Today in your podcatchers we’re having some loving laughs at the expense of drama teachers and passionate thespians everywhere. It’s Theater Camp (should be Theatre, just saying) week on the pod.
podcasts.apple.com/ca/podcast/h...
Today in your podcatchers we’re having some loving laughs at the expense of drama teachers and passionate thespians everywhere. It’s Theater Camp (should be Theatre, just saying) week on the pod.
podcasts.apple.com/ca/podcast/h...
The arrival of Merveille Lukeba's Thomas upends the familiar narrative as teleplay writers Daniel Kaluuya & Bryan Elsley expertly integrate the teen from the Congo into the series' other narratives.
The arrival of Merveille Lukeba's Thomas upends the familiar narrative as teleplay writers Daniel Kaluuya & Bryan Elsley expertly integrate the teen from the Congo into the series' other narratives.
Plus: Praising Jack O'Connell (but hating the character); Pandora's bag of drugs; and guest star Mackenzie Crook in an unconventional role.
Plus: Praising Jack O'Connell (but hating the character); Pandora's bag of drugs; and guest star Mackenzie Crook in an unconventional role.
This Middle grade text is deft, but surprisingly deep, particularly the way Springer uses women's fashion as a central component of the narrative.
This Middle grade text is deft, but surprisingly deep, particularly the way Springer uses women's fashion as a central component of the narrative.
We're getting filthy and profane with Jillian Bell's directorial debut, SUMMER OF 69 (2025) in which a teenager hires a stripper to teach her about sex.
We're getting filthy and profane with Jillian Bell's directorial debut, SUMMER OF 69 (2025) in which a teenager hires a stripper to teach her about sex.
We're tackling Jennifer Iacopelli's 2022 book first.
We're tackling Jennifer Iacopelli's 2022 book first.
@brennacgray.bsky.social has a list of adaptation changes and how they affect the colonial, queer, and race readings, though we can’t entirely call this new limited series entertaining
@brennacgray.bsky.social has a list of adaptation changes and how they affect the colonial, queer, and race readings, though we can’t entirely call this new limited series entertaining
This New Adult text ages everyone up because it is *horny* (and quite hilarious).
Plus: a male voice-over; a messy metaphor, a reliance on needle drops, and our favourite beautiful gown.
This New Adult text ages everyone up because it is *horny* (and quite hilarious).
Plus: a male voice-over; a messy metaphor, a reliance on needle drops, and our favourite beautiful gown.
ROSALINE is most definitely NOT a based on When You Were Mine, but it *is* highly enjoyable.
Just don’t call it an adaptation (unless you mean R&J the play)
ROSALINE is most definitely NOT a based on When You Were Mine, but it *is* highly enjoyable.
Just don’t call it an adaptation (unless you mean R&J the play)
First up: Karen Cushman’s award-winning book CATHERINE, CALLED BIRDY
First up: Karen Cushman’s award-winning book CATHERINE, CALLED BIRDY
68. Dark Harvest by Norman Partridge. One of our HKHSPod Halloween picks. I enjoyed this a lot.
69. Clown in a Cornfield by Adam Cesare. As above. Much funnier than I expected. Metatext works better on the page than in the film.
68. Dark Harvest by Norman Partridge. One of our HKHSPod Halloween picks. I enjoyed this a lot.
69. Clown in a Cornfield by Adam Cesare. As above. Much funnier than I expected. Metatext works better on the page than in the film.
You know you don’t wanna miss this!
You know you don’t wanna miss this!