pregnancy as horror is a touchstone in odynia, especially in illsvale. conception, creation, these things stand in opposition and yet alignment with the plague of undeath that has warped the world. in illsvale, this is oft-centered around their tourney of torture.
pregnancy as horror is a touchstone in odynia, especially in illsvale. conception, creation, these things stand in opposition and yet alignment with the plague of undeath that has warped the world. in illsvale, this is oft-centered around their tourney of torture.
he has a natural, lily-like musk and black ink smell to his skin when enfleshed after feeding. otherwise he uses a woody oil in his beard and skin to compliment the smell of armor oil and parchment that usually clings to him. thurible smoke, too : he likes the scent of a chapel.
he has a natural, lily-like musk and black ink smell to his skin when enfleshed after feeding. otherwise he uses a woody oil in his beard and skin to compliment the smell of armor oil and parchment that usually clings to him. thurible smoke, too : he likes the scent of a chapel.
while ailred is good at things like chessboard and cards, his biggest "gambles" are tourneys. he is incredible at jousting and combat. pledging to no house but instead his religious order, he gambles to win pride and prowess attributed to his beliefs. the coin goes to alms.
marion: what was his last nightmare?
while ailred is good at things like chessboard and cards, his biggest "gambles" are tourneys. he is incredible at jousting and combat. pledging to no house but instead his religious order, he gambles to win pride and prowess attributed to his beliefs. the coin goes to alms.
ailred has always favored the weight of steel. the feeling of a hilt in his hand, the hiss of a blade when it is unsheathed, the cool metal of armor. he feels the same about chains, hooks. better yet, the interaction of these things with the body (entering, binding, cutting through)
ailred has always favored the weight of steel. the feeling of a hilt in his hand, the hiss of a blade when it is unsheathed, the cool metal of armor. he feels the same about chains, hooks. better yet, the interaction of these things with the body (entering, binding, cutting through)
ailred has no relationship to house lys as he left it behind with aalis. he considers aalis a martyr of sorts, and finds ruminating on her (his own) upbring to be a sort of distant mortification of the flesh. that is until, in odynia, he meets a woman pretending to be the girl who died
ailred has no relationship to house lys as he left it behind with aalis. he considers aalis a martyr of sorts, and finds ruminating on her (his own) upbring to be a sort of distant mortification of the flesh. that is until, in odynia, he meets a woman pretending to be the girl who died