#Landshoff
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joannervej.bsky.social
A few even included Murnau himself.Ruth Landshoff, who knew both men, remembered the outing. Jahnke appears in the surviving negatives both in a swim shorts and without. The photographs are unhurried and almost tender in their attention to light on water and the easy lines of the human form at rest.
September 22, 2026 at 10:46 AM
strassenverlauf.bsky.social
Mopsa Sternheim (10. Januar 1905 - 11. September 1954) war u. a. mit Klaus Mann, Erika Mann und Pamela Wedekind befreundet. Nach einigen, kürzeren Affären mit Frauen, lebte sie mit Ruth Landshoff-Yorck zusammen. Über sie lernte sie auch die Fotografin dieser Bilder Annemarie Schwarzenbach kennen. 🧵
Annemarie Schwarzenbachs Fotografie aus der Reihe "Frankreich, Paris: Menschen" zeigt Mopsa Sternheim vor einem Spiegel. Sie steht mit dem Rücken zur Kamera und blickt über den Spiegel in die Kamera. Ideal trägt einen helles Oberteil und ihre dunklen Haare kurz. Im Hintergrund gemusterte Tapete. Nachweis von wiki commons folgt .
September 11, 2026 at 6:54 AM
radzpandit.bsky.social
Leonora Carrington in her Greenwich Village apartment, Hermann Landshoff (1942)

Artists in Exile, Hermann Landshoff (1942)
Two black and white photographs in one black and white frame. On the left: A photo of Leonora Carrington. On the right: A group photo of artists. Details: STANDING: Jimmy Ernst, Peggy Guggenheim, John Ferren, Marcel Duchamp, Piet Mondrian. CENTER ROW: Max Ernst, Amédée Ozenfant, André Breton, Fernand Léger, Berenice Abbott. DOWN: Stanley William Hayter, Leonora Carrington, Frederick Kiesler, Kurt Seligmann.
September 5, 2026 at 1:12 PM
tintamarre.bsky.social
Hermann Landshoff
August 20, 2026 at 12:16 PM
amablephoto.bsky.social
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📸 ©️ Hermann Landshoff
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July 26, 2026 at 4:09 PM
tintamarre.bsky.social
Ruades

Hermann Landshoff
July 25, 2026 at 1:34 PM
henkheijmans.bsky.social
Elsa Martinelli (Italian, 1935 - 2017): mademoiselle, 1955 - by Hermann Landshoff (1905 - 1986), German/American
July 6, 2026 at 9:53 AM
sk-76.bsky.social
Radio City, Rockefeller Center, New York (1953)

Hermann Landshoff, Deutsche Fotothek
Large grey 20th century skyscraper type buildings behind several 19th century buildings.
June 24, 2026 at 9:19 PM
dean.bsky.social
Lionnie Vernet by Hermann Landshoff
Hawaii, 1955
Black & white photo of a model posing in a jungle of ferns
June 9, 2026 at 2:07 AM
dean.bsky.social
Dolores Hawkins & Nan Rhis by Hermann Landshoff
Jamaica, 1956
Two models pose by the beach, one underneath an umbrella
June 9, 2026 at 2:05 AM
dean.bsky.social
Hermann Landshoff
A Calder exhibition in Frank Lloyd Wright's Guggenheim Museum in New York, 1965
A cross-section photo of the crowds on each level of the gallery.
June 8, 2026 at 2:09 PM
paulkempf.bsky.social
Max Ernst (at Peggy Guggenheim’s East 61st Street townhouse, 1942)
Photographer: Hermann Landshoff
adaspota.bsky.social Arthur David Spota @adaspota.bsky.social · Jun 3
Max Ernst at Peggy Guggenheim’s NYC apartment, photographed by Hermann Landshoff, 1942.

#MaxErnst #Photography #ModernArt
June 4, 2026 at 1:54 AM
adaspota.bsky.social
Max Ernst at Peggy Guggenheim’s NYC apartment, photographed by Hermann Landshoff, 1942.

#MaxErnst #Photography #ModernArt
June 3, 2026 at 11:26 PM
mmcarthur.bsky.social
Rare portrait of Max Ernst
📸: Hermann Landshoff, c.1940

Ernst is in the apartment of Peggy Guggenheim, a key figure in his life. The two first met in 1938 when Guggenheim began acquiring Ernst's works for her collection.

Further info in the alt text 👇
Their relationship deepened over the years, eventually leading to a love affair, and they married in 1942, remaining together until 1946. At the time of this photograph, Ernst appears completely at ease, surrounded by the art that Peggy had so carefully curated, reflecting the close bond they shared both personally and professionally. The image shows Ernst leaning against a Gwasila, Kwakiutl house pole, a significant piece from Peggy's collection that now resides in the Musée du Quai Branly in Paris. The pole’s presence in the photograph adds an intriguing layer of cultural and artistic context, linking Ernst to a broader spectrum of artistic expression. The setting itself, filled with sculptures and works from some of the 20th century’s most celebrated artists, speaks to the eclectic and avant-garde nature of Guggenheim’s collection. In the background, the silhouette of Alberto Giacometti’s *Woman Walking* can be seen, another highlight of Peggy Guggenheim’s collection, now part of the Peggy Guggenheim Collection in Venice. The photograph encapsulates the fusion of art, love, and intellectual exchange between Ernst and Guggenheim, offering a rare glimpse into the world of two major figures in 20th-century art during a pivotal moment in their lives.
May 20, 2026 at 5:25 AM
robertsnickc.bsky.social
‘Beth Wilson at Rip Van Winkle Bridge spanning the Hudson River, New York,’ ‘Striped Parasol’ & ‘Model Ruth Seller.’ #Photography by Hermann Landshoff (1905-1986) #art
May 14, 2026 at 12:39 PM
patcoleman.bsky.social
Actor and Cabaret Performer Ruth Landshoff

