#Momoyama
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tadashidaiba.bsky.social
Game Fan Momoyama,Osaka.2010
September 6, 2026 at 9:57 AM
coolboxart.bsky.social
Ganbare Goemon ~ Neo Momoyama-Bakufu no Odori ~ Original Game Soundtrack / Soundtrack / Konami / 1997
August 8, 2025 at 12:56 PM
muplebb.bsky.social
Momoyama #よはじFA
January 1, 2026 at 6:15 PM
quest64official.bsky.social
August 7 1997, Mystical Ninja starring Goemon debuted in Japan as Ganbare Goemon: Neo Momoyama Bakufu no Odori!

The series was very popular with children in Japan, including promotional events at elementary schools and the birth of the series Anime Ganbare Goemon!
August 7, 2025 at 6:57 PM
camelliakyoto.bsky.social
8) Fushimi Castle (伏見城)🏯🌸

Fushimi-jō (伏見城), known also as Momoyama Castle (桃山城), was built by Toyotomi Hideyoshi between 1592-94 as his retirement base.
Stripped & dismantled by the Tokugawa from 1623, a replica (now closed) was built in 1964 as part of "Castle Land".
Cherry blossoms in the grounds of Fushimi Momoyama Castle. Cherry blossoms in the grounds of Fushimi Momoyama Castle. Cherry blossoms in the grounds of Fushimi Momoyama Castle.
March 26, 2026 at 4:27 AM
roger1952.bsky.social
A kawari kabuto (exotic helmet), Momoyama period, late 16th century. Photo Christie's Image Ltd 2016.
October 13, 2025 at 9:09 PM
japanese-ukiyo-e.bsky.social
Toyotomi Hideyoshi and Kato Kiyomasa After Earthquake at Momoyama Castle, by Tsukioka Yoshitoshi, 1876
#Japanese #Art #JapanseArt #Ukiyo-e #man #woman
Toyotomi Hideyoshi and Kato Kiyomasa After Earthquake at Momoyama Castle, by Tsukioka Yoshitoshi, 1876
January 28, 2025 at 7:17 PM
camelliakyoto.bsky.social
8) Fushimi Castle (伏見城)🏯🌸

Fushimi-jō (伏見城), known also as Momoyama Castle (桃山城), was built by Toyotomi Hideyoshi between 1592-94 as his retirement base.

Stripped and dismantled by the Tokugawa from 1623, a replica (now closed) was built in 1964 as part of "Castle Land".
#Fushimi #MomoyamaCastle
Cherry blossoms in the grounds of the replica of Fushimi Momoyama Castle. Sakura turn the world pink. The replica of Fushimi Momoyama Castle is now closed to the public. Cherry blossoms in the grounds of the replica of Fushimi Momoyama Castle.
April 10, 2025 at 6:37 AM
jdmccafferty.bsky.social
唐津松文大皿
Platter (Ōzara) with Pine Tree

