#Labor-Helfer
Veröffentlichung in Science Advances: Wichtiges Helfer-Protein für schnelle Signalübertragung im Gehirn identifiziert
Forschende der Heinrich-Heine-Universität Düsseldorf (HHU) und des Universitätsklinikums Düsseldorf (UKD) haben die bisl...
weiterlesen
March 9, 2026 at 8:46 AM
🕷️𝐖𝐢𝐞𝐝𝐞𝐫𝐬𝐞𝐡𝐞𝐧 𝐦𝐢𝐭 𝐌𝐢𝐥𝐞𝐬☺️
Noch sind wir im Labor, doch als Nächstes geht es zu F.E.A.S.T., denn Miles Morales wird dort heute seine Arbeit als freiwilliger Helfer antreten. Peter möchte ihn natürlich persönlich begrüßen.

youtu.be/s1yQuXHRd74?...
Let's play and talk Marvel's Spider-Man Remastered #23 | Miles erster Tag
YouTube video by genXrld
youtu.be
August 7, 2026 at 12:59 PM
#phantastikprompts 22.7.
Was hältst du von KI beim Schreiben? Nützlicher Helfer oder Teufelszeug?

Wenig. Ich have meine Gedanken zu diesem Thema in diesem Blog-Beitrag ausgeführt.

