#Yohaku
LightNews LightNews
joanhalifax.bsky.social
yohaku no bi: the beauty of empty space. that is what i am contemplating now.
June 9, 2025 at 3:55 PM
jabb.bsky.social
🎨: Anders Brasch-Willumsen, "Yohaku N°41"
May 13, 2024 at 4:25 PM
yuzukikino.bsky.social
【 🌟 information 】
Yohaku様の「時という旅の中で私達は」のMV用イラストを担当させていただきました！

www.youtube.com/watch?v=75aa...
November 13, 2024 at 10:40 PM
feed.ballsack.tv
ヨハク (Yohaku) ft. 足立レイ (Adachi Rei) - トロンプルイユ (Trompe-l'œil)
MV: ヨハク (Yohaku)
Now streaming on ballsack.tv
#music #ballsacktv #ballsackradio
October 3, 2026 at 1:42 PM
roshanak-607.bsky.social
Yohaku 余白, a no+e article⬇️

note.com/roshanak/n/n...
余白｜Ռոշանակ (Roshanak, 𐎼𐎧𐏁𐎴)
[Header Image Credit] If Fermat had been a composer (Brown Sharpie) Yohaku ? This particular phrase, though not frequently, keeps recurring in my mind. Yohaku: The Beauty of Empty Space Yohaku (余...
note.com
November 30, 2025 at 11:11 PM
roger1952.bsky.social
Springtime of Life

Uemura Shōen

1899

Kyoto Municipal Museum of Art
Overlapping in quiet, synchronized rhythm against a warm, unadorned silk ground (yohaku), two young women stride forward in Uemura Shōen’s (1875–1949) luminous early masterwork Springtime of Life (Jinsei no Haru, 1899). Rendered in pristine mineral pigments and ink on silk, the composition captures the maidens clad in formal black silk garments—precursors to the high-status kuro-furisode—embellished with white family crests (mon) at the shoulders and delicate cherry blossom motifs (sakura) drifting near the lower hems. The foreground figure inclines her head with subtle, trusting affection toward her companion, her hair swept into an elaborate nihongami coiffure decorated with delicate hairpins (kanzashi) and a folded white ceremonial cloth band across her forehead. Binding their gowns are magnificent brocade obi—one woven in fiery coral-orange and gold, the other in cool, shimmering turquoise—tied in voluminous, structured knots that anchor their graceful silhouettes. Shōen turned her brush toward the lived experiences, rites of passage, and internal lives of Kyoto’s women. Springtime of Life captures the bittersweet threshold of coming-of-age (seijin), depicting the deep, unspoken bond between two young women on the cusp of adult responsibility and marriage. Aesthetically, the painting is an exquisite study in yohaku (the active use of negative space). By stripping away all interior or landscape backdrops, Shōen forces total concentration onto the sweep of the calligraphic line work (sen-gaki), the crisp architectural geometry of the folded silk collars, and the vivid flashes of red under-garments (momi) peeking through the sleeves and hems. The gentle, inclined posture of the maidens creates a quiet sense of miegakure (hide-and-reveal), where deep emotional intimacy is communicated not through dramatic expression, but through posture and proximity.
September 7, 2026 at 7:42 AM
get-ugly.jp
Vライバーさん（采瀬余白さん）のご依頼絵なんですけど、一番力が入ってるのはテレキャスかもしれない……楽器はクリスタの3Dモデルを使ってますけど、かなり加筆必要なので大変

This is a commissioned illustration for V-Liver Ayase Yohaku. Telecaster was requested by her. For the guitar, I used a 3D model from CLIP STUDIO.
January 7, 2026 at 1:32 AM
izu726.bsky.social
これ、すごくよい！
キッコーマンのだしドリップパック「YOHAKU」

見た目はふつーのコーヒーみたいなドリップパック。お湯を注ぐと「だし」が抽出。カフェイン、カロリーゼロ。

塩気のあるもの食べたい～ってときはミネラル不足しているので「だし」飲むと少し落ち着く。

もうちょっと生活にだしを取り入れていきたいねー
November 11, 2024 at 11:53 PM
roger1952.bsky.social
Woman Waiting for the Moon to Rise

