARTISTS
Doris Salcedo, Shibboleth, 2007, Installation, Tate Modern’s Turbine Hall, London
Another title: Fractures: borders, remigration, fatherland, arian myth, unimpaireds, natural family… sovereignty, 2026
#dorissalcedo #tatemodern #london #remigration #dada #appropriationart #fakeart #fuckart
Doris Salcedo, Shibboleth, 2007, Installation, Tate Modern’s Turbine Hall, London
Another title: Fractures: borders, remigration, fatherland, arian myth, unimpaireds, natural family… sovereignty, 2026
#dorissalcedo #tatemodern #london #remigration #dada #appropriationart #fakeart #fuckart
August 4, 2026 at 11:00 AM
ARTISTS
Doris Salcedo, Shibboleth, 2007, Installation, Tate Modern’s Turbine Hall, London
Another title: Fractures: borders, remigration, fatherland, arian myth, unimpaireds, natural family… sovereignty, 2026
#dorissalcedo #tatemodern #london #remigration #dada #appropriationart #fakeart #fuckart
Doris Salcedo, Shibboleth, 2007, Installation, Tate Modern’s Turbine Hall, London
Another title: Fractures: borders, remigration, fatherland, arian myth, unimpaireds, natural family… sovereignty, 2026
#dorissalcedo #tatemodern #london #remigration #dada #appropriationart #fakeart #fuckart
ARTISTS
Emilio Vedova, …Dagegen…, 1987-95, Dischi recto-verso, Collezione privata
Altro titolo: …Invece…, …ma…, …però…, …al contrario…, …in compenso…, …in confronto…, …contro…, …bensì…, …intanto…, 2026
#emiliovedova #dadaism #newdada #popart #conceptualart #appropriationart #fakeart #fuckart
Emilio Vedova, …Dagegen…, 1987-95, Dischi recto-verso, Collezione privata
Altro titolo: …Invece…, …ma…, …però…, …al contrario…, …in compenso…, …in confronto…, …contro…, …bensì…, …intanto…, 2026
#emiliovedova #dadaism #newdada #popart #conceptualart #appropriationart #fakeart #fuckart
August 1, 2026 at 10:29 AM
ARTISTS
Emilio Vedova, …Dagegen…, 1987-95, Dischi recto-verso, Collezione privata
Altro titolo: …Invece…, …ma…, …però…, …al contrario…, …in compenso…, …in confronto…, …contro…, …bensì…, …intanto…, 2026
