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Danke für die Mühe mit den ganzen Terminen.

bsky.app/profile/oaad... Hier noch Termine, wo morgen in Schleswig-Holstein überall Demos sind.
oaad.de sorcerer86 @oaad.de · Feb 7
Termine für #Demos am Wochenende in #SchleswigHolstein
February 7, 2025 at 11:10 PM
pkalways.sheshed.rocks
Jarhead life code.
Never waiver 🔥
@auberon.bsky.social

youtube.com/watch?v=oAAd...
I told you to keep your head down meme Jarhead
YouTube video by The Color Saqib
youtube.com
April 29, 2026 at 4:23 PM
radpax.bsky.social
Update parr 2
Showing off the male version too and a different skin tone they can be for a better idea
Gonna try and doodle up the outfits too
I'm making the Lore Bible of OAAD finally.
June 7, 2026 at 6:17 PM
munkiman.bsky.social
#OneAlbumADay; today (6/6) is Crabby Appleton drummer Phil Jones' birthday, which seems like a good reason to make this s/t debut (Elektra 1970), produced by Don Gallucci, today's choice for OAAD; this one features their Top 40 hit "Go Back" (#36) but I also like deeper cuts like "To All My Friends"
Crabby Appleton were singer-songwriter/guitarist and cool Facebook pal Michael Fennelly (first corresponded with him after I wrote about this LP for All Music Guide), Casey Foutz (keyboards), Hank Harvey (bass), Phil Jones (drums), Felix "Flaco" Falcon (congas, timbales, percussion)
June 6, 2025 at 6:50 PM
chando.us
9. THE SPANISH BARROW'IN GUITAR - Gotta Let It Go

(steel lancer arena international is a sick mech arena combat ps2 game and this plays on the in-game radio)

