#Jungla
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cuentadebs.bsky.social
yo qué sé, vete tú a saber. esto es la jungla
October 3, 2026 at 11:30 AM
josetermita351.bsky.social
Y si el perro fuetRA el mayor depredador y si la rata se conviertiera en el rey d la jungla d asfalto...?
October 3, 2026 at 9:51 AM
iduhouse.bsky.social
🖼️ Artist of the Day: Wifredo Lam

Wifredo Lam’s paintings fused Afro-Cuban culture, surrealism, and spirituality into dreamlike visions. His art reflected a world where myth and modernity coexist, celebrating the complexity of identity and ancestry.

wifredolam.org

#CreatorsAtWork #Skystorians #Art
Black-and-white photograph of Wifredo Lam standing in his high-ceilinged studio in Albissola Marina, Italy, in 1964. He poses near the center with one arm raised against a doorway or canvas and the other hand at his hip, surrounded by paintings leaning on walls and floor, open frames, ladders, brushes, jars, and a radio. Behind him is Les enfants sans âme (The Soulless Children), a large 1964 canvas of angular white and dark forms. The room feels both orderly and alive, a workshop built for scale. By this point Lam was no longer the young Cuban painter absorbing European modernism. He had lived through Spain’s civil war, exile from Nazi-occupied France, a transformative return to Cuba, and decades of movement among Havana, Paris, New York, and the Mediterranean. Albissola became another kind of home. Invited to the Ligurian coast through artist Asger Jorn’s circle in the 1950s, Lam eventually bought a house there and added a tall studio with a huge window overlooking the bay. His son Eskil remembered music blasting from large speakers while his father worked. The change of place also opened new materials: Lam deepened his printmaking and ceramics, moving his hybrid figures from dense tropical settings toward sparer grounds and sharper lines. That evolution is visible around him here. The strange beings that once crowded The Jungle have not vanished; they have been distilled. Lam resisted being reduced to Cubism, Surrealism, “Latin American art,” or an exotic image of Blackness. His life had crossed Chinese, African, Spanish, Cuban, French, and Italian worlds, and his work refused to choose only one. In 2025–26, MoMA’s first comprehensive U.S. retrospective of Lam finally traced that full transnational arc across six decades. This studio portrait catches him midway through it: surrounded by the evidence of a practice still changing, with no single country, movement, or medium large enough to contain him. The studio itself reads as a map of an artist always in motion. Wifredo Lam’s Your Own Life, 1942, is a gouache on paper built around a fractured, frontal head that seems to contain several beings at once. Against a blue field, the face is layered: one eye stares from a pale oval, another peers from a striped form, a long narrow nose divides the composition, and an animal-like figure occupies the center. Leaf shapes crown the head, while the faint profile of Lam’s German wife, Helena Holzer, appears like a ghost at the right edge. The portrait feels less like one person than a meeting place between human, animal, plant, memory, and spirit. Lam made it the year after returning to Cuba following eighteen years in Europe. He had lived through the Spanish Civil War, entered Picasso’s and the Surrealists’ circles in Paris, and fled France after the Nazi occupation. Home did not offer a simple return. Lam came back seeing Cuba through exile, racism, colonialism, and European modernism, searching for a language capable of holding those histories at once. Your Own Life belongs to that breakthrough. Cubist fragmentation and Surrealist metamorphosis are present, but Lam was no longer content to borrow Europe’s fascination with masks or the “primitive.” He drew instead on Afro-Cuban culture, African art, Caribbean vegetation, his Chinese and African ancestry, and conversations with Lydia Cabrera and Alejo Carpentier. The hybrid body became a way to refuse fixed identities. Lam himself moved through categories others wanted to impose on him: Cuban and European, Chinese and African, modernist and outsider. Here, fragmentation does not mean brokenness. It becomes abundance. The multiple eyes suggest several ways of seeing at once, while Holzer’s spectral profile folds private life into a cultural transformation. Now, Your Own Life