#emiliovedova #dadaism #newdada #popart #conceptualart #appropriationart #fakeart #fuckart
Emilio Vedova, …Dagegen…, 1987-95, Dischi recto-verso, Collezione privata
Altro titolo: …Invece…, …ma…, …però…, …al contrario…, …in compenso…, …in confronto…, …contro…, …bensì…, …intanto…, 2026
#emiliovedova #dadaism #newdada #popart #conceptualart #appropriationart #fakeart #fuckart
ARTISTS
̶G̶e̶r̶h̶a̶r̶d̶ ̶R̶i̶c̶h̶t̶e̶r̶ ̶[Miriam Rigali], Cage (3), 2006, Oil paint on canvas, Tate Gallery, London
Another title: 𝙂𝙚𝙧𝙝𝙖𝙧𝙙 𝙍𝙞𝙘𝙝𝙩𝙚𝙧 (𝙖𝙣𝙙, 𝙖𝙡𝙖𝙨, 𝙝𝙚’𝙨 𝙣𝙤𝙩 𝙩𝙝𝙚 𝙤𝙣𝙡𝙮 𝙤𝙣𝙚!): « 𝙄 𝙘𝙖𝙣𝙣𝙤𝙩 𝙖𝙡𝙬𝙖𝙮𝙨 𝙚𝙭𝙖𝙘𝙩𝙡𝙮 𝙛𝙤𝙧𝙚𝙨𝙚𝙚 𝙬𝙝𝙖𝙩 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣 », 𝟮𝟬𝟬𝟵
#gerhardrichter #tategallery #dada #appropriationart #fakeart #fuckart
̶G̶e̶r̶h̶a̶r̶d̶ ̶R̶i̶c̶h̶t̶e̶r̶ ̶[Miriam Rigali], Cage (3), 2006, Oil paint on canvas, Tate Gallery, London
Another title: 𝙂𝙚𝙧𝙝𝙖𝙧𝙙 𝙍𝙞𝙘𝙝𝙩𝙚𝙧 (𝙖𝙣𝙙, 𝙖𝙡𝙖𝙨, 𝙝𝙚’𝙨 𝙣𝙤𝙩 𝙩𝙝𝙚 𝙤𝙣𝙡𝙮 𝙤𝙣𝙚!): « 𝙄 𝙘𝙖𝙣𝙣𝙤𝙩 𝙖𝙡𝙬𝙖𝙮𝙨 𝙚𝙭𝙖𝙘𝙩𝙡𝙮 𝙛𝙤𝙧𝙚𝙨𝙚𝙚 𝙬𝙝𝙖𝙩 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣 », 𝟮𝟬𝟬𝟵
#gerhardrichter #tategallery #dada #appropriationart #fakeart #fuckart
July 28, 2026 at 9:05 AM
ARTISTS
̶G̶e̶r̶h̶a̶r̶d̶ ̶R̶i̶c̶h̶t̶e̶r̶ ̶[Miriam Rigali], Cage (3), 2006, Oil paint on canvas, Tate Gallery, London
Another title: 𝙂𝙚𝙧𝙝𝙖𝙧𝙙 𝙍𝙞𝙘𝙝𝙩𝙚𝙧 (𝙖𝙣𝙙, 𝙖𝙡𝙖𝙨, 𝙝𝙚’𝙨 𝙣𝙤𝙩 𝙩𝙝𝙚 𝙤𝙣𝙡𝙮 𝙤𝙣𝙚!): « 𝙄 𝙘𝙖𝙣𝙣𝙤𝙩 𝙖𝙡𝙬𝙖𝙮𝙨 𝙚𝙭𝙖𝙘𝙩𝙡𝙮 𝙛𝙤𝙧𝙚𝙨𝙚𝙚 𝙬𝙝𝙖𝙩 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣 », 𝟮𝟬𝟬𝟵
#gerhardrichter #tategallery #dada #appropriationart #fakeart #fuckart
̶G̶e̶r̶h̶a̶r̶d̶ ̶R̶i̶c̶h̶t̶e̶r̶ ̶[Miriam Rigali], Cage (3), 2006, Oil paint on canvas, Tate Gallery, London
Another title: 𝙂𝙚𝙧𝙝𝙖𝙧𝙙 𝙍𝙞𝙘𝙝𝙩𝙚𝙧 (𝙖𝙣𝙙, 𝙖𝙡𝙖𝙨, 𝙝𝙚’𝙨 𝙣𝙤𝙩 𝙩𝙝𝙚 𝙤𝙣𝙡𝙮 𝙤𝙣𝙚!): « 𝙄 𝙘𝙖𝙣𝙣𝙤𝙩 𝙖𝙡𝙬𝙖𝙮𝙨 𝙚𝙭𝙖𝙘𝙩𝙡𝙮 𝙛𝙤𝙧𝙚𝙨𝙚𝙚 𝙬𝙝𝙖𝙩 𝙬𝙞𝙡𝙡 𝙝𝙖𝙥𝙥𝙚𝙣 », 𝟮𝟬𝟬𝟵
#gerhardrichter #tategallery #dada #appropriationart #fakeart #fuckart
AE KASINÃO
Playlist · fuckart-letsdance · 46 items · 18 saves
open.spotify.com
July 25, 2026 at 11:43 AM
ARTISTS
sites.google.com/view/fabioom...
