As the "first symphony ever written by a British woman", Smith's work is great, with the combination of bombast and delicacy ones hopes for from the greats.
As the "first symphony ever written by a British woman", Smith's work is great, with the combination of bombast and delicacy ones hopes for from the greats.
Frahm decided that the 88th day of the year should be "Piano Day", so if you're near a piano, play a bit of something, even if you're self-conscious, even if you're not practiced, just hit a few notes and bring some music into the air.
Frahm decided that the 88th day of the year should be "Piano Day", so if you're near a piano, play a bit of something, even if you're self-conscious, even if you're not practiced, just hit a few notes and bring some music into the air.
The Agnus Dei is a prayer for mercy and peace.
The Agnus Dei is a prayer for mercy and peace.
An irresistible waltz, from a composer known for more unconventional music, seen here in an outdoor concert in Amsterdam. A nice way to spend a summer's evening, on a river listening to live music.
(Below is a beautiful guitar version as well.)
An irresistible waltz, from a composer known for more unconventional music, seen here in an outdoor concert in Amsterdam. A nice way to spend a summer's evening, on a river listening to live music.
(Below is a beautiful guitar version as well.)
Played here by Britten himself, and sung by his life partner, Peter Pears, a lovely plaintive romantic setting of Yeats' folk song.
Happy Pride.
Played here by Britten himself, and sung by his life partner, Peter Pears, a lovely plaintive romantic setting of Yeats' folk song.
Happy Pride.
Performed here by countertenor Andreas Scholl and harpsichordist Tamar Halperin, there's a certain sense to baroque music of being simultaneously historically distant and still vibrant when it's sung into the air.
Performed here by countertenor Andreas Scholl and harpsichordist Tamar Halperin, there's a certain sense to baroque music of being simultaneously historically distant and still vibrant when it's sung into the air.
Creating art that is somehow both fully fresh and fully familiar is the spine and soul of springtime. Now-Oscar-nominated Max Richter (for his Hamnet score) does it seamlessly here.
Creating art that is somehow both fully fresh and fully familiar is the spine and soul of springtime. Now-Oscar-nominated Max Richter (for his Hamnet score) does it seamlessly here.
Composed in 1945 for just 23 strings, this piece feels like you're stepping through rubble, taking stock of destruction and loss. As Burton-Hill notes: "It is a singularly moving musical response to the senselessness of war -- any war."
Composed in 1945 for just 23 strings, this piece feels like you're stepping through rubble, taking stock of destruction and loss. As Burton-Hill notes: "It is a singularly moving musical response to the senselessness of war -- any war."