Uemura Shōen

1944

Color on Silk

Adachi Museum of Art
Reclining gently against the balustrade of a veranda (engawa), a solitary woman rests her chin upon her hand, her profile turned upward toward an expansive, empty sky in quiet anticipation of the evening moon. The composition relies masterfully on yohaku (meaningful negative space), omitting the celestial body entirely so that the viewer is drawn into the internal emotional landscape of the subject—a suspended moment of serene longing, quietude, and poetic reflection. The soft, luminous gradations of the neutral silk backdrop evoke a cool twilight atmosphere, highlighting the immaculate contour of her throat and the dignified poise that defined Shōen’s singular artistic vision. Shōen’s rendering of dress reveals a profound mastery of Japanese material culture and textile traditions. The woman is clad in a deep indigo-blue kimono patterned with subtle, muted checkerboard registers (ichimatsu-moyō), anchored by a formal white family crest (mon) visible at the shoulder. Wrapped around her waist is a pale cerulean obi decorated with dapple-dyed kanoko shibori technique, forming delicate outlines of seasonal foliage that contrast with the bold red-and-white geometric pattern of her inner collar (han'eri). Her traditional hair coiffure is executed with painstaking precision; ultra-fine brushstrokes define the soft, natural edges of her hair against her temple, secured with sculpted gold kanzashi hairpins and delicate green beaded ornaments. Shōen elevates these sartorial nuances beyond mere ornament, turning the tactile weight of dyed silk and mineral pigments into an expression of understated elegance. Created during the severe final years of the Pacific War, the painting carries a poignant historical significance. While the nation endured widespread destruction and uncertainty, Shōen consciously rejected wartime themes, choosing instead to construct an unshakeable realm of spiritual purity (seiren) and cultural continuity.
August 28, 2026 at 7:38 AM
xinglinguniang.bsky.social
Хозяйка магазина очень милая. 😭 А ещё у них скидки с 31 января по 2 февраля будут, поэтому кто всегда мечтал… копите деньги.
yohaku.ru
Yohaku – винтажные кимоноКорзинаОткрыть менюКорзинаПродолжитьПродолжитьПродолжитьРазвернутьРазвернутьРазвернуть
yohaku.ru
January 19, 2025 at 1:52 PM
akiohoshi.bsky.social
参考：
マルジナリア書店 & 夕凪文具店 & よはく舎の小林えみ氏の編集者としての仕事集。ああ、あの本がある。この本もある——。
www.yohakushapub.com/emi
works | yohaku
www.yohakushapub.com
April 19, 2025 at 1:23 PM
jirosakusakuta.bsky.social
#oc　左右で印象の変わる彼の名前は余白(yohaku)くん。白くてサイドテールで(きっと、おそらく)快活な子です。
髪をサイドに結って手を振る姿と髪を下ろしている姿のoc。
February 10, 2025 at 11:06 AM
reto010.bsky.social
めちゃくちゃ好き(；；)💞
x.com/_____yohaku/...
余白の詩学 (@_____yohaku) on X
アルフレッド・シスレー。水辺や優しい空の風景を描き、空のシスレーとも言われた印象派の画家。
x.com
August 15, 2026 at 7:11 AM
mikejacobs.bsky.social
Might I humbly suggest yohaku puzzles? www.yohaku.ca
November 3, 2023 at 3:43 PM
karencampe.bsky.social
Hello #iTeachMath #MathsToday folks... these Yohaku puzzles from Mike are an excellent thinking task for students at many levels. Enjoy!
mikejacobs.bsky.social Mike Jacobs @mikejacobs.bsky.social · Oct 15
Start your day with this #yohaku. Fill in cells with 9 different factors of 384 to get totals shown in each row/column. #mathsky #iTeachMath
Use 9 different factors of 384 in a 3 by 3 grid. The numbers in the top row add to 34. The numbers in the middle row add to 121. The numbers in the bottom row add to 13. The numbers in the left column add to 32. The numbers in the middle column add to 120. The numbers in the right column add to 16.
October 15, 2025 at 2:45 PM
hey-japan.com
Modern Calligraphy Exhibition "Omoi wo Tsumugu Vol. 2", Jun 5–7 at Gallery YOHAKU (B1, Ginza Apollo Showakan), Tokyo. Five calligraphers – Yukiyo Arakawa, anco, kayon., Kinako, and Mishiro – blend traditional brushwork with contemporary art. 10:00–19:00. Free admission.
Flyer for the Exhibition of Modern Calligraphy "Omoi wo Tsumugu Vol. 2" The Japanese title "想いを紡ぐ" appears in large brush-painted characters at top left, surrounded by sample calligraphy works from the five participating artists – a mix of bold black ink strokes, softer washes, and pieces incorporating pale pink and green tones. The artists' names (荒川幸代, anco, kayon., きなこ, 美城) and event details are listed at right: June 5–7, 2026, 10:00–19:00 (final day until 16:00), at Gallery YOHAKU, free admission.
June 1, 2026 at 2:32 PM
roger1952.bsky.social
Executed between 1914 and 1915 and preserved in the Kawamura Memorial DIC Museum of Art, Cherry Blossom Viewing (Hanami) by Uemura Shōen (1875–1949) captures a quiet, sublime moment within Japan's most cherished spring ritual.
Set against a luminous, unadorned gold silk ground (yohaku), two women pause beneath an unseen canopy of blooming trees. The principal figure, an aristocratic beauty, lifts a brilliant gold folding fan (ōgi) above her brow to gently shield her eyes—or perhaps frame her view—as pale cherry petals (sakura no hanabira) drift softly down through the air. Her head tilts in a posture of introspective elegance, her delicate profile defined by Shōen’s signature razor-thin calligraphic linework (sen-gaki) and a faint flush of vermilion along the cheeks. Behind her, a younger companion clad in an olive-green kimono patterned with the interlocking geometric circles of the "seven treasures" (shippō) motif turns her head, creating a dynamic spatial rhythm that animates the golden void. Shōen’s rendering of sartorial detail offers a masterclass in historic textile culture. The central woman is draped in a grand outer kimono featuring a subtle, hand-dyed gradient (bokashi) that transitions from cool slate grey across the shoulders to a warm, sunlit yellow along the lower skirt. Stylized blossom branches sweep across the fabric in low-relief resist-dyeing and fine outline work. Layered beneath are rich glimpses of a coral-pink furisode and an under-skirt woven in a crisp green lattice grid, trimmed by the red-and-white striped piping of her inner collars (kasane-eri). She balances upon raised, black-lacquered clogs (geta) with bright crimson velvet toe-straps (hanao), while her hair, styled in an elaborate swept-back coiffure, is anchored by translucent tortoiseshell combs and gold leaf hairpins (kanzashi). Aesthetically, the painting exemplifies Shōen’s lifelong mission to elevate bijin-ga (pictures of beautiful women) into portraits of active interiority, spiritual purity, and iki (effortless sophistication).
September 3, 2026 at 12:02 PM
rood.us
End your day with this yohaku
mikejacobs.bsky.social Mike Jacobs @mikejacobs.bsky.social · Aug 27
Start your day with this #yohaku. Fill in cells with 9 different factors of 288 to get totals shown in each row/column.
#mathsky #iTeachMath
Use 9 different factors of 288 in a 3 by 3 grid. The numbers in the top row add to 29. The numbers in the middle row add to 26. The numbers in the bottom row add to 101. The numbers in the left column add to 17. The numbers in the middle column add to 31. The numbers in the right column add to 108.
August 28, 2025 at 3:04 AM
karencampe.bsky.social
Do some math for fun, not school. For example, Yohaku puzzles from @mikejacobs.bsky.social or watch a video I've bookmarked but hadn't yet watched from @standupmaths.bsky.social or #MathArt from @anniekp.bsky.social or @paulakrieg.bsky.social