Gustave Caillebotte, Raboteurs de parquet, 1875, Huile sur toile, Musée d'Orsay, Paris
Autre titre: Jean-Léon Gérôme: « Pour que l'État ait accepté de pareilles ordures, il faut une bien grande flétrissure morale... », 1894
#appropriation #fakeart #fuckart
sites.google.com/view/fabioom...
Gustave Caillebotte, Raboteurs de parquet, 1875, Huile sur toile, Musée d'Orsay, Paris
Autre titre: Jean-Léon Gérôme: « Pour que l'État ait accepté de pareilles ordures, il faut une bien grande flétrissure morale... », 1894
#appropriation #fakeart #fuckart
July 25, 2026 at 9:57 AM
ARTISTS
sites.google.com/view/fabioom...
Gustave Caillebotte, Raboteurs de parquet, 1875, Huile sur toile, Musée d'Orsay, Paris
Autre titre: Jean-Léon Gérôme: « Pour que l'État ait accepté de pareilles ordures, il faut une bien grande flétrissure morale... », 1894
#appropriation #fakeart #fuckart
sites.google.com/view/fabioom...
Gustave Caillebotte, Raboteurs de parquet, 1875, Huile sur toile, Musée d'Orsay, Paris
Autre titre: Jean-Léon Gérôme: « Pour que l'État ait accepté de pareilles ordures, il faut une bien grande flétrissure morale... », 1894
#appropriation #fakeart #fuckart
copilot.microsoft.com/shares/xhzN7...
Finally something the #ProAI & #FuckArt crowds could actually come together on.
No copyright, entirely done by the individual and this idea can be used for more than just #Art.
crime investigation, communication, therapy, just read the Copilot link.
Finally something the #ProAI & #FuckArt crowds could actually come together on.
No copyright, entirely done by the individual and this idea can be used for more than just #Art.
crime investigation, communication, therapy, just read the Copilot link.
How close are we to brain imagery tech
Shared via Copilot
copilot.microsoft.com
July 22, 2026 at 2:23 AM
copilot.microsoft.com/shares/xhzN7...
Finally something the #ProAI & #FuckArt crowds could actually come together on.
No copyright, entirely done by the individual and this idea can be used for more than just #Art.
crime investigation, communication, therapy, just read the Copilot link.
Finally something the #ProAI & #FuckArt crowds could actually come together on.
No copyright, entirely done by the individual and this idea can be used for more than just #Art.
crime investigation, communication, therapy, just read the Copilot link.
fucking cringe, the first one was a valkyr one with a screenshot but now one with actual shitty ai slop fuckart made of shit and slop and crap
another artist going down the drain trying to defend ai shitslop
another artist going down the drain trying to defend ai shitslop
July 21, 2026 at 11:05 PM
fucking cringe, the first one was a valkyr one with a screenshot but now one with actual shitty ai slop fuckart made of shit and slop and crap
another artist going down the drain trying to defend ai shitslop
another artist going down the drain trying to defend ai shitslop
ARTISTS
Alexander Calder, Victorine (The Circus Queen), 1928, Wire and wood, Collection Calder Foundation, New York
Another title: Pluto (The King…), 2026
#dadaism #surrealism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#alexandercalder #calder #newyork #ny
Alexander Calder, Victorine (The Circus Queen), 1928, Wire and wood, Collection Calder Foundation, New York
Another title: Pluto (The King…), 2026
#dadaism #surrealism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#alexandercalder #calder #newyork #ny
July 21, 2026 at 10:32 AM
ARTISTS
Alexander Calder, Victorine (The Circus Queen), 1928, Wire and wood, Collection Calder Foundation, New York
Another title: Pluto (The King…), 2026
