"Guide to Britten" by Flanders & Swann
in which one of their lines is:
The doggy doggy few
www.youtube.com/watch?v=otDQ...
Festival Te Deum, Op. 32 for treble solo, chorus & organ (1944)
Composed for the centenary of Anglo-Catholic St. Mark’s Church in Swindon. Wonderfully serene outer sections frame an ecstatic central climax in which the organ gets a damn good thrashing.
Festival Te Deum, Op. 32 for treble solo, chorus & organ (1944)
Composed for the centenary of Anglo-Catholic St. Mark’s Church in Swindon. Wonderfully serene outer sections frame an ecstatic central climax in which the organ gets a damn good thrashing.
Pious Celinda, Z. 410 - Purcell realization for high or medium voice & piano (1944)
As Michael Tippett observed, Handel's popularity had largely obscured Henry Purcell (1659-1695), but musicians were rediscovering him in the years before the 250th anniversary of his death.
Pious Celinda, Z. 410 - Purcell realization for high or medium voice & piano (1944)
As Michael Tippett observed, Handel's popularity had largely obscured Henry Purcell (1659-1695), but musicians were rediscovering him in the years before the 250th anniversary of his death.
✒️ #LouisMacNeice, Irish poet, playwright, and BBC producer, was #BOTD 12 September 1907. #Poetry #Theatre
A Shepherd’s Carol, for chorus (1944)
One of two pieces setting sections of W. H. Auden's long poem "For the Time Being: A Christmas Oratorio". This carol has more than a hint of the spirituals that Britten encountered during his time in America.
A Shepherd’s Carol, for chorus (1944)
One of two pieces setting sections of W. H. Auden's long poem "For the Time Being: A Christmas Oratorio". This carol has more than a hint of the spirituals that Britten encountered during his time in America.
Schubert: Gretchens Bitte, D564 (completed Britten 1938)
#TheCompleteBritten meets #A-Schubert-A-Day! Franz abandoned Gretchen after setting only five of Goethe's eight verses. Britten set the final three for a BBC programme on Schubert's songs of 1817 & 1818.
Schubert: Gretchens Bitte, D564 (completed Britten 1938)
#TheCompleteBritten meets #A-Schubert-A-Day! Franz abandoned Gretchen after setting only five of Goethe's eight verses. Britten set the final three for a BBC programme on Schubert's songs of 1817 & 1818.
Our Hunting Fathers, Op. 8 (1936) - symphonic cycle for high voice and orchestra
Prologue (W.H. Auden)
1 Rats away! (anon)
2 Messalina (anon)
3 Dance of death (Thomas Ravenscroft)
Epilogue and funeral march (W.H. Auden)
Britten's "real Op. 1" had a difficult birth. 🧵 /1
Our Hunting Fathers, Op. 8 (1936) - symphonic cycle for high voice and orchestra
Prologue (W.H. Auden)
1 Rats away! (anon)
2 Messalina (anon)
3 Dance of death (Thomas Ravenscroft)
Epilogue and funeral march (W.H. Auden)
Britten's "real Op. 1" had a difficult birth. 🧵 /1
#NowListening #TheCompleteBritten
#NowListening #TheCompleteBritten
#TheCompleteBritten says Thank you so much, David 🙏
Music lovers: dip in!
Youtube: www.youtube.com/playlist?lis...
Qobuz: open.qobuz.com/playlist/515...
#TheCompleteBritten says Thank you so much, David 🙏
A Boy was Born, Op. 3 (1933)
Britten's first masterpiece marked the changing of England's musical guard. Premiered on the day Elgar died, his 19-year-old successor married compositional virtuosity to vivid word painting and emotion that goes straight to the heart ❤️
A Boy was Born, Op. 3 (1933)
Britten's first masterpiece marked the changing of England's musical guard. Premiered on the day Elgar died, his 19-year-old successor married compositional virtuosity to vivid word painting and emotion that goes straight to the heart ❤️
Serenade for tenor, horn and strings, Op. 31 (1943)
In 1988, I was still (just) a callow teenager and mediocre amateur horn player when I heard this for the first time, and its astonishing marriage of words and music blew my mind. Almost 40 years later, it still does.
