Alt: Angie Tribeca's Awkward Smile

Regina King and Halle Berry talk to Variety about their participation in the Through Her Lens program and this year's winner "Cowards."

The streets of New York City are constantly evolving, as gleaming new residential towers and other buildings reshape the cityscape. Despite the constant waves of modernization, development, and the push for bigger and better, there are still many places across the five boroughs that evoke the city’s storied past. From Tribeca’s famed skybridge street to [...] The post 10 NYC streets and parks that take you back in time first appeared on 6sqft.

Halle Berry, Regina King, Riley Keough, and more gathered to support emerging filmmakers—and deliver plenty of outfit inspiration.

Curate Feeds | Make Collections | Customize Email Briefs

Curate Feeds | Make Collections | Customize Email Briefs

Curate Feeds | Make Collections | Customize Email Briefs

A $10 million gift is turning New York Law School students into free lawyers for Tribeca’s small businesses.

Curate Feeds | Make Collections | Customize Email Briefs

The high-profile resources investor unloaded on Raper Capital’s Jeremy Raper after Raper declined to share his views on an ASX-listed minnow.

The RealReal founder's home in Tribeca's iconic Woolworth Building was first for sale in 2024.

In this episode of the No Film School Podcast, Tribeca Festival Director and SVP of Programming Cara Cusumano joins host GG Hawkins to reflect on 25 years of Tribeca and explain what independent filmmakers should understand about today’s festival landscape. Cusumano discusses Tribeca’s evolution from its post-9/11 roots into a multidisciplinary storytelling festival, how programmers evaluate nearly 14,000 submissions, why filmmakers should build relationships with their peers instead of chasing gatekeepers, and how festivals are responding to shifts in film distribution and audience behavior. She also shares how emerging filmmakers can participate in festival communities even without a film in the lineup and why creating distinctive work matters more than waiting for the perfect opportunity. ### **In this episode, we****discuss:** * How Tribeca’s founding mission of community, connection, and celebrating movies has endured across 25 years * Cara’s path from attending the first Tribeca Festival as a film student to becoming Festival Director and SVP of Programming * Why networking is really about building relationships with your contemporaries and growing together throughout your careers * How programmers view filmmakers and why they are actively looking for work to champion rather than trying to keep filmmakers out * What makes a project feel distinctly right for Tribeca, from independent storytelling to memorable audience experiences * How Tribeca manages and evaluates nearly 14,000 film and project submissions * Why passionate advocacy inside the programming room can matter even when programmers disagree about a film * Why festival feedback is complicated and how programming decisions can depend on the composition of the entire lineup, not simply the quality of an individual film * How Tribeca expanded beyond features and shorts into television, podcasts, games, VR, immersive work, and creator-driven storytelling * The value of human curation as an alternative to algorithmic discovery * Why Tribeca is interested in projects that blur the boundaries between film, games, immersive media, podcasts, and other formats * How the role of film festivals is changing as selling an independent film directly out of a festival becomes more difficult * Why festivals increasingly function as places for talent discovery, career building, networking, and demonstrating audience demand * How the in-person festival experience can create moments that cannot be replicated through individual at-home viewing * How emerging filmmakers can participate in Tribeca through programs like the Storytelling Summit even if their work is not selected * Why Cara hopes Tribeca remains flexible enough to respond to new forms of storytelling that do not yet have an established industry category * Her advice to stop waiting for the perfect moment, keep collaborating, and make work because of the story rather than its potential festival or distribution outcome **Guests:** * Cara Cusumano **** **** ### **Subscribe to the No Film School Podcast on:** * Apple Podcasts * Spotify * Google Get your question answered on the podcast by emailing podcast@nofilmschool.com ### _Listen to more episodes of the No Film School podcast right here:_

A 24-story luxury condo tower is taking shape in Tribeca. Developed by Sky Equity Group, 65 Franklin Street broke ground in April and is now starting to rise at the corner of Franklin Street and Tribeca. Designed by COOKFOX Architects, the 106-unit building features a hand-laid brick facade, landscaped loggias, and will be all-electric and [...] The post Tribeca’s latest luxury condo is a 24-story tower designed by COOKFOX first appeared on 6sqft.

Some stories find their creators. Others practically demand to be told.For actress, writer, and first-time director Stacey Sargeant, Stand Clear the Closing Doors was born from an unsettling encounter...

ALT: Angie Tribeca's Awkward Smile

by Liz Wiest, Staff Writer MovieJawn’s Liz Wiest reviews works from Tribeca 2026 that not only provoked the status quo but ushered in a new wave of perspectives previously unexplored in the independe...

The 25th edition of the Tribeca Film Festival may have ended on Sunday, but the festival continues to live on in our minds. 2026 feels like the year of

RECAP: Tribeca's Storytelling Summit with Luminary...

Alt: Angie Tribeca's Awkward Smile

Dreams Of Violets cost $2000 and is an insult to filmmakers everywhere—not to mention the Iranians whose deaths it dramatizes.

We watched Tribeca's AI snuff film so you don't have to

by Liz Wiest, Staff Writer This docket serves up the ghoulish and gruesome and then some with its thrilling mix of topical anniversary screenings and eight hair-raising world premieres.