reads like an early declaration of the visual world that would soon culminate in The Jungle. Lam was learning how to make a painting carry migration, ancestry, desire, and history without forcing them into one face. Black-and-white photograph of Wifredo Lam crouching in his Havana studio in 1943, surrounded by the paintings that marked his return to Cuba. Behind him rises La jungla (The Jungle), its elongated plant-human-animal figures packed into a dense field; nearby is Le matin vert (The Green Morning), and La silla (The Chair) lies on the floor. Lam wears a light shirt and striped trousers, one arm resting across a bent knee. A cup sits near his shoes, a table of studio materials stands at left, and the monumental canvases make his body look small inside the world he was inventing. The photograph preserves a turning point. Lam had returned to Cuba in 1941 after eighteen years abroad, fleeing Europe as war closed around him. He came home transformed by Madrid, the Spanish Civil War, Picasso, Surrealism, and exile, but disturbed by racism, poverty, colonial hierarchies, and Afro-Cuban culture packaged for tourists. With Lydia Cabrera and Alejo Carpentier, he traveled, listened, and deepened his engagement with Afro-Cuban history and religious traditions. Lam insisted that he would not make picturesque Cuba for foreign consumption. He wanted painting capable of carrying the force of Black Cuban life. In this room that ambition became material. Sugarcane, broad leaves, mask-like faces, horse forms, breasts, horns, hands, and impossible bodies entered his canvases, not as ethnographic illustration but as what he called a poetic excitation. He later described his painting as an act of decolonization and imagined it as a Trojan horse disturbing the dreams of exploiters. The studio photograph lets us see that project before museums turned The Jungle into an icon. These works are still leaning against walls, sharing floor space with cups, brushes, and unfinished labor. Eight decades later, MoMA’s 2025–26 retrospective placed this moment at the center of Lam’s transnational story. Here history has not hardened yet. We are inside the workshop while a new visual language is being made. Wifredo Lam’s La jungla (The Jungle), 1942–43, fills the frame with four towering hybrid beings entangled in sugarcane and tropical foliage. Their bodies are hard to separate from the plants around them: elongated legs end in huge hand-like feet; mask-shaped faces carry multiple eyes; breasts resemble fruit; horns, tails, leaves, and human limbs overlap. Blues, greens, pale whites, orange, and black move across the surface in translucent layers, giving the crowded scene the feeling of a dream made dense. Lam made the monumental work after returning to Cuba in 1941 following eighteen years in Europe. He glued together two large sheets of kraft paper, sketched the composition in charcoal, then built it with thin oil paint. The humble support matters. This was not a polished fantasy of the tropics. Sugarcane carries the history of Cuba’s plantations, slavery, and indentured labor, while the hybrid figures evoke the endurance of Afro-Caribbean cultures. Lam knew European modernism intimately: he had befriended Picasso, worked among the Surrealists, and absorbed Cubism’s fractured bodies. But The Jungle was not European style simply applied to Caribbean subject matter. Back in Cuba, Lam turned those tools against colonial ways of seeing. He rejected tourist spectacle that reduced Black Cuban culture to entertainment and sought figures powerful enough to unsettle the viewer. The painting’s spiritual charge draws from Afro-Cuban religious worlds without functioning as a literal diagram of Santería. Lam said he worked from “poetic excitation,” allowing symbols to stay multiple and alive. MoMA acquired The Jungle in 1945, two years after its completion. Eighty years later, it anchored MoMA’s 2025–26 retrospective, the first comprehensive U.S. survey of his six-decade career. The painting still refuses an easy category: modernist and Caribbean, beautiful and menacing, historical and dreamlike. Its achievement is not synthesis made smooth. It is a history kept visibly tangled.
October 3, 2026 at 12:44 AM
jorobateflanders.com
Acabo de recordar el trailer usaino de Los lunes al sol que básicamente la convierte en una mezcla de comedia del destape y Jungla de cristal, y: está en IMDB.

