#LosAngelesCountyMuseumofArt
LightNews LightNews
linda-howes77.bsky.social
Available here linda-howes.pixels.com/featured/str...

#wallartforsale #wallart #gifts #giftideas #streetperformersInFrance #VintagePhotographs #Eugene #StreetMusicians1889 #Singer #France1889 #StreetsofFrance #LosAngelesCountyMuseumofArt #AntiquePhotoofFrance
June 25, 2026 at 12:12 AM
sparker411.bsky.social
In LA during the construction of the #losangelescountymuseumofart @lacma.org #LACMA
April 9, 2025 at 1:21 AM
mdstamper.bsky.social
"The Cotton Pickers" by Winslow Homer (American) - Oil on canvas / 1876 - Los Angeles County Museum of Art (California) #WomenInArt #art #artText #AmericanArt #WinslowHomer #Homer #AmericanArtist #artwork #BlueSkyArt #LACMA #AfricanAmericanArt #PaintingsofWomen #1870s #LosAngelesCountyMuseumofArt
American artist Winslow Homer’s "The Cotton Pickers" is hailed by some critics as one of the few paintings of its era to present African American women with dignity and gravity. Painted after Homer’s visits to Petersburg, Virginia, the work avoids some of the caricatures and stereotypes prevalent in American visual culture of the time. Instead, it attempts to portray its subjects as individuals of solemn presence, evoking a sense of humanity, endurance, and quiet strength. From a low vantage point, two women dominate the foreground against the endless rows of cotton. One bends slightly toward her task, holding a basket; the other stands upright with a sack over her shoulder, her gaze fixed outward with a contemplative, even resolute, expression. Their muted clothing and bonnets, somber faces, and monumental stance convey a psychological weight that elevates the scene beyond labor into a meditation on persistence and survival. The composition draws from the European naturalist tradition of French artists Jean-François Millet and Jules Adolphe Breton, who dignified rural laborers, but Homer’s choice of Black women as central subjects was groundbreaking in an American context. Critics at the time acknowledged his departure from sentimental or mocking depictions, though today the painting can be read in multiple ways: as both a respectful recognition of labor and resilience, and as a record of the exploitative conditions that persisted after slavery. Painted in 1876—the same year Reconstruction ended and federal protections for Black rights collapsed—the work carries a powerful historical undertone. The endless field suggests both rootedness and entrapment, while the women’s monumental bearing hints at inner lives, aspirations, and a humanity that transcends circumstance. Viewers may see in "The Cotton Pickers" a profound respect for Black women’s strength and endurance, while also acknowledging the painful realities of inequality and systemic oppression.
August 19, 2025 at 8:08 PM
mdstamper.bsky.social
Retrato de Frida Kahlo (Portrait of Frida Kahlo) by Diego Rivera (Mexican) - Oil on asbestos cement shingle / c. 1935 - Los Angeles County Museum of Art (California) #WomenInArt #ArtText #art #PortraitofaWoman #LACMA #womensart #FridaKahlo #DiegoRivera #Rivera #Kahlo #LosAngelesCountyMuseumofArt
This is Mexican artist Diego Rivera’s only known easel portrait of his wife, fellow Mexican artist Frida Kahlo. The painting, which dates from a turbulent period in the couple's life, has a blue and green background similar to some of Henri Matisse's portraits, with the use of bold fields of color to frame her face. The painting centers on Kahlo with her dark brown hair pulled back, possibly in a bun. Her expression is serious, almost somber. She has long, almost-connecting dark eyebrows, dark eyes, and a relatively pale complexion with some shading and highlighting that gives a three-dimensional quality to her face. Her lips are closed, and her gaze is direct. She is wearing large, dangling golden yellow earrings that are tassel-like plus a v-neck top in muted yellowish-brown. The painting was originally dated to 1939, but photographic evidence of it in 1935 means the portrait was likely created the year when Kahlo had left Rivera. She had undergone the physical and emotional trauma of a third miscarriage, walked out on her philandering and volcanic husband, got her own apartment in Mexico City, began an affair with American artist Isamu Noguchi and took off for New York, then Paris. Rivera’s portrait arrived at a turning point in their relationship. Rivera, even after they reunited, kept the Kahlo portrait in his studio until the day he died — through divorce, remarriage, career fluctuations, affairs, and ultimately her 1954 death, three years before his own.
May 30, 2025 at 5:08 PM
“The Beach Shichiri-ga-hama.” Hasui Kawase (Japanese; 1883–1957). Color woodblock print, n.d. Los Angeles County Museum of Art (LACMA), Los Angeles, California; © Kawase Hasui Estate.

#hasuikawase
#hasui
#losangelescountymuseumofart
#lacma
#shichirigahama
@lacma
November 24, 2024 at 11:39 PM
lunavu.bsky.social
One of the places I really liked in Los Angeles.

#photography #dusk #losangeles #california #sunset #usa #lacma #losangelescountymuseumofart #夕暮れ #ラクマ #ロサンゼルスカウンティ美術館 #街灯アート #サンセット #色彩 #magical
September 13, 2024 at 3:33 AM
“A Musical Party” (detail). Valentin de Boulogne (French; 1591–1632). Oil on canvas, ca. 1625–26. Los Angeles County Museum of Art, Los Angeles, California.

#valentindeboulogne
#valentin
#losangelescountymuseumofart
#lacma
@lacma
October 30, 2024 at 1:55 AM
“A Musical Party” (detail). Valentin de Boulogne (French; 1591–1632). Oil on canvas, ca. 1625–26. Los Angeles County Museum of Art, Los Angeles, California.

#valentindeboulogne
#valentin
#losangelescountymuseumofart
#lacma
@lacma
October 30, 2024 at 1:46 AM
“Coney Island.” Paul Cadmus (American; 1904–1999). Oil on canvas, 1934. Los Angeles County Museum of Art (LACMA), Los Angeles, California.

#paulcadmus
#cadmus
#losangelescountymuseumofart
#coneyisland
@lacma
July 20, 2024 at 1:17 PM
“Memory.” Elihu Vedder (American; 1836–1923). Oil on mahogany panel, 1870. Los Angeles County Museum of Art (LACMA), Los Angeles, California.

#elihuvedder
#vedder
#losangelescountymuseumofart
#lacma
@lacma
June 21, 2024 at 9:27 AM
“Shimōsa Province, Chōshi Beach, Tour”; from the series: “Famous Views of 60-odd Provinces.” Utagawa Hiroshige (Japanese; 1797–1858). Color woodblock print, 1853. Los Angeles County Museum of Art (LACMA), Los Angeles, California.

#utagawahiroshige
#hiroshige
#losangelescountymuseumofart @lacma
September 28, 2025 at 2:45 PM