www.youtube.com/watch?v=OaaD...
Gotta let it go / THE SPANISH BARROW'IN GUITAR
YouTube video by sirloinJ
www.youtube.com
December 3, 2024 at 3:25 AM
munkiman.bsky.social
#OneAlbumADay; today's OAAD album is Strawbs lead singer Dave Cousins' first solo LP (A&M 1972), which
features Dave Lambert & Rick Wakeman (ex-Strawbs), guest appearances by Roger Glover (Deep Purple), Jon Hiseman (Colosseum) and Robert Kirby's wind septet (best known for working with Nick Drake).
Dave Cousins 'Two Weeks Last Summer' (A&M 1972)
May 21, 2025 at 12:29 AM
munkiman.bsky.social
#OneAlbumADay; for today's OAAD, I'm presenting a "reconstruction" of their doomed 1971 rock opera, planned as a double concept LP (also: soundtrack to a planned accompanying film). It was considered too technically complex & conceptually baffling to everyone except Pete Townshend. More: alt text
Pete Townshend and the Who's 'Lifehouse' double LP has been imagined, "re-imagined," constructed & re-constructed many times on music blogs and by brains a lot more devoted to the idea of what it "might have been" than mine. Here's one of those, plus several links below. Be sure to copy/paste the link in a browser if you're interested in reading more. Begin here: By 1970, The Who were undoubtedly the top rock band in the world. After having released one of the first rock concept albums with 'The Who Sell Out' in 1967, the first rock opera with Tommy and their messianic performance at Woodstock in 1969, and possibly one of the greatest live albums of all time with 'Live At Leeds' in 1970, Pete Townshend had no choice but to up his own epic ante with the band’s next release. His follow-up to a concept album and rock opera could only be a third conceptual, semi-operatic piece, but which also included a film tie-in and actual audience participation with the band’s performance that would steer the direction and plotline of the album itself. As opposed to The Who’s previous rock opera, each song would also be able to stand on its own without the need for musical interludes to propel the storyline and explain the previous song; each song would be self-sufficient. That album was to be called Lifehouse. Unfortunately, the Lifehouse’s plot-line was so convoluted and unexplainable, its execution so elaborate and unfeasible, not even his Townshend’s bandmates could comprehend it and the project was eventually scrapped. Instead, the best of the album’s surviving songs became 'Who’s Next' in 1971. This is a reconstruction of what that double concept album/soundtrack called 'Lifehouse' would have sounded like if it had been finished in 1971 as originally intended by The Who. 2012: http://albumsthatneverwere.blogspot.com/2012/09/the-who-lifehouse-soniclovenoize.html 2025 upgrade: http://albumsthatneverwere.blogspot.com/2025/01/the-who-lifehouse-2025-upgrade.html
August 14, 2025 at 10:22 PM
munkiman.bsky.social
#OneAlbumADay; haven't posted a OAAD in awhile (not that anyone cares), but I just read one of the very first albums I owned, Elton John's 'Tumbleweed Connection,' was released 54 yrs ago, on October 30, 1971. EJ said that the songs were influenced by the Band's 'Music From Big Pink'.
More: alt text
Tumbleweed Connection is the third studio album by British singer-songwriter Elton John. It was recorded at Trident Studios, London, in March 1970, and released in October 1970 in the UK and January 1971 in the US. It is a concept album based on country and western and Americana themes. All songs are written by John and Bernie Taupin, with the exception of "Love Song" by Lesley Duncan. Fave songs include "Burn Down the Mission," "Amoreena" and "Country Comfort." Co-writer Bernie Taupin said of the album, "Everybody thinks that I was influenced by Americana and by seeing America first hand, but we wrote and recorded the album before we'd even been to the States. It was totally influenced by The Band's album Music From Big Pink and Robbie Robertson's songs. I've always loved Americana, and I loved American Westerns. I've always said that "El Paso" was the song that made me want to write songs, it was the perfect meshing of melody and storyline, and I thought that here was something that married rhythms and the written word completely." John has remarked, "Lyrically and melodically, that's probably one of our most perfect albums. I don't think there's any song on there that doesn't melodically fit the lyric." The wraparound cover photo for the album was taken at Sheffield Park railway station in Sussex, approximately 30 miles (50 km) south of London on the Bluebell Railway. Reviewing for Rolling Stone, David Fricke wrote: "1971’s 'Tumbleweed Connection' needs no improvement; it is one of the best country-rock albums ever written by London cowboys." Reviewing later for AllMusic, Stephen Thomas Erlewine wrote: "Half of the songs don't follow conventional pop song structures; instead, they flow between verses and vague choruses. These experiments are remarkably successful, primarily because Taupin's lyrics are evocative and John's melodic sense is at its best."
October 30, 2025 at 3:36 PM
oaad.de
Die kleine #ChatGPT #Blogpost Reihe nähert sich so langsam dem Ende - www.oaad.de/2023/09/19/o... - #oaad
September 19, 2023 at 6:25 PM
rogueclassicist.bsky.social
(175) What the Ancient World Knew About Sea Monsters That We Forgot - YouTube
www.youtube.com/watch?v=OAad...
What the Ancient World Knew About Sea Monsters That We Forgot
YouTube video by Bible & Archaeology
www.youtube.com
February 23, 2026 at 7:49 PM
munkiman.bsky.social
#OneAlbumADay; Yesterday, life intervened and I neglected to post an OAAD selection so today I'll post two, beginning w/ 'Four Sail' (Elektra, 1969) by Arthur Lee's Love, which features the best songs Lee & band had recorded to complete a 4th studio for their Elektra contract (more: alt text)
'Four Sail' (Elektra 1969): By mid-1968, Arthur Lee was the only remaining member of the 'Forever Changes' line-up of Love. Lee quickly assembled a new band, including guitarist Jay Donnellan, drummer George Suranovich and bassist Frank Fayad. The album was rehearsed at Lee's house, and he later rented equipment from Wally Heider Studios with his own money and recorded the album in the Hollywood manufacturing district. Basic tracks were recorded in September 1968, while "Robert Montgomery" and additional overdubs were recorded at Elektra Sound Recorders that October. The quartet recorded a total of 27 songs. Elektra Records's Jac Holzman then selected ten of these songs for release as an album, in order to fulfill Lee's contract. The resultant album, 'Four Sail,' was released by Elektra in August 1969, while the remaining songs were issued by Blue Thumb Records as a double LP, 'Out Here,' that December.
June 18, 2025 at 11:41 PM
oaad.de
Endlich ist #Threads wirklich da - https://www.oaad.de/2023/12/15/oaad2425-android-threads-an-instagram-app/ - #oaad
oaad2425 – [Android] – Threads, an Instagram app
Endlich ist Threads wirklich da - Threads, an Instagram app
www.oaad.de
December 15, 2023 at 11:12 AM
oaad.de
Für den #IndieAppSanta lohnt es sich noch eine Folge dazwischen zu schieben - https://www.oaad.de/2023/12/14/oaad2424-ios-indie-app-santa/ - #oaad
oaad2424 – [iOS] – Indie App Santa
Wirklich eine feine App - Indie App Santa
www.oaad.de
December 14, 2023 at 10:28 AM
oaad.de
Wieso denn nicht mal von #chatGPT , als #Experiment , die nächsten #Blogartikel schreiben lassen.