www.imdb.com/es-es/video/...
www.imdb.com
October 2, 2026 at 9:36 PM
pilgrimtxt.bsky.social
Llevo como 3 o 4 partidas con Quinn letalidad en la jungla y no tiene ni puto sentido
October 2, 2026 at 5:48 PM
emilioraya.bsky.social
El drama demencial de la vivienda refleja muy bien cómo funciona la jungla capitalista. Unidad de las izquierdas y el pueblo y hacia adelante. ¡¡PARA HACER LA REVOLUCIÓN NO HAY QUE PEDIR PERMISO!!
October 2, 2026 at 7:45 AM
t0n3chollos.bsky.social
Lego® Super Mario Set de Expansión: Jaleo en la Jungla con Dixie Kong

💵 Precio: ❌ 26,99€ ✅ 10,00€

🔗 Link: Abacus

#publi #boardgames #juegosdemesa #ofertas #chollos #t0n3_chollos

🔥 Más chollos en @t0n3_chollos o visita www.t0n3chollos.es
Imagen de la oferta
October 2, 2026 at 6:57 AM
balkyssvt.bsky.social
Ocupo un gankeo bien insano del jungla...
October 2, 2026 at 12:30 AM
mbndepablo.bsky.social
Exacto. youtu.be/CeYrMchRSNo?...
La Ley de la Jungla.- Animaladas III.- La Ruina [Prod. José Tapia]
YouTube video by La Ruina
youtu.be
October 1, 2026 at 8:45 PM
mbndepablo.bsky.social
youtu.be/CeYrMchRSNo?...
La Ley de la Jungla.- Animaladas III.- La Ruina [Prod. José Tapia]
YouTube video by La Ruina
youtu.be
October 1, 2026 at 8:42 PM
sub78eu.bsky.social
Yo me imagino a la Rita desayunando su tostadita untada con el machete jungla, este miniuntador de mantequilla me parece ridículo 😂😂😂
October 1, 2026 at 8:00 PM
smikin.bsky.social
Insane poster, insane line up.🌴Jungla🌴
October 1, 2026 at 4:16 PM
moissprez.bsky.social
📰 Quina revista d'octubre: un dossier del pou de les XXSS de @xavieraliaga.bsky.social, immersió electoral de @victormaceda.bsky.social a la zona dana, l'últim repor de @violetatena.bsky.social, entrevista amb Anna Lluch i investigació 'in situ' de la jungla de les immobiliàries!
eltemps.bsky.social Revista El Temps @eltemps.bsky.social · 2d
📰 Ja tenim la revista d'octubre❗

📱Amb un dossier sobre com combatre el pou de les xarxes socials.

➡️ A més:

🔍Els abusos de les immobiliàries
🗣️ Entrevista amb Anna Lluch
🗳️ Terratrèmol electoral a la zona dana
❄️ Cases de la neu a les Illes
www.eltemps.cat/la-revista
October 1, 2026 at 1:40 PM
rodera.bsky.social
Para este señorín eso es un machete de abrir trochas en la jungla. Y en el pan puede hacer cama.
October 1, 2026 at 9:17 AM
mascaweb.bsky.social
"Il consumatore pigro è una preda".
È quelleo che mi rispose un consulente economico di alto profilo, specializzato nel campo energetico, al quale avevo chiesto che cosa pensasse della "jungla" delle tariffe nella quale è così difficile orientarsi.
scenari.bsky.social Roberto Reale @scenari.bsky.social · 2d
#1ottobre Inflazione al 4,2% chi ringraziare? "L'amico" Trump pare dimenticato. Intanto si sgonfia euforia media per "bollette dimezzate". È roba che dura 24 ore. A proposito tutti concordano che quella delle tariffe è una giungla. Perché non si fa nulla per uscirne? Mistero. "Fragili"? Si arrangino
October 1, 2026 at 9:05 AM
estamujer0.bsky.social
Por favor y gracias.

