Tomoo Gokita, MASSIMODECARLO Pièce Unique

Dominque Fung, Beneath the Golden Canopy, MASSIMODECARLO Hong Kong

In occasione della mostra Dimora Dislocata, allestita da MASSIMODECARLO negli spazi di Casa Corbellini-Wassermann, Alicja Kwade riflette sul rapporto tra oggetti, architettura e teorie scientifiche, mettendo in discussione ciò che crediamo di vedere.

Duarte Sequeira, Esther Schipper move to expanded spaces in Hannam-dong; Massimodecarlo represents Korean artist Hejum Ba Despite the prevailing cautious atmosphere in the Korean art scene amid the co...

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.

MASSIMODECARLO is pleased to present November, Lenz Geerk’s first solo exhibition with the gallery in London and his first return to the city in six years. November arrives with the sweet-sour smell of a fruit bowl turning: peaches that were perfect in September now surrendering to bruise and bloom. Geerk is drawn to that hinge, what lingers after ripeness, what begins as something ends. November frames an exhibition guided by feeling – the experience of uncertainty, and the persistence to keep going.