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“仕女与鸟笼 (Maiden with a Birdcage)” by 陈逸飞 / Chen Yifei (Chinese) - Oil on canvas / 1992 - Museum of Art Pudong (Shanghai, China) #WomenInArt #ChenYifei #陈逸飞 #Chen #MuseumOfArtPudong #浦东美术馆 #art #BlueskyArt #artText #ChineseArtist #ChineseArt #PortraitofaLady #arte #WomenInPortraiture #PortraitofaWoman
Painted in 1992, this canvas belongs to Chinese artist Chen Yifei’s (陈逸飞) “Old Dreams of Shanghai” series, where realism becomes film-like nostalgia. After years working in the United States, he returned to Shanghai, China and began reimagining the city’s past. The sitter is not named in the exhibition materials, so she is likely an imagined “Shanghai beauty.” The young East Asian woman sits in a dim, studio interior, centered against a smoky brown-black background that softens the edges of the scene like an old film still. Her dark hair is parted in the middle and gathered into low side coils, accented with small red flowers. Her gaze turns slightly away from us, lips closed, expression calm and self-contained. She wears a richly patterned, traditional qipao dress with an embroidered high collar and a long robe in deep charcoal-blue with ornate cuffs over a lighter, floral panel that runs down the front. Across her lap, a patchwork of brocade fabrics falls in heavy folds of indigo, rust red, and muted gold stitched into bands and squares that catch the light. Her arms extend outward along a wooden chair’s arms in a wide, relaxed span as one hand loosely holds a round silk fan painted with pale blossoms and leaves. To her right (our left), on a small table, a wooden birdcage stands upright with small birds perched inside, their pale bodies barely lit. The fan, cage, and carved furniture frame her as the quiet anchor of the composition, while the softened light emphasizes texture of the satin sheen, stitched seams, lacquered wood, and the delicate ribs of the cage. The birdcage strikes a double note of ornament and care, but also display and constraint. Her wide, resting arms answer with quiet agency as she takes up space without performing for us. The floral fan repeats the language of refinement and what is shown or what is kept. Through shadow and texture, Chen turns portraiture into nostalgia’s frame for his vision of femininity.
January 12, 2026 at 5:34 PM