Berlin, 1927
May 8, 2026 at 9:18 PM
dean.bsky.social
Remembering Robert Oppenheimer on his birthday 🎂
📷 Hermann Landshoff
Princeton, 1951

"His story is central to the way in which we live now and the way we are going to live forever. It absolutely changed the world in a way that no one else has changed the world."
- Christopher Nolan
Closeup black & white head & shoulders shot of the scientist.
April 22, 2026 at 2:50 PM
arthurnewhook.bsky.social
“Here is a test to find out whether your mission in life is complete. If you’re alive, it isn’t.” —the goddess Lauren Bacall. {photo: Hermann Landshoff, c. 1945}

Follow on Instagram: brokendollsfallenangels; Reddit: r/EchoOfADistantTime

linktr.ee/arthurnewhook

🪐💔 #QueSeraSera 𓅨 🕈
A black-and-white portrait photograph shows Lauren Bacall outdoors in a structured mid-1940s coat, her face half narrowed against the light in that unmistakably cool, feline manner. Her hair is parted and swept smooth over the crown before falling into soft shoulder-length waves, while dark lipstick and sharply defined brows heighten the severity of her gaze. One gloved hand rises to her mouth, a cigarette poised between her fingers, while the other touches her hair near the ear. A leather strap crosses one shoulder, suggesting a handbag just out of frame. The background is plain stone, which throws all attention onto the angular elegance of her face, the sculptural gloves, and the image’s atmosphere of wartime urban sophistication.
April 22, 2026 at 1:40 AM
tintamarre.bsky.social
André Breton, Marcel Duchamp, Max Ernst et Leonora Carrington,

Hermann Landshoff
April 18, 2026 at 1:03 PM
artur3ribeiro.bsky.social
Hermann Landshoff, ''Leonora Carrington in her Greenwich Village apartment, New York'' (1942) (© bpk - Collection Munch City Museum - Archive Landshoff) ☮️💜🎨🖌️
April 12, 2026 at 10:54 PM
erikhoekstra.bsky.social
...kreeg een monografie over Tom Eyzenbach (Utrecht, 7 september 1951). Een genummerde en gesigneerde uitgave van Meulenhoff-Landshoff uit 1982 met een litho erbij.
April 11, 2026 at 11:08 AM
sownow.bsky.social
It is the birthday in 1917 of the visual artist and author Leonora Carrington. Her wealthy British family took her to the English Court and introduced her to the aristocracy. Instead of hobnobbing with the gathered royalty, she sat down and read a book.

#ArtSky #BookSky #PsychologicalFreedom #BOTD
Carrington immersed herself in the surrealist movement as a painter. She began a passionate and artistic relationship with fellow artist Max Ernst, but they were torn apart by World War II. As the war intensified, Carrington’s mental health deteriorated and she was put in a Spanish asylum. After marrying poet Renato Leduc, she escaped to Mexico where she thrived – largely because some artists there had already embraced surrealism. Carrington held her first solo exhibition in Mexico City, where she produced work for the women’s liberation movement. Carrington kept returning to the idea of psychological freedom for women – and felt it rested on women attaining political freedom. Carrington believed reaching both goals depended on painting and writing that presented the feminine as women experienced it, not as it was characterized by men. An undated b/w photo of artist and writer Leonora Carrington Image credit: BPK, Berlin, Dist. GrandPalaisRmn / image Archiv Landshoff Source: Musée du Luxembourg The painting "Artes 110," by Leonora Carrington, 1944 Currently featured in the exhibition of 126 works by Carrington at the Musee du Luxembourg until July 2026 © NSU Art Museum Fort Lauderdale; gift of Pearl and Stanley Goodman © 2026 Estate of Leonora Carrington / ADAGP, Paris
April 6, 2026 at 3:48 PM
dean.bsky.social
One more shot of Leonora Carrington in her Greenwich Village apartment by Hermann Landshoff, 1942

Cheesecake, very Bohemian, but that's still a cheesecake pose :)
The artist poses with her arms behind her head.
April 6, 2026 at 2:58 PM
dean.bsky.social
Remembering Walter Huston on his birthday 🎂
📷 Hermann Landshoff, 1946

“Huston is one of those actors who seem to hide most of their feelings and thoughts. As a cinematic method it has no equal and Huston is a constantly interesting actor.”
- David Thomson
Huston has a cigarette & coffee in a paper cup, on the set of a film.
April 5, 2026 at 4:55 PM
robertsnickc.bsky.social
‘Max Ernst at the home of Peggy Guggenheim, New York.’ #Photography by Hermann Landshoff (1942) #art
March 9, 2026 at 12:57 PM