Wie das? Guilty Pleasures gibt es doch gar nicht!
Warum trotzdem ständig darüber geredet werden muss, erkunden @mortenpaul.bsky.social, Paul Buckermann + ich bei Cargo: #LeiderGeil Nr. 1 startet in den 1970ern mit der Zeitschrift #FilmComment, lets go!
Wie das? Guilty Pleasures gibt es doch gar nicht!
Warum trotzdem ständig darüber geredet werden muss, erkunden @mortenpaul.bsky.social, Paul Buckermann + ich bei Cargo: #LeiderGeil Nr. 1 startet in den 1970ern mit der Zeitschrift #FilmComment, lets go!
mailchi.mp/filmcomment/...
mailchi.mp/filmcomment/...
So much to unpack here.
<a href="http://www.filmcomment.com/article/with-borrowed-eyes-an-interview-with-abbas-kiarostami/" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link" target="_blank" rel="noopener" data-link="bsky">http://www.filmcomment.com/article/with-borrowed-eyes-an-interview-with-abbas-kiarostami/
So much to unpack here.
<a href="http://www.filmcomment.com/article/with-borrowed-eyes-an-interview-with-abbas-kiarostami/" class="hover:underline text-blue-600 dark:text-sky-400 no-card-link" target="_blank" rel="noopener" data-link="bsky">http://www.filmcomment.com/article/with-borrowed-eyes-an-interview-with-abbas-kiarostami/
@FilmComment going on hiatus...The horror...the horror...
@FilmComment going on hiatus...The horror...the horror...
Crashing into the zeitgeist against who-knows-what headwinds, Paul Thomas Anderson’s One Battle After Another is a kick-ass, madcap, antifascist action flick—imagine Lizzie Borden’s Born in Flames on big-budget steroids, served over ICE... Not only tumultuous but funny.
Crashing into the zeitgeist against who-knows-what headwinds, Paul Thomas Anderson’s One Battle After Another is a kick-ass, madcap, antifascist action flick—imagine Lizzie Borden’s Born in Flames on big-budget steroids, served over ICE... Not only tumultuous but funny.
@HuffPostArts @nytimesarts @FilmComment
bit.ly/1PqcVoa
@HuffPostArts @nytimesarts @FilmComment
bit.ly/1PqcVoa
Olin taas ainoana suomalaisena mukana New Yorkin Lincoln Centerin elokuvalehti Film Commentin vuosiäänestyksessä ja kriitikkokyselyssä parhaista 2025 #Yhdysvalloissa ensi-iltansa saaneista elokuvista.
Kiitos kunniasta, Devika Girish & Film Comment magazine ~(;^)~
Olin taas ainoana suomalaisena mukana New Yorkin Lincoln Centerin elokuvalehti Film Commentin vuosiäänestyksessä ja kriitikkokyselyssä parhaista 2025 #Yhdysvalloissa ensi-iltansa saaneista elokuvista.
Kiitos kunniasta, Devika Girish & Film Comment magazine ~(;^)~
Film Comment @FilmComment
Best Films of 2024 — It seems I was the only Finnish critic with these 114 absolute international legends ~(;^)~ making the list this year.
(Released in the US this year.)
www.filmcomment.com/best-films-o...
Film Comment @FilmComment
Best Films of 2024 — It seems I was the only Finnish critic with these 114 absolute international legends ~(;^)~ making the list this year.
(Released in the US this year.)
www.filmcomment.com/best-films-o...
x.com/FilmComment/st…
x.com/FilmComment/st…
#moviemaking #cinema #deepdive #makingthesausage #underthehood #nofilmschool #filmcomment #scriptapart #letterboxd
#moviemaking #cinema #deepdive #makingthesausage #underthehood #nofilmschool #filmcomment #scriptapart #letterboxd
David Schwartz offers a brief intro (brooklynrail.org/event/2025/1...) and goes longer on Ken + Flo Jacobs for Film Comment — mailchi.mp/filmcomment/...
David Schwartz offers a brief intro (brooklynrail.org/event/2025/1...) and goes longer on Ken + Flo Jacobs for Film Comment — mailchi.mp/filmcomment/...
#vss365 #justmythoughts #filmcomment
#vss365 #justmythoughts #filmcomment
@variety_film
@variety
@filmdailytv
@filmcomment
@womenmakemovies
@directedbywomen
@NYWIFT
@variety_film
@variety
@filmdailytv
@filmcomment
@womenmakemovies
@directedbywomen
@NYWIFT