#MFAB
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bettyjiang.bsky.social
Saw this bust and had to do a study of it. I referenced the colors from a recreation of another statue of Athena done by Mfab.
July 14, 2025 at 6:10 PM
vivelefeu.bsky.social
Une chanson douce.
m.youtube.com/watch?v=MFab...
A.c.a.b.
YouTube video by Non Servium - Topic
m.youtube.com
October 1, 2026 at 9:27 AM
aprilglick.bsky.social
MFAB
January 9, 2025 at 6:30 PM
duille.com
“New England Irrelevancies”. Charles Sheeler. 1953. Image: MFAB.
March 12, 2025 at 8:30 PM
duille.com
“Spring Interior”. Charles Sheeler. 1927.
Image: MFAB.
April 9, 2025 at 7:30 PM
duille.com
“On a Shaker Theme”. Charles Sheeler. 1956.
Image: MFAB
November 18, 2025 at 8:40 PM
acrawford83.bsky.social
MFAB!!!!!
November 19, 2024 at 2:09 AM
terilynns.bsky.social
bsky.app/profile/mfab...
delawhere.bsky.social Running Fan @delawhere.bsky.social · Jun 14
What happened?
June 14, 2026 at 4:57 AM
duille.com
“View of New York”. Charles Sheeler. 1931.
Image: MFAB.
August 5, 2025 at 7:10 PM
trace714.bsky.social
MFAB
January 9, 2025 at 10:05 PM
kcbarton.bsky.social
I’m pretty sure no woman was ever dissatisfied with a portrait of her by John Singer Sargent. #MFAB #Boston #NCSS2024
November 21, 2024 at 6:12 PM
agrilnamedmo.bsky.social
Slight correction - sounds like the works were under a promised gift agreement which doesn’t transfer ownership to MFAB. Only 5 works were transferred and MFAB will hopefully repatriate those. As someone who works with collections, promises gifts just suck as a whole.
April 23, 2025 at 5:04 PM
creechurcreations.bsky.social
www.youtube.com/watch?v=MFaB...
Paradise Fears - 'Battle Scars' Lyrics
YouTube video by destinedtoexplode
www.youtube.com
June 23, 2025 at 7:14 AM
mdstamper.bsky.social
“Jeanne, Martiniquaise” by Loïs Mailou Jones (American) - Oil on canvas / 1938 - Museum of Fine Arts (Boston, Massachusetts) #WomenInArt #art #WomanArtist #FemalePainter #ArtText #artwork #LoïsMailouJones #WomensArt #LoisMailouJones #AfricanAmericanArtist #WomenArtists #MFAB #MuseumofFineArtsBoston
Jeanne "Jane" Nardal was an Afro Caribbean writer, philosopher, teacher, and political commentator from Martinique, West Indies. She and her sister, Paulette Nardal, are considered to have laid the theoretical and philosophical groundwork of the Négritude movement, a cultural, political, and literary movement, which first emerged in 1930s, Paris, France and sought to unite Black intellectuals in the current and former French colonies. The term "Négritude" itself was coined by Martiniquan writer-activist Aimé Césaire, one of the three individuals formally recognized as the "fathers" of the cultural movement, along with Senegalese poet Léopold Senghor and French Guianese writer Léon Damas. It was not until relatively recently, however, that the women involved in the Négritude movement, including Jane and Paulette Nardal, began to receive the recognition they were due. American artist Loïs Mailou Jones's painting "Jeanne, Martiniquaise" was completed in 1938 while the artist was in Europe on an extended sabbatical to study art. The portrait is a notable example of her work, showcasing a shift towards an expressive late Impressionist style. It reflects her move away from strict academic realism towards a style reminiscent of Camille Pissarro and early Henri Matisse. The composition is a close-up portrait of Jeanne, focusing on her head and upper body. The colors are muted, with earth tones and varying shades of brown, red, and green, creating a contemplative mood. The brushstrokes are visible, suggesting Jones’ painterly style. The framing is tight, emphasizing the subject's features and expression. Jeanne's face is characterized by a thoughtful expression and a focused gaze downward, and a muted palette of colors. Her head wrap is a combination of red and green stripes. Her clothing is detailed with a mix of patterns and colors. Jones captures the texture and depth of the clothing through both soft and strong brushstrokes.
