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Juice=Juice’s new MV cuts deeper than expected—minimalist, wordfirst, and quietly devastating.
No spectacle, just the weight of what’s left unsaid.
A study in restraint, memory, and the soft ache of parting.
#JuiceJuice #MVReview

quietthunder.hatenablog.com/entry/j-pop/...
Where Image and Memory Intertwine — Juice=Juice’s Quietly Stunning MV - Quiet Thunder Reviews
A quiet, minimalist review of Juice=Juice’s “Shinogono Iwazu Satto Wakarete Ageta” (MV), exploring its visual restraint, lyrical warmth, and the subtle afterglow where image and memory intertwine.
quietthunder.hatenablog.com
February 15, 2026 at 12:38 PM
gara3.bsky.social
English MV Review now live.
Mari Hamada’s “Black Hole” (1983) is a stark, highcontrast statement of power—no spectacle, just presence.
A minimalist frame that turns her voice into gravity itself.
Read the full breakdown:
quietthunder.hatenablog.com/entry/mv/mar...
#MariHamada #MVReview
Mari Hamada – “Black Hole” (1983): Light, Silence, and the Birth of a Rock Presence - Quiet Thunder Reviews
A detailed MV review of Mari Hamada’s 1983 “Black Hole,” exploring its stark visual language, symbolic contrasts, and the powerful presence that defines her early rock identity.
quietthunder.hatenablog.com
February 8, 2026 at 11:54 PM