Pero que le manden empaquetado, en plan con una mano delante y otra detrás, o con un cartel racista como Bruce Willis en Jungla de Cristal III
atrupar.com Aaron Rupar @atrupar.com · 2d
Hegseth: "Send me to right the Redcoats, send me to fight the communists, send me to fight the Islamists. Send me."
September 30, 2026 at 8:11 PM
idealista.bsky.social
El hotel más salvaje de Berlín renace como una nueva jungla urbana
El hotel más salvaje de Berlín renace como una nueva jungla urbana
Pocas ciudades encarnan tan bien la improvisación creativa como Berlín. Desde los clubes subterráneos nacidos en antiguos búnkeres hasta los espacios culturales levantados con materiales reciclados, la capital alemana ha hecho de su estética inacabada una seña de identidad.
www.idealista.com
September 30, 2026 at 7:50 PM
javierespinosa.bsky.social
Al permitir cosas como el genocidio de Gaza, las acciones ilegales de EEUU o el largo listado de agresiones de Rusia hemos apostado por la ley de la jungla. Pronto comprenderemos lo que realmente significa eso. www.pravda.com.ua/eng/news/202...
Russia officially threatens NATO with nuclear weapons over Kaliningrad Oblast – Reuters
A Russian diplomatic note seen by Reuters says Moscow could use nuclear weapons if NATO attempts to isolate Kaliningrad Oblast, while the alliance rejects the threat.
www.pravda.com.ua
September 30, 2026 at 3:56 PM
prensil.bsky.social
Al final unos 20, ni siquiera murmullos durante la peli.
Buena peli de infectados, no lo llamas R.E. y funciona igual de bien. Buenos sustos, sin usar el truco del sonido. A veces incluso usa la vista en primera persona como los videojuegos.
Homenajazo a la Jungla de Cristal 😅
Y duración justa. 👏🏻👏🏻
Shocked Bryan Hodukavich
ALT: Shocked Bryan Hodukavich
static.klipy.com
September 30, 2026 at 3:51 PM
hqmat.bsky.social
Jungla de cristal: La venganza (1995)
trepidado.bsky.social Trepidado @trepidado.bsky.social · 2d
Pues va avanzando la excavación de los túneles.
Túnel canal de acceso Valencia
September 30, 2026 at 3:08 PM
aviere.bsky.social
Tal cual. Y es una pena que haya gente que ya no publica nada por aquí y haya vuelto al otro lado. Supongo que al final les compensará aguantar semejante jungla si ven que van a conseguir unos cuantos likes más 😪
September 30, 2026 at 1:45 PM
blackcharz.bsky.social
[me flipa que le han hecho la misma comparación odiosa que la madre de Ursula a George en George de la Jungla y haya quedado bestia LASFLAKSFHAFLS]
September 30, 2026 at 9:46 AM
loopy-talbain.bsky.social
El Abuelo Lobo en la Jungla

www.twitch.tv/loopy_talbai...

#loopytalbain #lobo_enojo #furro #leagueoflegends #VTuberEs #StreamAvatar #warwick
Loopy_Talbain87 - Live on Twitch
Noche de luna. Warwick en la jungla. | Streaming league of legends.
www.twitch.tv
September 30, 2026 at 5:34 AM
anyanez91.eurosky.social
Bienvenido a las apps de ligoteo. Esa jungla que te va a desesperar y a hacer reír a partes iguales.
September 29, 2026 at 2:18 PM
jonirenicus.bsky.social
Me juego las escrituras de mi vivienda en propiedad a que el penúltimo será un coladero.

El último va a ir en un decreto a parte que tumbará JxC.

Mis esperanzas están en la regulación del alquiler por habitaciones, que es la jungla donde están los mas precarios.
September 29, 2026 at 12:17 PM