July 1, 2025 at 4:42 PM
mdstamper.bsky.social
“Aurore” (Break of Day) by Jean-Paul Sinibaldi (French) - Oil on canvas / 1893 - Museum of Fine Arts, Budapest (Hungary) #WomenInArt #JeanPaulSinibaldi #Sinibaldi #MuseumOfFineArtsBudapest #MFAB #arte #arttext #art #SymbolistArt #AllegoryArt #paintingofwomen #FrenchArtist #frenchart #1890sArt
At sunrise, six women move together across a soft green hillside in spring. At the front right, a tall young woman in a luminous yellow-green gown leads barefoot, her body turned in profile toward the pale rising sun. Violet blossoms edge her neckline, and a long golden sash falls along one side. Behind her, five companions follow in airy, almost transparent light blue gowns, their dresses pooling in cool folds. One is partly obscured among the others, creating a layered procession rather than a neat line. Their skin is light. Their hair ranges from auburn to blonde and brown, and most wear it softly pinned up. None meet our gaze. All attention turns outward over their left shoulder towards the hush of dawn. Pink-lavender hills, still water, flowering branches, and a sky washed with pearl, peach, and mauve surround them in a mood of quiet awakening. The title "Aurore" points first to dawn itself, and the painting clearly stages a passage from night into first light. Research suggests the image was understood as more than a decorative morning allegory. The leading woman in green can be read as Dawn personified, while the blue-robed companions feel like attendant spirits of spring, hours, or renewal, but the work’s meaning remains deliberately expansive. Scholar Anna Zsófia Kovács has argued that this “inscrutable allegory” may also have been received as a political metaphor, helping explain why its acquisition by the Hungarian state in 1893 drew such notice. That reading gives extra force to the procession’s forward movement as not only nature waking, but a collective national emergence toward promise, change, and light. Suspended between French academic allegory and Symbolist atmosphere, French artist Jean-Paul Sinibaldi’s painting makes the break of day feel both seasonal and historical ... like a vision of renewal that invites us to imagine what, exactly, is beginning.
March 20, 2026 at 5:20 PM
massiasthanos.bsky.social
🧵 Origins of MFAB/F (Mobile Floating Assault Bridge/Ferry) / MAB (Mobile Assault Bridge).

🔗 archive.org/details/jane...
🔗 archive.org/details/jane...

📷 archive.org/details/army...
May 19, 2025 at 12:21 PM
faelynmad.bsky.social
@orchids.bsky.social I went to the Isabella Gardens Museum in Boston and took this photo to share with you.
An interesting looking pitcher style orchid in a terracotta pot, from MFAB.
