Lee Radziwill, born on March 3, 1933, and sister of Jacqueline Kennedy, was renowned for her distinctive and daring fashion sense, often considered more avant-garde than her sister's iconic style. In the 1960s, she embraced sleek, mod minimalism with a preference for designers like Givenchy and Christian Dior. Her wardrobe featured A-line silhouettes, shift dresses, structured coats, bold geometric prints, and low-heeled pointed shoes, complemented by simple accessories and polished hairstyles reminiscent of Audrey Hepburn. Moving into the 1970s, Lee’s style evolved into a more relaxed yet sophisticated aesthetic. She favored Halston and Valentino, adopting wide-leg trousers, wrap dresses, and luxurious fabrics such as silk and cashmere. Her signature look included tousled hair, oversized sunglasses, and an effortless jet-set glamour that made her a regular at Studio 54 and in elite social circles with figures like Truman Capote and Andy Warhol. Lee Radziwill was known for her minimalist philosophy, emphasizing 'quality over quantity,' and was a forerunner of what is now referred to as 'quiet luxury.' Throughout her life, she maintained a refined elegance, ensuring that her fashion choices always highlighted her presence rather than the clothes themselves. This collection of 28 photographs showcases her evolving style and enduring influence in fashion history.

Jacqueline Kennedy Onassis and her younger sister Lee Radziwill shared a life marked by both deep affection and intense rivalry. Raised in New York’s upper-class society, Jackie was slightly older than Lee, and their childhood nicknames, “Jacks” and “Pekes,” reflected a close bond. Their mother, Janet Auchincloss, often encouraged competition between them. Jackie married John F. Kennedy in 1953, while Lee married Michael Canfield the same year and later Prince Stanislaw Albrecht Radziwill in 1959. While Jackie’s role evolved into that of First Lady after JFK’s election, Lee frequently accompanied her as confidante, even traveling with her to India and Pakistan. Despite their close public presence, Lee struggled with being overshadowed by her sister’s prominence. The sisters’ relationship further strained after Jackie married Aristotle Onassis in 1968, a man Lee had loved. Throughout the 1970s, Lee pursued her own career in interior design and acting, often relying on family support, which created tensions with Jackie. Despite periods of distance, their shared history and unique bond endured. Lee’s declaration of independence contrasted with a lifelong connection that remained central to her identity, highlighting a relationship defined by both loyalty and rivalry.