Damit sind die #BayreutherFestspiele2026 zu Ende.
Während einer Festspielzeit 3x zw Hamburg & Bayreuth pendeln tat ich zum ersten Mal.
Hr.Vogt in allen Teilen eines Zyklus #DerRing live erleben, #Rienzi überhaupt mit Intermezzo #GrandOpera live erleben,das auch noch in Bayreuth...das war traumhaft.
Während einer Festspielzeit 3x zw Hamburg & Bayreuth pendeln tat ich zum ersten Mal.
Hr.Vogt in allen Teilen eines Zyklus #DerRing live erleben, #Rienzi überhaupt mit Intermezzo #GrandOpera live erleben,das auch noch in Bayreuth...das war traumhaft.
August 26, 2026 at 10:48 PM
Damit sind die #BayreutherFestspiele2026 zu Ende.
Während einer Festspielzeit 3x zw Hamburg & Bayreuth pendeln tat ich zum ersten Mal.
Hr.Vogt in allen Teilen eines Zyklus #DerRing live erleben, #Rienzi überhaupt mit Intermezzo #GrandOpera live erleben,das auch noch in Bayreuth...das war traumhaft.
Während einer Festspielzeit 3x zw Hamburg & Bayreuth pendeln tat ich zum ersten Mal.
Hr.Vogt in allen Teilen eines Zyklus #DerRing live erleben, #Rienzi überhaupt mit Intermezzo #GrandOpera live erleben,das auch noch in Bayreuth...das war traumhaft.
#BayreutherFestspiele2026
#Rienzi
wenn in einer anderen Art. Stutzmann dirigiert viel besinnlicher, Wellber nachm Motto "ich bin geil".
Der Dirigentin bin ich aber unendlich dankbar dafür, dass sie #GrandOpera ernst nahm und sich für diese Fassung entschied.
Zwar ohne Ballett, aber wie pfiffig (2
#Rienzi
wenn in einer anderen Art. Stutzmann dirigiert viel besinnlicher, Wellber nachm Motto "ich bin geil".
Der Dirigentin bin ich aber unendlich dankbar dafür, dass sie #GrandOpera ernst nahm und sich für diese Fassung entschied.
Zwar ohne Ballett, aber wie pfiffig (2
August 18, 2026 at 2:49 PM
#BayreutherFestspiele2026
#Rienzi
wenn in einer anderen Art. Stutzmann dirigiert viel besinnlicher, Wellber nachm Motto "ich bin geil".
Der Dirigentin bin ich aber unendlich dankbar dafür, dass sie #GrandOpera ernst nahm und sich für diese Fassung entschied.
Zwar ohne Ballett, aber wie pfiffig (2
#Rienzi
wenn in einer anderen Art. Stutzmann dirigiert viel besinnlicher, Wellber nachm Motto "ich bin geil".
Der Dirigentin bin ich aber unendlich dankbar dafür, dass sie #GrandOpera ernst nahm und sich für diese Fassung entschied.
Zwar ohne Ballett, aber wie pfiffig (2
We love our tech crew! They coordinate so many moving parts in order to make our shows happen. Check out how we change scenes into the Wedding reception hall!
👰♀️
#bridezilla #nashvilletn #opera #luciadilammermoor #stagecrew #livetheatre #grandopera #downtownnashville
👰♀️
#bridezilla #nashvilletn #opera #luciadilammermoor #stagecrew #livetheatre #grandopera #downtownnashville
March 30, 2025 at 5:08 PM
We love our tech crew! They coordinate so many moving parts in order to make our shows happen. Check out how we change scenes into the Wedding reception hall!
👰♀️
#bridezilla #nashvilletn #opera #luciadilammermoor #stagecrew #livetheatre #grandopera #downtownnashville
👰♀️
#bridezilla #nashvilletn #opera #luciadilammermoor #stagecrew #livetheatre #grandopera #downtownnashville
#THISWEEK in 1954
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
March 25, 2026 at 3:07 PM
#THISWEEK in 1954
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
#OTD in 1939
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
January 21, 2026 at 2:33 PM
#OTD in 1939
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
#OTD in 1928
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
January 7, 2026 at 3:19 PM
#OTD in 1928
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
#OTD in 1934
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
January 6, 2026 at 3:15 PM
#OTD in 1934
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
#OTD in 1950
“...