Momoyama period (1573–1615) Early 17th century
March 4, 2026 at 12:22 PM
roger1952.bsky.social
A Bronze Koro [Incense Burner]
Muromachi-Momoyama period (16th century) , Japan
Cast in two sections and hinged, as a long eared hare looking upward with a bell around its neck
a bronze kōro (incense burner) dating to the Muromachi-Momoyama period (16th century). Set at a high angle on a rustic, weathered wooden plank surface, the piece is modeled with delightful whimsey and minimalist elegance as a long-eared hare resting on its haunches. The sculpture captures a wonderful sense of organic life and quiet devotion, beautifully combining functional utility with the lyrical animal motifs that frequently permeated the tea culture and decorative arts of late medieval Japan. The vessel is expertly cast in bronze and finished with a smooth, deeply patinated dark charcoal-brown or near-black surface that exhibits a soft, subtle sheen where it catches the light. True to its functional design, it is cast in two separate sections—the head and the body—which are joined together by a neat, visible metal hinge located at the back of the neck. When in use, fragrant smoke from burning incense would drift gracefully out from the small openings near the mouth or seams, seamlessly integrating the sculptural form with the sensory atmosphere of a traditional tearoom or scholar's desk. The hare’s posture is delightfully expressive, captured with its plump, rounded body firmly seated while its head tilts sharply upward towards the sky, as if gazing intently at the moon—a classic poetic association in East Asian folklore. Its features are beautifully stylized: the eyes are rendered as simple, concentric raised circles, and its long, slender ears flare dramatically backward in parallel lines, accentuating the creature's alert yet serene silhouette. Circling its neck is a finely detailed, raised cord pattern resembling a rope collar, which holds a small, round bell tucked just beneath its chin on the front breast.
May 30, 2026 at 10:06 AM
samarkandembers.bsky.social
its happening... square bottom shape after momoyama period extants
January 3, 2025 at 3:27 AM
pablo0151.bsky.social
Huge agree.
Ganbare Goemon - Neo Momoyama Bakufu no Odori on N64.
March 13, 2025 at 12:57 PM
sauzapaul.bsky.social
Green screen technology was invented at Osaka Castle in the late 1500s by Emperor Toyotomi Hideyoshi during the Azuchi–Momoyama Period. Look it up!
September 17, 2026 at 10:31 PM
jdmccafferty.bsky.social
唐津松文大皿

Platter (Ōzara) with Pine Tree

Momoyama period (1573–1615)

Eearly 17th century
March 4, 2025 at 1:29 PM
alabandine2.bsky.social
Hasegawa Tohaku - Japanese painter of the Azuchi-Momoyama period (1574–1600) and the founder of the Hasegawa school of painting
February 10, 2024 at 3:25 PM
roger1952.bsky.social
Jimbaori (Samurai battlefield vest)

Momoyama - Early Edo Period, circa 1600 - 1650, Japan
A vertical studio photograph features a magnificent jimbaori (samurai battlefield vest) dating from the transitional Momoyama to early Edo period, circa 1600–1650. This rare garment stands as a supreme testament to samurai material culture and military dress history, presenting the back of the sleeveless vest isolated against a solid black background to emphasize its dramatic graphic power and imposing silhouette. Worn over armor by high-ranking commanders to signal authority and tactical identity on the field, the vest showcases a stunning design ethos that balances stark, high-visibility minimalism with refined heraldic detail. The upper register of the robust, off-white ground fabric—traditionally crafted from heavy silk or prized, imported European wool felt (raxa)—is dominated by an enormous, sweeping black calligraphic character for "five" (五). This monumental kanji served as an immediate, unmistakable visual marker amidst the smoke and chaos of combat. Below this singular statement, the lower half of the vest is decorated with a beautifully balanced, scattered arrangement of three distinct types of circular family crests (mon) and decorative roundels. These include deep black circular emblems featuring stylized crossed elements, elegant bronze-gold crests formed from tripartite botanical motifs, and finely textured golden-yellow medallions reminiscent of dense chrysanthemum blossoms or basketweave patterns. A clean vertical vent splits the lower tail of the garment to accommodate a sword hilt and armor plates, while glimpses of a patterned silk lining peek through at the collar and hem
July 5, 2026 at 1:36 PM
hansvos.bsky.social
#Lentekriebels…
(Foto Etsuyo Photography)
#Kyoto #Momoyama #Japan #lente
#castle #kasteel #castles #kastelen
#natuur #nature #naturephotography
#landscape #landscapephotography
#fotografie #photography #spring
March 11, 2025 at 8:48 AM
olegb.bsky.social
For anyone interested in castles, emperors, and theme parks, Ran Zwigenberg and my article on the modern history of Fushimi Momoyama Castle in Kyoto has just come out from Japan Review. www.jstage.jst.go.jp/article/japa...
Concrete reconstruction of the Fushimi Momoyama Castle keep Torii in front of the Meiji emperor's tomb A rusted sign with an image of Fushimi Momoyama Castle The entrance gate to the Nogi Shrine in Fushimi
May 18, 2025 at 4:04 PM
camelliakyoto.bsky.social
Genkō-an is 1 of 8 temples that claim to have received bloody floorboards from Fushimi Momoyama Castle (伏見城/桃山城).