Serenade for tenor, horn and strings, Op. 31 (1943)
In 1988, I was still (just) a callow teenager and mediocre amateur horn player when I heard this for the first time, and its astonishing marriage of words and music blew my mind. Almost 40 years later, it still does.
The Rescue of Penelope - Incidental music for narrator, soprano, mezzo-soprano, tenor, baritone & orchestra (1943)
Britten & Edward Sackville-West took almost as long over the Odyssey as Christopher Nolan, but this suite rattles through the story in half an hour or so.
The Rescue of Penelope - Incidental music for narrator, soprano, mezzo-soprano, tenor, baritone & orchestra (1943)
Britten & Edward Sackville-West took almost as long over the Odyssey as Christopher Nolan, but this suite rattles through the story in half an hour or so.
The Ballad of Little Musgrave and Lady Barnard, for male voices & piano (1943)
"I am quickly scribbling a short choral work for a prison camp in Germany where some friends of mine are". Somehow commissioned by British POWs, and smuggled into their camp on microfilm.
The Ballad of Little Musgrave and Lady Barnard, for male voices & piano (1943)
"I am quickly scribbling a short choral work for a prison camp in Germany where some friends of mine are". Somehow commissioned by British POWs, and smuggled into their camp on microfilm.
Violin Concerto, Op. 15 (1939, rev. 1950/54/65)
"Without question my best piece" - Benjamin Britten
I ❤️❤️❤️ this! One of my top Britten works and a serious contender for my #1 🎻 concerto. Love the concertos by Beethoven, Brahms & Bruch? Get this Britten in your life! ❤️❤️❤️
Violin Concerto, Op. 15 (1939, rev. 1950/54/65)
"Without question my best piece" - Benjamin Britten
I ❤️❤️❤️ this! One of my top Britten works and a serious contender for my #1 🎻 concerto. Love the concertos by Beethoven, Brahms & Bruch? Get this Britten in your life! ❤️❤️❤️
Sinfonia da Requiem, Op. 20 (1940)
Today's instalment is dedicated to my car. After many years of dedicated service, it's finally succumbed to the inevitable rigours of time, and goes to the salvage yard today. Goodbye, old friend #RIP 🚗🪦
Sinfonia da Requiem, Op. 20 (1940)
Today's instalment is dedicated to my car. After many years of dedicated service, it's finally succumbed to the inevitable rigours of time, and goes to the salvage yard today. Goodbye, old friend #RIP 🚗🪦
open.qobuz.com/playlist/515...
Night Mail (1936) – Film score for speaker, flute, oboe, bassoon, trumpet, percussion, harp, violin, viola, cello & double bass
Auden's words & Britten's music mix to mesmerizing effect in the marvellous final sequence (from 19:55) of the GPO Film Unit's most famous film.
Night Mail (1936) – Film score for speaker, flute, oboe, bassoon, trumpet, percussion, harp, violin, viola, cello & double bass
Auden's words & Britten's music mix to mesmerizing effect in the marvellous final sequence (from 19:55) of the GPO Film Unit's most famous film.
Sinfonietta, Op. 1 for chamber ensemble (1932)
Dashed off in under three weeks, Britten's Op. 1 is a dazzling display of compositional virtuosity that melds his modern and modernist influences into a tightly-wraught mini-masterpiece. This is a cracking performance.
Sinfonietta, Op. 1 for chamber ensemble (1932)
Dashed off in under three weeks, Britten's Op. 1 is a dazzling display of compositional virtuosity that melds his modern and modernist influences into a tightly-wraught mini-masterpiece. This is a cracking performance.
Simple Symphony, Op. 4 for string orchestra or string quartet (1934)
1. Boisterous Bourrée
2. Playful Pizzicato
3. Sentimental Sarabande
4. Frolicsome Finale
Britten's first published piece that's playable by amateurs. If you're this good 🔽 you don't even need a conductor!
Simple Symphony, Op. 4 for string orchestra or string quartet (1934)
1. Boisterous Bourrée
2. Playful Pizzicato
3. Sentimental Sarabande
4. Frolicsome Finale
Britten's first published piece that's playable by amateurs. If you're this good 🔽 you don't even need a conductor!