I go to opera and stay wide awake.
That’s why the Lady is a tramp.
...”
(Rodgers & Hart 1937)
Cover of The New Yorker, 2 Dec. 1950
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #grandopera
“...
I go to opera and stay wide awake.
That’s why the Lady is a tramp.
...”
(Rodgers & Hart 1937)
Cover of The New Yorker, 2 Dec. 1950
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #grandopera
December 2, 2025 at 1:53 PM
#OTD in 1950
“...
I go to opera and stay wide awake.
That’s why the Lady is a tramp.
...”
(Rodgers & Hart 1937)
Cover of The New Yorker, 2 Dec. 1950
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #grandopera
“...
I go to opera and stay wide awake.
That’s why the Lady is a tramp.
...”
(Rodgers & Hart 1937)
Cover of The New Yorker, 2 Dec. 1950
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #grandopera
#OTD in 1928
(the magic box)
Cover of The New Yorker, November 17, 1928
Sue Williams
#TheNewYorkerCover #SueWilliams #opera #GrandOpera #OperaHouse #theatre #Wagner #Gounod
(the magic box)
Cover of The New Yorker, November 17, 1928
Sue Williams
#TheNewYorkerCover #SueWilliams #opera #GrandOpera #OperaHouse #theatre #Wagner #Gounod
November 17, 2025 at 12:53 PM
#OTD in 1928
(the magic box)
Cover of The New Yorker, November 17, 1928
Sue Williams
#TheNewYorkerCover #SueWilliams #opera #GrandOpera #OperaHouse #theatre #Wagner #Gounod
(the magic box)
Cover of The New Yorker, November 17, 1928
Sue Williams
#TheNewYorkerCover #SueWilliams #opera #GrandOpera #OperaHouse #theatre #Wagner #Gounod
#THISWEEK in 1954
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
March 25, 2025 at 2:47 PM
#THISWEEK in 1954
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
‘Famous Opera Star tells why she changed to *Camels*’’
#Camel #Cigarettes
*Collier’s*, March 19, 1954
#EleanorSteber #MetropolitanOpoera #GrandOpera #womensfashion #1950s
#OTD in 1939
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
January 21, 2025 at 3:17 PM
#OTD in 1939
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
(opera buffs)
Cover of The New Yorker, January 21, 1939
William Cotton
#TheNewYorkerCover #WilliamCotton #opera #grandopera #Aida
#OTD in 1928
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
January 7, 2025 at 2:26 PM
#OTD in 1928
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
Cover of The New Yorker, January 7, 1928
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #singer #conductor
#OTD in 1934
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
January 6, 2025 at 2:37 PM
#OTD in 1934
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
Cover of The New Yorker, January 6, 1934
Constantin Alajálov
#TheNewYorkerCover #ConstantinAlajálov #opera #GrandOpera #MadamaButterfly #Aida #Carmen #IPagliacci etc.
🌋 10 minutes till « La Muette de Portici » #3
#opera #operasinger #auber #lamuettedeportici #darmstadt #grandOpéra
#opera #operasinger #auber #lamuettedeportici #darmstadt #grandOpéra
May 22, 2025 at 5:21 PM
🌋 10 minutes till « La Muette de Portici » #3
#opera #operasinger #auber #lamuettedeportici #darmstadt #grandOpéra
#opera #operasinger #auber #lamuettedeportici #darmstadt #grandOpéra
...wenn die Szene so gespielt wird, erwarte ich, dass es GETANZT WIRD #grandOpera
Schagers #Rienzi hörte ich vor 14J zum ersten Mal.
Ich nehme tatsächl. 1x Mini-Kühlschrank mit - anstelle lauter schöner Klamotten 😁
Ich trinke so ungern lauwarmes Wasser. Der Benutzerbericht folgt, ob er taugt.