#MTBoS #iTeachMath #MathSky #MathsToday
December 23, 2024 at 1:16 AM
feed.ballsack.tv
ヨハク (Yohaku) ft. 足立レイ (Adachi Rei) - トロンプルイユ (Trompe-l'œil)
MV: ヨハク (Yohaku)
Now streaming on ballsack.tv
#music #ballsacktv #ballsackradio
August 19, 2026 at 5:49 PM
penahay.bsky.social
yohaku no bi, the beauty of empty space

Pauline Ziegen
Oil and gold leaf on board, soft blue/pink horizon over grey/dark pink ground
July 26, 2025 at 7:51 AM
roger1952.bsky.social
Published in the 1982 JCA (Japan Creators Association) Annual 4, this evocative illustration by Nakajima Kiyoshi (b. 1943) stands as a quintessential modern reinvention of the bijin-ga (pictures of beautiful women) genre
esting her head in quiet contemplation against a weathered timber rail, a young woman leans into a winter gale, her dark hair and heavy garment delicately dusted with falling snowflakes. Her flowing dark kimono—patterned with fine, undulating dotted lines that mirror the rhythmic movement of wind and ocean currents—is anchored by the sharp, dynamic pop of a bright crimson sash trailing in the breeze. Nakajima masterfully employs a vast expanse of unblemished white snow (yohaku) to isolate the figure, guiding the viewer's eye toward the spindly, leafless trees on the horizon and a cold, sweeping sky rendered in layered, atmospheric strokes of cobalt and indigo ink wash. Celebrated throughout the late Shōwa period for his nostalgic, emotionally resonant imagery, Nakajima bridges classical Japanese sensitivities with modern illustrative flair. The composition captures a profound sense of mono no aware—the bittersweet pathos of impermanence—where the figure's quiet, solitary posture stands in poignant dialogue with the biting chill and vast, unyielding beauty of the winter landscape.
August 29, 2026 at 11:04 AM
roger1952.bsky.social
Edited by the renowned artist and printmaker Ishii Hakutei (石井柏亭, 1882–1958) and published in 1916 (Taishō 5) by Oranda-shoten, this woodblock print plate originates from Gendai Meika Zuan-shū (現代名家図案集—"Collection of Designs by Modern Masters").
Depicting delicate fern fronds (shida) and unfurling fiddleheads emerging against a deep black field, the composition exemplifies the innovative spirit of early 20th-century Japanese zuan (applied design) albums. The design balances organic realism with graphic modernization, rendering the fronds in muted sage-green and earthy rust-red tones. Set off-center to emphasize negative space (yohaku), the rhythm of the delicate, saw-toothed pinnae and curled stems reflects the intersection of traditional Japanese nature motifs with contemporary European Art Nouveau sensibilities—a hallmark of Taishō-era avant-garde visual arts and decorative design.
July 27, 2026 at 7:26 PM
universalshape.bsky.social
youtu.be/S30W2k_PUCE Lorem Ipsum by yohaku, pretty funny time signatures

youtu.be/HUTfW1K5Hao Manifest Absolute Destroying by WataNarashi, a funny song (rei is in the asylum)
(similarly to picdo, number of rei songs in both of their discogs!)
ロレムイプサム / ヨハク feat.足立レイ
YouTube video by ヨハク / yohaku
youtu.be
March 22, 2026 at 10:48 AM