Also nicht wundern 😉 - #oaad

www.oaad.de/2023/09/16/o...
[OMT] Warum du ein iPhone kaufen solltest, trotz des hohen Preises
Du bist auf der Suche nach einem neuen Smartphone, aber du bist unsicher, ob du so viel Geld für ein iPhone ausgeben solltest? Schließlich gibt es viele günstigere Alternativen auf dem Markt, die �...
www.oaad.de
September 15, 2023 at 10:39 PM
oaad.de
Mein #Testbericht ist fertig. Es gilt festzuhalten … Es war ein toller Monat mit dem #iPhone14 und der #AppleWatchUltra - https://www.oaad.de/2023/08/21/omt-apple-iphone-14-apple-watch-ultra-test/ - #oaad
[OMT] Apple iPhone 14 & Apple Watch Ultra Test
Der folgende Testbericht kann vermehrt Links zu O2 enthalten, da mir O2 die Testgeräte zur Verfügung gestellt hat. Ich bin aber auf gar keinen Fall in irgendeiner Art und Weise verpflichtet worden, ...
www.oaad.de
August 21, 2023 at 7:17 PM
munkiman.bsky.social
#OneAlbumADay; Maybe I'm just hungry but I thought about this greasy-fingered improvisational factory funk LP today, and how it might make for a nice OAAD selection. Funk, Inc.: organist Bobby Watley, tenor sax man Eugene Barr, guitarist Steve Weakley, drummer Jimmy Munford &conga player Cecil Hunt.
Funk Inc. 'Chicken' Lickin' (Prestige 1972) was this group's second LP, a continuation of relying on improvisational factory funk like their first album.
May 9, 2025 at 11:20 PM
munkiman.bsky.social
#OneAlbumADay; two picks today because I spaced on July 4th's OAAD, beginning now with Alzo's s/t Bell 1971 LP. Singer-songwriter Alzo Fronte (ex-Alzo & Udine, who were kind of an "Archies-meets-Santana" duo) provides several fine acoustic performances, especially "You're Gone" and "Looks Like Rain"
More about Alzo (from All Music Guide): Alzo was an early-'70s singer/songwriter from New York whose mellow brand of folk-rock was tinted with unexpected brown-eyed soul and Latin influences. His full performing name was Alzo Fronte, and he has been credited with the birth name of Alfred Affrunti. His first recordings were made in 1968 with partner Udine (likely born Ali Noor Uddi), initially under the name Keepers of the Light, with Jeff Barry producing. Changing their name to Alzo & Udine, the duo issued several singles on Mercury over 1968-1969, and cut an album titled C'Mon and Join Us!, also in 1969. While possessed of a strong hippie-folk flavor, the record also featured plentiful Latin percussion and, given its soft sound, surprisingly soulful vocals from its creators. Alzo subsequently went solo and recorded a self-titled album, which was apparently released by Ampex in 1971 and again by Bell in 1972. (written by Steve Huey)
July 5, 2025 at 6:29 PM
munkiman.bsky.social
#OneAlbumADay I don't often mention soundtracks for this OAAD series, but the music in this 2024 Netflix docu film -- about a scoundrel who pulled off an unprecedented string of bank robberies in 1990s Seattle w/ the uncanny ability to disappear using Hollywood-style makeup -- was pretty memorable.
Leo Birenberg (who has also composed the scores for Cobra Kai, Bottoms, Weird: The Al Yankovic Story, Son of Zorn, Tigtone, Twisted Metal, Butcher’s Crossing) scored the new Netflix original true crime documentary How to Rob a Bank. The film was directed by Stephen Robert Morse (Amanda Knox) & Seth Porges (Class Action Park, In the Cold Dark Night).
May 7, 2025 at 4:47 PM
oaad.de
Ich weiß, dass das Gerät nicht mehr das Neuste ist. Aber es ist auch 2024 und obwohl der Nachfolger bald da ist, noch immer ein tolles Gesamtpaket, das #HonorMagic5Pro - https://www.oaad.de/2024/02/23/omt-honor-magic-5-pro-test/ - #oaad
[OMT] Honor Magic 5 Pro Test
Moin Moin, vor etwa drei Wochen habe ich angefragt, ob ich das Honor Magic 5 Pro für einen Test bekommen könnte. Und obwohl es ja nicht mehr das neueste Gerät ist, der Nachfolger, gewissermaßen, schon...
www.oaad.de
February 22, 2024 at 11:08 PM
oaad.de
Und weiter geht es mit dem kleinen #ChatGPT Experiment