November 14, 2023 at 3:33 AM
mdstamper.bsky.social
"Women Talking" by Gustavo Mancinelli (Italian) - Oil on canvas / 1873 - Museum of Fine Arts, Budapest (Hungary) #WomenInArt #GustavoMancinelli #Mancinelli #MuseumofFineArtsBudapest #SzépművészetiMúzeum #artText #art #BlueskyArt #PortraitofWomen #MuseumOfFineArts #ItalianArt #ItalianArtist #MFAB
Two young women with light skin sit close together on a broad gray rock at the edge of a still pond. They’re framed by dense green foliage of large leaves, tangled stems, and thin branches that arc down like a soft curtain. The woman on the left has long brown hair gathered back with small gold accents. She wears a pale, off-shoulder dress that pools in luminous folds over the stone, and a small hoop earring catches the light. Her body turns toward her companion, chin lifted, as if mid-sentence or listening intently. The woman on the right has dark, curly hair held by a band. She wears a rose-pink sleeveless bodice and a red patterned skirt, cinched with a dark belt, plus a blue-green necklace. She leans in with an open, attentive posture, one arm relaxed on a knee, her gaze steady on the other woman’s face. Behind them, a misty landscape opens to show a tall waterfall that drops into a gorge, with faint buildings far in the distance, softened by haze. Italian artist Gustavo Mancinelli stages intimacy as the subject: not spectacle, not courtship, but the quiet gravity of women speaking to one another where the world feels safely far away. The waterfall and drifting mist add a sense of the sublime (and nature’s scale), yet the emotional center stays small and human via a shared pause, a held gaze, and the comfort of being heard. In 1873, Mancinelli was in the phase of his career where he was based in Naples and actively participating in the city’s main exhibition circuit, especially the Società Promotrice di Belle Arti (Naples). This scene echoes 19th-century genre painting’s interest in everyday narratives, while subtly shifting power toward women’s interior lives with conversation as agency and companionship as refuge. The distant architecture reads almost like “society” pushed to the horizon, while the foreground offers a private clearing where attention, trust, and selfhood can unfold in real time.
March 5, 2026 at 12:50 AM
jessliotta.bsky.social
Exhibit A, his departed big sister in spirit sweet Anthias (MFAB)
Anthias the white silken windhound sleeps on the grass on a hot summer day Anthias the white silken windhound sleeps on the grass on another hot summer day Anthias the white silken windhound sleeps on the grass on still another hot summer day Anthias the white silken windhound sleeps on a boiling hot tarp in the direct sunlight on a hot summer day
December 12, 2024 at 6:13 AM
tenaletilt.bsky.social
Try MFAB instead
My Fists Are Bastards
August 5, 2025 at 4:35 AM
lovepet6969.bsky.social
youtube.com/watch?v=MfAb...

No more of our TAX $$ to
ISRAEL 🇮🇱
As of Next POTUS
#israel
#aipac
#bibi
#trump
The Israel Lobby Is Being Exposed
YouTube video by Novara Media
youtube.com
March 19, 2026 at 4:43 PM
araquan.bsky.social
www.youtube.com/watch?v=mfab...
The History of the British Rail Symbol
YouTube video by Jago Hazzard
www.youtube.com
September 20, 2026 at 9:18 PM
bastetgoddess.bsky.social
youtube.com/watch?v=mFAB...
RED PILL UNC GETS COOKED AFTER CLAIMING VAST MAJORITY OF MEN WOULD SAY THEY DON’T WOMEN IF ASKED!
YouTube video by The Public Offender
youtube.com
April 22, 2026 at 9:35 PM
colombianatys.bsky.social
www.instagram.com/stories/mfab...
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January 21, 2025 at 3:42 AM
animal-aspects.bsky.social
Bowl with Orpheus and the Animals
Roman Provincial, Byzacena (Tunisia), 320-60 CE
Ceramic, African Red Slip Ware: figures molded separately & applied
D 19.5 cm
on display at Museum of Fine Arts, Boston
“Seated Orpheus playing lyre, surrounded by boar, rabbit, antelope, bear, goat, stag, and lion.”
“Shallow bowl with applied figures on interior. Seated Orpheus playing lyre, surrounded by boar, rabbit, antelope, bear, goat, stag, and lion. Tree to left of Orpheus. Minor restoration; otherwise in good condition; some cracks and chips in figures.” (MFAB) “African Red Slip Ware Covered in liquid clay, or slip, that turns red-orange when fired in the kiln, these ceramic vessels belong to a group called terra sigillata, meaning ‘sealed earth.’ In the late Roman Imperial period, the most important center for their production was in North Africa, in the trading hub of Carthage and the province of Byzacena. Decorated with reliefs and applied, mold-made figures, these examples from the 4th and 5th centuries illustrate biblical, mythological, and secular subjects alike-demonstrating the continuing use of pagan motifs even as new Christian imagery developed.”
March 18, 2024 at 3:47 AM