#dadaism #surrealism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#alexandercalder #calder #newyork #ny
Alexander Calder, Victorine (The Circus Queen), 1928, Wire and wood, Collection Calder Foundation, New York
Another title: Pluto (The King…), 2026
#dadaism #surrealism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#alexandercalder #calder #newyork #ny
ARTISTS
Louis Fratino, Hand Jobs, 2017, Pastel, crayon, coloured pencil and graphite on paper
Another title: Handjob, ops!, 2026, Rubber doorstops
#artistis #dadaism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#louisfratino #handjob #ops #rubber #doorstop
Louis Fratino, Hand Jobs, 2017, Pastel, crayon, coloured pencil and graphite on paper
Another title: Handjob, ops!, 2026, Rubber doorstops
#artistis #dadaism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#louisfratino #handjob #ops #rubber #doorstop
July 14, 2026 at 9:53 AM
ARTISTS
Louis Fratino, Hand Jobs, 2017, Pastel, crayon, coloured pencil and graphite on paper
Another title: Handjob, ops!, 2026, Rubber doorstops
#artistis #dadaism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#louisfratino #handjob #ops #rubber #doorstop
Louis Fratino, Hand Jobs, 2017, Pastel, crayon, coloured pencil and graphite on paper
Another title: Handjob, ops!, 2026, Rubber doorstops
#artistis #dadaism #newdada #popart #conceptualart #citationism #appropriationart #fakeart #fuckart
#louisfratino #handjob #ops #rubber #doorstop
Dive into “#FuckArt” to explore a bold call for transcendence that rejects the confines of traditional beauty and art, seeking something raw and unfiltered.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
July 13, 2026 at 9:30 AM
Dive into “#FuckArt” to explore a bold call for transcendence that rejects the confines of traditional beauty and art, seeking something raw and unfiltered.
ARTISTS
sites.google.com/view/fabioom...
Fabio Mauri, Schermo - Disegno Verticale / Orizzontale, 1957, Tempera su carta
Another title: Verticale, 2026
#artistis #dadaism #conceptualart #citationism #popart #appropriationart #fakeart #fuckart
#mauri #fabiomauri #schermo #verticale #orizzontale
sites.google.com/view/fabioom...
Fabio Mauri, Schermo - Disegno Verticale / Orizzontale, 1957, Tempera su carta
Another title: Verticale, 2026
#artistis #dadaism #conceptualart #citationism #popart #appropriationart #fakeart #fuckart
#mauri #fabiomauri #schermo #verticale #orizzontale
July 11, 2026 at 9:01 AM
ARTISTS
sites.google.com/view/fabioom...
Fabio Mauri, Schermo - Disegno Verticale / Orizzontale, 1957, Tempera su carta
Another title: Verticale, 2026
#artistis #dadaism #conceptualart #citationism #popart #appropriationart #fakeart #fuckart
#mauri #fabiomauri #schermo #verticale #orizzontale
sites.google.com/view/fabioom...
Fabio Mauri, Schermo - Disegno Verticale / Orizzontale, 1957, Tempera su carta
Another title: Verticale, 2026
#artistis #dadaism #conceptualart #citationism #popart #appropriationart #fakeart #fuckart
#mauri #fabiomauri #schermo #verticale #orizzontale
Dive into the thought-provoking exploration of art's true essence in “#FuckArt,” where the desire for raw, unfiltered beauty takes center stage, challenging conventional norms and expectations.
#FuckArt
#FuckArtI want transcendence. Not a framed confession, not a tasteful bruise hung under track lighting for strangers to nod at.I
aboyandhiscomputer.music
July 10, 2026 at 8:30 PM
Dive into the thought-provoking exploration of art's true essence in “#FuckArt,” where the desire for raw, unfiltered beauty takes center stage, challenging conventional norms and expectations.