These were incorporated as ceilings into the temple worship halls, in order to pray for the souls sacrificed during the Siege of Fushimi (伏見城の戦い) in 1600 (decades after the event).
#京都
A bloody footprint on Genko-an's ceiling. Replica of Fushimi Momoyama Castle, built as part of a theme park in the mid-20thC but now closed to the public. Closer view of the replica of Fushimi Momoyama Castle, constructed in 1964 close to its original site (now taken up by the mausoleum of Emperor Meiji). What appears to be the stains of bloody clothing on the ceiling of Genko-an.
February 17, 2025 at 2:43 AM
diyferret.bsky.social
'These topknotted vagabonds are trying to intimidate me in my own home' welcome back Azuchi-Momoyama period Japan
diyferret.bsky.social ya girl Riana @diyferret.bsky.social · Aug 22
strange neighbors are trying to break into the house
August 23, 2026 at 12:46 AM
riversidewings.bsky.social
ah yes, Elizabeth I, famed Azuchi-Momoyama era shogun of England
The Armada Portrait of Elizabeth I
April 29, 2025 at 10:03 PM
goemonfancommunity.bsky.social
Magazine promo art for Ganbare Goemon 5: Neo Momoyama Bakufu no Odori (Mystical Ninja Starring Goemon). They later dropped the "5" in the title.
December 1, 2024 at 1:14 AM
roger1952.bsky.social
Yutō, A large turned and assembled wood negoro ewer for hot water, Momoyama period, 16th century. Height: 36.8 cm © Giuseppe Piva Japanese Art
a Japanese ewer for hot water
January 25, 2026 at 6:29 PM
roger1952.bsky.social
Shinto Sculpture in the Shape of a Seated Fox

Japan, Momoyama period (1573-1615), 16th century

Sculpture

Wood with white pigment and sumi ink

13 1/2 x 4 1/2 x 10 1/2 in. (34.3 x 11.4 x 26.7 cm)

Gift of the 1993 Collectors Committee (AC1993.40.1). LACMA
A magnificent, highly expressive vertical photograph captures an authentic Shinto sculpture in the shape of a seated fox (kitsune), dating to the Momoyama period (1573–1615) in the late 16th century. This rare example of sacred Japanese woodcarving is presented against a neutral, warm grey background with dramatic, directional side lighting that accentuates its dynamic contours, chiseled textures, and ancient surface patination. In Shinto material culture, the fox serves as the sacred messenger (tsuwasa) and guardian of Inari, the deity of rice, agriculture, and worldly prosperity. The sculpture is carved from a single block or primary sections of wood, maintaining a stark, geometric minimalism that exemplifies the powerful sculptural traditions of the late medieval period. The fox is depicted in a formal, alert seated posture, braced firmly on its long, slender forelegs with outspread claws catching the light. Its elongated torso slopes upward into a proudly arched neck, leading to an incredibly animated facial expression. The mouth is carved open in a fierce, protective snarl or vocalization, revealing individual carved teeth and a trace of light pigment inside the maw. Its slender, almond-shaped eyes are gently incised, flanked by tall, pointed, upright ears that convey an attitude of keen, divine vigilance. Rising dramatically behind its haunches is a massive, stylized tail that curls sharply upward into a vertical upright position. The bulbous, teardrop-shaped tip of the tail is painted in a solid block of dark sumi ink, providing a bold graphic contrast to the rest of the form. The body retains extensive traces of its original coating of white pigment—traditionally made from crushed shell (gofun) to represent the sacred byakko (white fox)—which has weathered, cracked, and rubbed away over the centuries to reveal the warm, raw grain of the aged timber beneath.
July 12, 2026 at 9:21 AM
anforsorrow.bsky.social
This unique samurai helmet from the Momoyama period (1573-1615) is covered in boar hair and features two gold-lacquered wooden horns. The front symbol, also made of lacquered wood with gold details, is a talisman called an inome, representing a boar's eye.
(Video from the Samurai Museum in Berlin)
August 17, 2026 at 8:43 AM