Schagers #Rienzi hörte ich vor 14J zum ersten Mal.
Ich nehme tatsächl. 1x Mini-Kühlschrank mit - anstelle lauter schöner Klamotten 😁
Ich trinke so ungern lauwarmes Wasser. Der Benutzerbericht folgt, ob er taugt.
July 26, 2026 at 3:37 PM
...wenn die Szene so gespielt wird, erwarte ich, dass es GETANZT WIRD #grandOpera
Schagers #Rienzi hörte ich vor 14J zum ersten Mal.
Ich nehme tatsächl. 1x Mini-Kühlschrank mit - anstelle lauter schöner Klamotten 😁
Ich trinke so ungern lauwarmes Wasser. Der Benutzerbericht folgt, ob er taugt.
Schagers #Rienzi hörte ich vor 14J zum ersten Mal.
Ich nehme tatsächl. 1x Mini-Kühlschrank mit - anstelle lauter schöner Klamotten 😁
Ich trinke so ungern lauwarmes Wasser. Der Benutzerbericht folgt, ob er taugt.
#REVIEW
#4* from Michelle Richardson for A Midsummer Night’s Dream at York GrandOpera House
“an energetic, fun and somewhat bizarre show”
fairypoweredproductions.com/a-midsummer-...
#amidsummernightsdream #YorkStage #grandoperahouse #theatre #york #fairypoweredproductions
#4* from Michelle Richardson for A Midsummer Night’s Dream at York GrandOpera House
“an energetic, fun and somewhat bizarre show”
fairypoweredproductions.com/a-midsummer-...
#amidsummernightsdream #YorkStage #grandoperahouse #theatre #york #fairypoweredproductions
A Midsummer Night’s Dream Review * Fairy Powered Productions
Grand Opera House York – until Sunday 11th May 2025 Reviewed by Michelle Richardson 4**** York Stage are currently treading the boards at the Grand Opera House York. Under the direction of Nik Briggs, their latest production is Shakespeare’s comedy play, A Midsummer Night’s Dream. I was fortunate to attend opening night, and I was … Continue reading "A Midsummer Night’s Dream Review"
fairypoweredproductions.com
May 8, 2025 at 12:14 PM
#REVIEW
#4* from Michelle Richardson for A Midsummer Night’s Dream at York GrandOpera House
“an energetic, fun and somewhat bizarre show”
fairypoweredproductions.com/a-midsummer-...
#amidsummernightsdream #YorkStage #grandoperahouse #theatre #york #fairypoweredproductions
#4* from Michelle Richardson for A Midsummer Night’s Dream at York GrandOpera House
“an energetic, fun and somewhat bizarre show”
fairypoweredproductions.com/a-midsummer-...
#amidsummernightsdream #YorkStage #grandoperahouse #theatre #york #fairypoweredproductions
So, if you’re interested in avoiding our moronic president’s address tonight and would prefer the solace of grand opera. C’mon down! 😃
Nicole Haslett, soprano
Joseph DiSalle, tenor
Charles Coleman, baritone
Antonio Romero, pianist
#Opera #Fiveanddime
#classical #grandopera
#cocktailbar #NewYork
Nicole Haslett, soprano
Joseph DiSalle, tenor
Charles Coleman, baritone
Antonio Romero, pianist
#Opera #Fiveanddime
#classical #grandopera
#cocktailbar #NewYork
March 4, 2025 at 7:10 PM
So, if you’re interested in avoiding our moronic president’s address tonight and would prefer the solace of grand opera. C’mon down! 😃
Nicole Haslett, soprano
Joseph DiSalle, tenor
Charles Coleman, baritone
Antonio Romero, pianist
#Opera #Fiveanddime
#classical #grandopera
#cocktailbar #NewYork
Nicole Haslett, soprano
Joseph DiSalle, tenor
Charles Coleman, baritone
Antonio Romero, pianist
#Opera #Fiveanddime
#classical #grandopera
#cocktailbar #NewYork