Maryam Qudus discusses the transient composition of her second Spacemoth LP Transmission 397: Interview with Spacemoth The trajectory of Maryam Qudus’s second album as Spacemoth, Inward Eye, was mapped out between the static interior of an Oakland studio and the transient rear seat of a touring van. While recording, Qudus was digitizing childhood home movies on a continuous loop in her living room, establishing a direct structural dialogue with the rhythmic patterns she was constructing on tape. Outside of her solo work, Qudus operates as a producer and engineer at Tiny Telephone, tracking for Toro y Moi and Spellling, and recently joining La Luz (read our…