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#TelescopeAdvisor #Astronomy #Stargazing #Space #Telescope #NightSky #Science #Paidlink #ad #amazonaffiliate
at least it would make listening to them about their pea protein huel ratios SOMEWHAT tolerable
at least it would make listening to them about their pea protein huel ratios SOMEWHAT tolerable
Por bajar las ratios, las horas lectivas y la burocracia
Para que haya suficientes profesores y no se dejen clases sin cubrir durante semanas
Para que el alumnado de necesidades educativas este bien atendido
HUELGA💚
Por bajar las ratios, las horas lectivas y la burocracia
Para que haya suficientes profesores y no se dejen clases sin cubrir durante semanas
Para que el alumnado de necesidades educativas este bien atendido
HUELGA💚
Student: "Sine, cosine, and trans!"
Student: "Sine, cosine, and trans!"
📌 *Terrazas y playas sin humo*
📌 *Veto a las redes para menores de 16*
📌 *Ley del cine*
Repasando las diferentes leyes e iniciativas que van a quedarse sin entrar en vigor por el adelanto electoral
📌 *Terrazas y playas sin humo*
📌 *Veto a las redes para menores de 16*
📌 *Ley del cine*
Repasando las diferentes leyes e iniciativas que van a quedarse sin entrar en vigor por el adelanto electoral
analytikerna spår <100 msek 2026
=>borde bli starka kassaflöden med ebitda 1,5 bsek 2025 och 1,8 bsek 2026
Enda frågan varför (analytikerna spår) nettoskulden väntas öka från 2,8 bsek slutet 2025 till 3,6 bsek slutet 2026 www.marketscreener.com/quote/stock/...
analytikerna spår <100 msek 2026
=>borde bli starka kassaflöden med ebitda 1,5 bsek 2025 och 1,8 bsek 2026
Enda frågan varför (analytikerna spår) nettoskulden väntas öka från 2,8 bsek slutet 2025 till 3,6 bsek slutet 2026 www.marketscreener.com/quote/stock/...
men analytikerna spår även Mekos ebitda kommer gå +20% till 1,8 bsek 2026 www.marketscreener.com/quote/stock/...
=>värderingsnivå ev/ebitda 4X
men analytikerna spår även Mekos ebitda kommer gå +20% till 1,8 bsek 2026 www.marketscreener.com/quote/stock/...
=>värderingsnivå ev/ebitda 4X
🟢 Salimos para bajar las ratios, las horas lectivas y la burocracia.
🟢 Salimos para recuperar el poder adquisitivo que hemos ido perdiendo desde 2011.
⬇️
🟢 Salimos para bajar las ratios, las horas lectivas y la burocracia.
🟢 Salimos para recuperar el poder adquisitivo que hemos ido perdiendo desde 2011.
⬇️
elpais.com/sociedad/202...
elpais.com/sociedad/202...
So many run on margin, high debt/liability to revenue ratios, that a single disruption cascades into complete failure. There is no wiggle room. No opportunity for "a bad day/year". Not a good model.
So many run on margin, high debt/liability to revenue ratios, that a single disruption cascades into complete failure. There is no wiggle room. No opportunity for "a bad day/year". Not a good model.
They’d certainly be ahead of the curve predicting it, and (hopefully) were less surprised when the digital ratios did hit.
They’d certainly be ahead of the curve predicting it, and (hopefully) were less surprised when the digital ratios did hit.
Entire new forms of content get created, like Reality TV, where ratios can hit 500:1! Massive shift of human labor to the editing side.
Entire new forms of content get created, like Reality TV, where ratios can hit 500:1! Massive shift of human labor to the editing side.
Traditional directors stuck with only slightly inflated shooting ratios (15:1, 30:1); it was the experimental pioneers (Coppola, Scorsese, etc) that hit the big 100:1 numbers. The huge ratios were still crazy.
Traditional directors stuck with only slightly inflated shooting ratios (15:1, 30:1); it was the experimental pioneers (Coppola, Scorsese, etc) that hit the big 100:1 numbers. The huge ratios were still crazy.
Have 3, 5, even 10 cameras rolling at once. Shooting ratios *exploded*, 50:1, even 100:1 (Apocalypse Now)!
Have 3, 5, even 10 cameras rolling at once. Shooting ratios *exploded*, 50:1, even 100:1 (Apocalypse Now)!
Movie Studios used to enforce tight “shooting ratios”; usually 5:1, maybe 10:1 TOPS. As in, for every 5 feet of film shot, at least 1 foot had to end up in the final cut (35mm was expensive!)
Movie Studios used to enforce tight “shooting ratios”; usually 5:1, maybe 10:1 TOPS. As in, for every 5 feet of film shot, at least 1 foot had to end up in the final cut (35mm was expensive!)