#Munjado
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judejudejude00.bsky.social
100 years of Hangeul Day: first celebrated in 1926 as Gagya Day, named after “ga, gya…” in alphabet lessons. My rabbit-filled munjado is digital for now. Next: hand-painted minhwa and small numeral canvases for a perpetual calendar.
#HangeulDay #Munjado #うさぎ　#イラスト　#ハングル
October 10, 2026 at 2:59 AM
kpop-news.bsky.social
#BTS #merch #Korean #folk #art

www.koreajoongangdaily.com/entertainmen...
BTS Dalmajung pop-up brings Joseon folk art and symbols to HYBE headquarters
The Seoul pop-up showcases 13 BTS merchandise items inspired by munjado paintings and the band's latest album, 'Arirang.'
www.koreajoongangdaily.com
September 30, 2026 at 2:09 AM
koreajoongangdaily.com
#HYBE opened a #BTS pop-up at the agency's headquarters in Yongsan District, central Seoul, on Tuesday, featuring BTS merchandise inspired by the munjado, a folk painting genre from the Joseon Dynasty (1392-1910) that decorates written characters with symbolic images.

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BTS Dalmajung pop-up brings Joseon folk art and symbols to HYBE headquarters
The Seoul pop-up showcases 13 BTS merchandise items inspired by munjado paintings and the band's latest album, “Arirang.”
buff.ly
September 29, 2026 at 8:19 AM
kpop-news.bsky.social
#BTS #Chuseok

biz.chosun.com/en/en-entert...
BTS and National Museum unveil Dalmajung merch reinterpreting munjado
BTS and National Museum unveil Dalmajung merch reinterpreting munjado
biz.chosun.com
September 23, 2026 at 3:32 AM
kpopfam.bsky.social
BTS 2026 DALMAJUNG Collection: Munjado Art Meets ARIRANG

BTS has launched its 2026 DALMAJUNG collection, merging traditional Korean munjado folk art with the group's ARIRANG era. The 13-piece lifestyle line, HYBE's second collaboration with the National Museum Foundation of Korea, is sold via…
BTS 2026 DALMAJUNG Collection: Munjado Art Meets ARIRANG
BTS has launched its 2026 DALMAJUNG collection, merging traditional Korean munjado folk art with the group's ARIRANG era. The 13-piece lifestyle line, HYBE's second collaboration with the National Museum Foundation of Korea, is sold via Weverse Shop, the National Museum of Korea, and a Yongsan pop-up through October 11.
kpopfam.com
September 23, 2026 at 2:26 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
June 20, 2026 at 8:04 AM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
April 25, 2026 at 6:40 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
February 19, 2026 at 5:35 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
November 26, 2025 at 8:35 AM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
November 15, 2025 at 2:55 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
July 31, 2025 at 2:53 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
June 11, 2025 at 11:20 AM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
May 9, 2025 at 2:41 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
February 24, 2025 at 10:12 AM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
December 3, 2024 at 2:15 PM
cmakorean.bsky.social
Munja-Chaekgeori Screen (Character-Books Screen) https://clevelandart.org/art/2017.6
During the late 1800s in Korea, local and central governments actively promoted Confucian teachings in fear of the influx of foreign ideas and beliefs like Christianity. Under the patronage of such leadership, many types of <em>munjado</em> (literally meaning “characters”) screens were produced. Such paintings adorned Korean aristocrats’ studies as well as the classrooms of Confucian academies. The eight Korean characters inscribed on the upper portion of each panel of this screen refer to the values of Confucian teachings of the Joseon dynasty: filial piety (<em>hyo</em>), brotherly love (<em>je</em>), loyalty (<em>chung</em>), trust (<em>sin</em>), propriety (<em>yae</em>), righteousness or justice (<em>eui</em>), modesty or integrity (<em>yeom</em>), and humility or the feeling of shame (<em>chi</em>). The lower section of each panel depicts the imagery of books, scholarly utensils, and luxurious objects called <em>chaekgeori </em>(loosely translated as “book and things”), another pictorial genre popular in late 19th-century Korea, a period when both aristocrats and the newly rich were passionately devoted to amassing books and antiquities. Primarily distinctive to the Ganwon province located in northeast Korea, this <em>munja-chaekgeori </em>screen is not only an extremely rare type in which two independent pictorial genres are harmoniously married, but it is also a work that exemplifies the playful nature of Korean art.
October 6, 2024 at 9:40 AM
bmasianarts.bsky.social
The Character "Yeom" from the Munjado https://www.brooklynmuseum.org/opencollection/objects/103464
This artwork intriguingly combines calligraphy with a phoenix illustration, showcasing one of the characters from the traditional Korean "Munjado," where each character is coupled with pertinent symbolism. The "Yeom" character typically represents integrity and incorruptibility, themes deeply rooted in Korean Confucian values.
May 14, 2026 at 8:04 AM
bmasianarts.bsky.social
Pictorial Ideograph (Munjado), 1 of 6 https://www.brooklynmuseum.org/opencollection/objects/127690
Pictorial Ideograph (Munjado), 1 of 6
August 10, 2025 at 8:16 AM
bmasianarts.bsky.social
The Character "Hyo" from the Munjado https://www.brooklynmuseum.org/opencollection/objects/103466
The Character "Hyo" from the Munjado
April 8, 2025 at 12:34 PM
bmasianarts.bsky.social
The Character "Chung" from the Munjado https://www.brooklynmuseum.org/opencollection/objects/103467
The Character "Chung" from the Munjado
August 16, 2024 at 10:06 AM
journeytotheeast.bsky.social
Well, it's basically Joseon era's munjado 文字圖:
June 27, 2024 at 9:58 AM