Amy Genser's undulating abstractions evoke marine swells, currents, reefs, and the topography of the sea floor.

Over the last twenty-five years, the study of hominin evolution and archaeological assemblages has become increasingly complex, due to new archaeological and paleoanthropological discoveries, and the…

Mini banners are a joy to make: perfectly imperfect, hand-cut, machine-sewn textile assemblages made as quiet prayers, visual intentions and meditations on revolution and freedom. The Vunilagi Vou online shop is now stocked with a range of mini banners and two slightly larger banners made for Vakamuduo , a small solo exhibition held at Moana Fresh earlier this year. Presenting an open studio for the recent…

A remarkable collection of 280 prehistoric engravings discovered inside a cave in Catalonia has been identified as one of the largest known assemblages of Palaeolithic cave art along the Mediterranean...

Learn how to use Pantheon to inform invertebrate conservation and understand habitats with tutor Martin Harvey.

A declaration, a commitment, a dream. From a series of perfectly imperfect, hand-cut, machine-sewn textile assemblages, now proudly made in Paekākāriki with revolution in mind. Vasemaca (FKA Ema) Tavola is a Fijian-Pākehā artist-curator currently based on the Kāpiti Coast. Tavola’s practice is aligned with the politics of decolonisation and Indigenous feminisms, motherhood, and histories of BIPOC art and activism in the Global South. She established her painting practice in Suva, Fiji before relocating to South Auckland where she studied sculpture, arts management and applied Indigenous knowledge. As a visual artist, Tavola works primarily in textiles drawing from art histories that centre women, revolution and social justice. More info:  

Abstract. The deep biosphere harbors diverse microbial communities amounting to a substantial fraction of Earth's biomass for much of its history. Analyses of fracture-hosted minerals (e.g., pyrite, c...

The conservation value of forest fragments is highly dependent on the internal habitat quality and functional connectivity. Biological corridors are widely used to mitigate fragmentation, but their ef...

A declaration, a commitment, a dream. From a series of perfectly imperfect, hand-cut, machine-sewn textile assemblages, now proudly made in Paekākāriki with revolution in mind. Vasemaca (FKA Ema) Tavola is a Fijian-Pākehā artist-curator currently based on the Kāpiti Coast. Tavola’s practice is aligned with the politics of decolonisation and Indigenous feminisms, motherhood, and histories of BIPOC art and activism in the Global South. She established her painting practice in Suva, Fiji before relocating to South Auckland where she studied sculpture, arts management and applied Indigenous knowledge. As a visual artist, Tavola works primarily in textiles drawing from art histories that centre women, revolution and social justice. More info:  

A declaration, a commitment, a dream. From a series of perfectly imperfect, hand-cut, machine-sewn textile assemblages, now proudly made in Paekākāriki with revolution in mind. Vasemaca (FKA Ema) Tavola is a Fijian-Pākehā artist-curator currently based on the Kāpiti Coast. Tavola’s practice is aligned with the politics of decolonisation and Indigenous feminisms, motherhood, and histories of BIPOC art and activism in the Global South. She established her painting practice in Suva, Fiji before relocating to South Auckland where she studied sculpture, arts management and applied Indigenous knowledge. As a visual artist, Tavola works primarily in textiles drawing from art histories that centre women, revolution and social justice. More info: