The best thing about Peck’s ballet is the skillful way in which she shows off the talents of her dancers…Nadon and Tomash elevated the andante with their impossible glamor and intensity.
Image: Mira Nadon and Ryan Tomash in Tiler Peck’s Symphonie Espagnole. Photo credit: Erin Baiano.
The best thing about Peck’s ballet is the skillful way in which she shows off the talents of her dancers…Nadon and Tomash elevated the andante with their impossible glamor and intensity.
Image: Mira Nadon and Ryan Tomash in Tiler Peck’s Symphonie Espagnole. Photo credit: Erin Baiano.
this is my daily driver agent for private stuff. how and what coming up as two blogposts soon™️ that i already have drafted.
this is my daily driver agent for private stuff. how and what coming up as two blogposts soon™️ that i already have drafted.
Thank you for helping me access lifesaving healthcare. 💙
buff.ly/h2E8go4
Thank you for helping me access lifesaving healthcare. 💙
buff.ly/h2E8go4
Thank you for helping me access lifesaving healthcare. 💙
buff.ly/GLKW4hM
My top surgery is on for 17 September, but insurance and credit bureau fuckery has gotten in the way. You can help me close the rest of the gap via the link below.
Thank you so much for helping me reclaim my mountains ⛰️⛰️ buff.ly/z36uCRU
My top surgery is on for 17 September, but insurance and credit bureau fuckery has gotten in the way. You can help me close the rest of the gap via the link below.
Thank you so much for helping me reclaim my mountains ⛰️⛰️ buff.ly/z36uCRU
Image: Isabella LaFreniere and Ryan Tomash in August Bournonville’s Flower Festival in Genzano Pas de Deux. Photo credit: Erin Baiano.
Image: Isabella LaFreniere and Ryan Tomash in August Bournonville’s Flower Festival in Genzano Pas de Deux. Photo credit: Erin Baiano.
Good dancers who have familiarity with the style convey this clearly. Tomash has this; LaFreniere is learning. Thus this little pas de deux, a trifle, was elevated to something almost sublime: a model for living. An alternate, better world than our own.
Good dancers who have familiarity with the style convey this clearly. Tomash has this; LaFreniere is learning. Thus this little pas de deux, a trifle, was elevated to something almost sublime: a model for living. An alternate, better world than our own.
(Or - being TFd as disability narrative)
archiveofourown.org/works/84807746
(Or - being TFd as disability narrative)
archiveofourown.org/works/84807746