ARTISTS
Fabio Mauri, Forse [!?!] l’arte non è autonoma, 2009, Taglio su zerbino, Eredi Fabio Mauri [IKEA], Roma
dOCUMENTA (13), 2012: Pluto war schon nicht mehr da am Aueteich, 2026, Fußmatte Arbetståg, Karlsaue Park, Kassel
#dada #conceptualart #appropriationart #fakeart #fuckart
#mauri #zerbino
Fabio Mauri, Forse [!?!] l’arte non è autonoma, 2009, Taglio su zerbino, Eredi Fabio Mauri [IKEA], Roma
dOCUMENTA (13), 2012: Pluto war schon nicht mehr da am Aueteich, 2026, Fußmatte Arbetståg, Karlsaue Park, Kassel
#dada #conceptualart #appropriationart #fakeart #fuckart
#mauri #zerbino
July 7, 2026 at 9:00 AM
ARTISTS
Fabio Mauri, Forse [!?!] l’arte non è autonoma, 2009, Taglio su zerbino, Eredi Fabio Mauri [IKEA], Roma
dOCUMENTA (13), 2012: Pluto war schon nicht mehr da am Aueteich, 2026, Fußmatte Arbetståg, Karlsaue Park, Kassel
#dada #conceptualart #appropriationart #fakeart #fuckart
#mauri #zerbino
Fabio Mauri, Forse [!?!] l’arte non è autonoma, 2009, Taglio su zerbino, Eredi Fabio Mauri [IKEA], Roma
dOCUMENTA (13), 2012: Pluto war schon nicht mehr da am Aueteich, 2026, Fußmatte Arbetståg, Karlsaue Park, Kassel
#dada #conceptualart #appropriationart #fakeart #fuckart
#mauri #zerbino
ARTISTS
sites.google.com/view/fabioom...
Maurizio Cattelan, A perfect day, 1999, Performance, Gallerista Massimo De Carlo e nastro adesivo, MDC Gallery, Milano
Another title: A fucking day, 2026
#mauriziocattelan #massimodecarlo
#dada #citationism #conceptualart #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Maurizio Cattelan, A perfect day, 1999, Performance, Gallerista Massimo De Carlo e nastro adesivo, MDC Gallery, Milano
Another title: A fucking day, 2026
#mauriziocattelan #massimodecarlo
#dada #citationism #conceptualart #appropriationart #fakeart #fuckart
June 30, 2026 at 8:58 AM
ARTISTS
sites.google.com/view/fabioom...
Maurizio Cattelan, A perfect day, 1999, Performance, Gallerista Massimo De Carlo e nastro adesivo, MDC Gallery, Milano
Another title: A fucking day, 2026
#mauriziocattelan #massimodecarlo
#dada #citationism #conceptualart #appropriationart #fakeart #fuckart
sites.google.com/view/fabioom...
Maurizio Cattelan, A perfect day, 1999, Performance, Gallerista Massimo De Carlo e nastro adesivo, MDC Gallery, Milano
Another title: A fucking day, 2026
#mauriziocattelan #massimodecarlo
#dada #citationism #conceptualart #appropriationart #fakeart #fuckart
ARTISTS
Constantin Brâncuși, Princesse X, 1915-16, Plâtre, Centre Pompidou, Paris
Autre titre: Un simple malentendu, 2026, Création de Tomas
[Fototeca Fondazione Omeri, Trieste]
#brancusi #princesse #centrepompidou #parís #malentendu
#dada #conceptualart #appropriationart #fakeart #fuckart
Constantin Brâncuși, Princesse X, 1915-16, Plâtre, Centre Pompidou, Paris
Autre titre: Un simple malentendu, 2026, Création de Tomas
[Fototeca Fondazione Omeri, Trieste]
#brancusi #princesse #centrepompidou #parís #malentendu
#dada #conceptualart #appropriationart #fakeart #fuckart
June 27, 2026 at 8:33 AM
ARTISTS
Constantin Brâncuși, Princesse X, 1915-16, Plâtre, Centre Pompidou, Paris
Autre titre: Un simple malentendu, 2026, Création de Tomas
[Fototeca Fondazione Omeri, Trieste]
#brancusi #princesse #centrepompidou #parís #malentendu
#dada #conceptualart #appropriationart #fakeart #fuckart
Constantin Brâncuși, Princesse X, 1915-16, Plâtre, Centre Pompidou, Paris
Autre titre: Un simple malentendu, 2026, Création de Tomas
[Fototeca Fondazione Omeri, Trieste]
#brancusi #princesse #centrepompidou #parís #malentendu
#dada #conceptualart #appropriationart #fakeart #fuckart