https://sunkencastles.com/2026/04/20/1101/
In the last few years, there has been a lot of talk about how artificial intelligence (actually: commercial chatbots and LLMs) will be transforming our way of working – how it will make some jobs more efficient, and others obsolete. There are also concerns that such systems do not live up to the hype – though this has not stopped CEO and their consultants from pushing them into the workplace, in the hopes of drastically reducing their work force and labor costs even though they cannot substitute for their workers’ process knowledge. I translate old German folk tales into English, and translation work is already heavily automated these days due to the sheer amount of material that needs to be translated. Thus, it is unsurprising that many people have asked me whether I use machine translation for my work – usually with the assumption that this would save me time. In this essay, I am going to tell you why I _won’t_ use AI systems for my translation work. I could talk about the ethical concerns – how the work of others is used to train LLM systems without compensation while charging for their output, or how they consume massive amounts of electricity and other resources while our planet and its ecosystems are already on the precipice, or how they are used to build up the mother of all investment bubbles. I could also add some personal grievances. For instance, in my day job as a bid manager, I also have to price server systems for our customers, and when I recently noticed that a simple 16 GB DDR5 RAM module had a purchase price of €1,600, I realized that something is going very wrong indeed. Furthermore, anonymous bot networks are constantly scraping my websites for LLM training data, forcing me to upgrade my website hosting plan twice last fall to keep outages at a tolerable level. But since others have elaborated on the ethical concerns in much more detail than I ever could, I won’t be talking about these further. Instead, I will be discussing the _practical_ reasons why machine translation does not fit into my working processes when translating German folk tales. # Reading the Fraktur Typeset The first challenge for machine translation is parsing the source material. For copyright reasons, I exclusively use public domain works – German folk tale collections which were largely published in the 19th century. And the vast majority of these works were not printed with the modern Antiqua letters, but the old German Fraktur typeset. Here is a reasonably “clean” example of a story I have translated (the source page is here): Usually, texts that are converted into a new language by machine translation are already in a machine-readable format – but these old digital scans are not. Thus, before I could use machine translations for these texts, I would need to convert them into a machine-readable format. While OCR (“Optical Character Recognition”) tools exist that can handle Fraktur typesets, the output would require additional effort for proofreading, especially since the input data is highly variable in its quality. Thus, in contrast to the original premise, machine translation would actually increase my workload even before I got to the actual translation step. # Translating Old Words and Phrases LLM systems are largely trained on the most commonly available modern texts (such as Reddit posts). 19th century German folk tales are _not_ “modern texts”. They are rife with old words and phrases that were only used in some small geographical area and are no longer in modern use. Would a standard machine translation system (i.e., one trained on Reddit) come up with a decent translation for “Bindelbaum” – to pick just one example that stuck in my mind? Especially considering that the old texts that could provide some context were not in a machine-readable format, and thus of limited use for training the LLMs? Perhaps they could, and perhaps they couldn’t. However, “maybe this is an accurate translation” is _not_ good enough for my purposes, and indeed, it is not sufficient for any professional translator. If I provide a translation for certain old words and prices, I need to be as sure as possible that this translation is accurate – and if I am uncertain, I need to explain that to my readers as well. Thus, I would have to double-check every machine-translated text I work with with my own research – which, again, would not save me any time. And if I am doing all the research _anyway_ , I might as well skip the machine translation and do it all by myself in the first place. # Providing Context But truth to be told, the actual translation is the easiest part of my work. German folk tales were told in a specific time and a specific cultural context. The original audience for these tales (mostly 19th century German peasants) were deeply familiar with this context. A modern audience will usually _not_ be familiar with this context. Many aspects of these folk tales are hard to grasp even for modern Germans – so what chance does an international audience have? This is why one of my most important tasks as a translator is to explain this context. This is why my books have many hundreds of footnotes, and explanatory commentary following each tale. While I am not primarily writing my books as scientific treatises, I have spent enough years in academia that I have _views_ on providing inaccurate information. Sure, mistakes can and will happen. But allowing errors to proliferate in my manuscripts because I was outsourcing the most critical aspects of my research to LLM systems would be a gross violation of ethical standards (not that this seems to stop a lot of LLM users…). So I will do my research the proper way. And with each paragraph I translate, I contemplate its hidden meanings and context, and how to convey it to my readers. But if I don’t do the first step of the work myself – that is, translating and thinking about every single sentence – then I have already lost my first opportunity to truly understand the story. # Preserving Unique Voices German folk tales were told by tens of thousands of people, each of whom had their own unique way of telling their stories. And later on, they were collected by hundreds of folklore researchers, each of whom had their own unique editorial approach. That adds up to a lot of unique voices. However, LLMs are well-known to generate texts that trend towards the average. They have been trained on vast archives of human-written texts, and their task is to create texts that are “most likely” to fit the prompt – the common denominator, if you will. Worse, it will be the most common denominator of Reddit users and the like. The only LLM system that might even come even close to capturing the unique voices of the original texts would be one that has been trained exclusively on their translations – including _my_ translations. While I want people to be entertained by my translations, these tales are also part of my country’s cultural heritage. Not even trying to capture the unique voices of these long-ago storytellers and instead replacing them with the generic output of LLMs feels hugely disrespectful. They deserve better, and my audience deserves better as well. juergen_hubert @juergen_hubert Follow **12** posts **21** followers ## Follow juergen_hubert #### My Profile Paste my profile into the search field of your favorite open social app or platform. My Fediverse handle Copy #### Your Profile Or, if you know your own profile, we can start things that way! Why do I need to enter my profile? This site is part of the ⁂ open social web, a network of interconnected social platforms (like Mastodon, Pixelfed, Friendica, and others). Unlike centralized social media, your account lives on a platform of your choice, and you can interact with people across different platforms. By entering your profile, we can send you to your account where you can complete this action. Your Fediverse profile Follow Loading… ### Fediverse Followers * Coreworlder 🎲 @coreworlder@dice.camp * Kirasha Urqhart (she/her) @kirasha@dice.camp * Anna Saultron :progresspride: @AnnaSaultron@nerdculture.de * Flowers @edsudden@spore.social * BerlinFokus @berlinfokus@berlin.social * Pascal Quach @quachpas@social.sciences.re * jon r @yala@degrowth.social * Johanna Janiszewski @JohannaMakesGames@mastodon.gamedev.place * insanity @insanity@mathstodon.xyz * frainz @frainz@fem.social # Followers navigation Previous Next Tags: LLM, MachineTranslation, Translation
sunkencastles.com
July 22, 2026 at 12:08 PM
Die Styroloxid-Isomerase entpuppt sich als multifunktioneller Helfer für die Biotechnologie.
...
weiterlesen
October 1, 2025 at 10:41 AM
Marburger Virologe Thomas Strecker im Ebola-Einsatz in Guinea: "Ein Gefühl wie mit Tassen einen Großbrand zu löschen" http://bit.ly/1zTaguO
Ebola in Westafrika: "Ein Gefühl wie mit Tassen einen Großbrand zu löschen"
Zu wenige Helfer, marode Verkehrswege, Misstrauen in der Bevölkerung: Der deutsche Virologe Thomas Strecker berichtet von seinem Einsatz in einem Ebola-Labor in Guinea.
bit.ly
January 14, 2025 at 1:18 PM
Kein Geld für einen Pipettierroboter? Mit einer Mikroliterspritze, einem #3DDrucker sowie Kleinteilen aus dem Baumarkt lässt sich einer zusammenbasteln – fast für geschenkt. Andrea Pitzschke erklärt uns den vielseitigen #Labor-Helfer: www.laborjournal.de/editorials/2...
#LabHack #DIY #DIYBio
April 3, 2024 at 3:46 PM
Europe" Vol. 1 #20 by Gerard Jones, Keith Giffen, Marshall Rogers, Bob Smith, Gene D'Angelo, Bob Lappan, Kevin Dooley, and Andrew Helfer. Edits: Altered Dialogue)

#comics #communism #anarchy #labor
1/1
10/10
December 19, 2024 at 11:30 PM
Art sampled from "Justice League Europe" Vol. 1 #34 by Keith Giffen, Gerard Jones, Darick Robertson, Randy Elliott, Gene D'Angelo, Willie Schubert, Kevin Dooley, and Andrew Helfer. Edits: Altered Dialogue.

#comics #laborrights #unionstrong #90scomics
September 26, 2024 at 6:35 PM