www.oaad.de/2023/09/18/o...

#oaad
[OMT] Warum Sie im Urlaub lieber Ihr Smartphone als eine Kamera benutzen sollten
Warum Sie im Urlaub lieber Ihr Smartphone als eine Kamera benutzen sollten Sie planen einen Urlaub und möchten schöne Erinnerungen festhalten? Dann fragen Sie sich vielleicht, ob Sie eine Kamera mi...
www.oaad.de
September 18, 2023 at 6:29 PM
oaad.de
Und weiter geht es mit dem kleinen #chatGPT Experiment

www.oaad.de/2023/09/17/o...

#oaad
[OMT] Deswegen ist die SwiftKey Tastatur unter Android so cool
Hallo, liebe Leserinnen und Leser! Heute möchte ich euch einen Tipp geben, wie ihr euer Android Smartphone noch smarter machen könnt. Ihr habt bestimmt schon von ChatGPT gehört, dem genialen Chatbo...
www.oaad.de
September 17, 2023 at 6:57 PM
munkiman.bsky.social
#OneAlbumADay; I got sidetracked from posting a #OAAD pick yesterday due to all the breaking news (I usually pick something I listened to that day), so I'll post two today. Here's the first one, a collection of previously-unreleased recordings culled from Chick Corea's avant-garde period (1968-70).
Chick Corea 'Circling In' (Blue Note, 1975); this is an out-of-print double LP from Corea's early '70s Blue Note era. The first eight tracks are from trio recordings from '68 with Miroslav Vitous (bass) and Roy Haynes drums; the rest of the tracks are Chick Corea's radical group Circle (Anthony Braxton, Dave Holland, Barry Altschul, Corea). Truly experimental and occasionally foreshadowing the direction he would be heading during the rest of the '70s.
June 13, 2025 at 5:55 PM
munkiman.bsky.social
#OneAlbumADay; Bonus LP today (posting two because I didn't post a #OAAD yesterday). Chris Smither left his native New Orleans for the Cambridge folk scene in the mid-'60s, influenced by mentors like Eric Von Schmidt, eventually combining his Delta influences w/ a plaintive finger-plucked folk style
Chris Smither 'I'm A Stranger Too' (Poppy 1970) Smither was born in Miami, Florida, and raised in New Orleans, Louisiana, heavily influenced by the blues and folk music of the region. He discovered blues music at age seventeen, particularly the music of Lightnin' Hopkins. He also cites Mississippi John Hurt and Bob Dylan as influences. He is recognized for his songwriting, which explores themes of life, love, and loss with a philosophical and often wry perspective, even though he also studied anthropology in school. He also lived briefly in Paris where he and his twin sister Mary Catherine attended French public school. In Paris, Smither got his first guitar, which his father brought him from Spain. I first owned this LP as part of the two-CD collection with album 'Don't It Drag On' from Collectables (1997). Glad I got to know this man's music, especially his covers of some of my favorite artists like Neil Young.
July 11, 2025 at 11:46 PM
queropromocoes.bsky.social
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February 24, 2026 at 5:06 PM
bluitdebabel-bot.bsky.social
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November 19, 2025 at 5:33 AM