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Galleria degli Uffizi

#GalleriadegliUffizi #florence #italy #italiano
January 24, 2025 at 2:51 PM
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Autoritratto by Emilia de Divitiis (Italian) - Oil on canvas / 1928 - Galleria degli Uffizi (Florence, Italy) #womeninart #womanartist #art #femaleartist #oilpainting #womensart #EmiliadeDivitiis #GalleriadegliUffizi #UffiziGallery #PalazzoPitti #Galleriad'ArteModerna #deDivitiis #
In 1928, Italian artist Emilia de Divitiis portrayed herself in a formal pose, likely while painting. She is shown with her head turned, gazing slightly to the side. The artist represents herself with a serene face, smiling, dressed in the clothes of the trade. The colors vary from light to dark creating strong contrasts that are evident between the black of her short curly hair and the red of the drape in the background that contrasts with the white of her low-cut shirt and the paleness of her skin. The brushstrokes are short and contribute to creating this play of light and shadow on the fabric. The artist demonstrates the influence of her mentor Francesco Paolo Michetti and his naturalistic painting style, derived from the realism tradition of 19th century pictorials. De Divitiis, in fact, attended the "Conventino" of Francavilla a Mare for 8 years to learn from master Michetti … and it was precisely during this period that she made this work. In the following years, her painting grew closer to Cézanne's techniques and her attention moved to the more intimate subjects like family. This self portrait was donated by the artist in 1978 to the Modern Art Gallery of Palazzo Pitti (Galleria d’Arte Moderna di Palazzo Pitti).
April 26, 2025 at 9:11 PM
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Autoritratto in azzurro (Self-portrait in blue) by Marisa Mori (Italian) - Oil on wood / 1929 - Galleria degli Uffizi (Florence, Italy) #WomenInArt #art #WomanArtist #GalleriadegliUffizi #Uffizi #UffiziGallery #1920s #WomensArt #FemaleArtist #MarisaMori #Mori #WomenArtists #BlueskyArt #SelfPortrait
“Please don't write a biography, it’s almost impossible to know someone ... Even if the undersigned were to recount hour by hour what happened during her long existence it wouldn’t matter: I myself don’t even know who I am.” -- Italian artist Marisa Mori, at 78 She responded this way following belated recognition from critics, cutting short her possibility of defining herself and her own artistic experience. She had always sought to avoid the risk of being "pigeon-holed," moving quickly among multiple forms of creativity guided by free, non-conformist thought that admitted the coexistence of different styles. Born in Florence in 1900, at 25 she was admitted to the Felice Casorati School in Turin where she trained alongside the master and a group of promising female students. Four years later, this 1929 self-portrait conveys the character of that period: a "frown" made popular by an increase in exhibition and sales successes, but also the rigorous lilac color of the blouse without frills, as imposed by the almost monastic rules of the school. Mori presents herself with long dark hair from the shoulders up, her body angled slightly away from us. She's wearing a simple, sleeveless, pale lavender top. Her expression is serious as she turns in our direction. The background is a muted, greenish-gray. In the 1930s, Mori's need to release new energy took over and she joined Futurism to substitute rhythms and colors for studies from life. Her transition was sudden and unconditional, leading her to participate from 1932 in numerous exhibitions of the movement. Later, the rise of restrictive laws led her to distance herself from Futurism, offering refuge in her Florentine home to her Turin friends. Following World War II, she continued to paint from life as Casorati had taught her, but in a freer more isolated way, liberated from the sense of collective work that she had always sought. She passed away in Florence in 1985.
September 2, 2025 at 11:38 PM
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Gentile da Fabriano

« Adoración de los Magos. 1423

Tempera sobre madera

Galeria degli Uffizi, Florencia

#Perrosdemuseo #ArteConPerros #perrosenlapintura #dogs #dogsinart #lorenzomonaco #magicdog #whitedog #chiens #chienstagram #galleriadegliuffizi #firenze
March 6, 2026 at 6:30 PM
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Le meraviglie da scoprire nella Galleria degli Uffizi
#GalleriadegliUffizi #Firenze
Ogni opera d'arte nella Galleria degli Uffizi ha una storia da raccontare. Behind the Masterpiece ha esplorato le migliaia opere in mostra per approfondire dieci...

www.tiziano.caviglia.name/2024/04/12/l...
La Nascita di Venere di Sandro Botticelli nella Galleria degli Uffizi
April 13, 2024 at 8:53 AM
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Long believed to be the lost Medusa painted by Leonardo da Vinci, a myth that spellbound 19th-century Romantic poets, this 17th-century oil on panel is now attributed to the circle of Dutch master Otto Marseus van Schrieck.
#Florence #GalleriadegliUffizi
August 9, 2026 at 1:39 PM
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Fotografia stereoscopica francese dei primi del '900
La vista mostra le logge del Vasari che sorreggono il Corridoio vasariano e il Ponte Vecchio sullo sfondo.
𝐂𝐥𝐢𝐜𝐜𝐚: www.conoscifirenze.it
#Florence #Firenze #Storia #Architettura #PatrimonioCulturale #GalleriaDegliUffizi #PonteVecchio
August 4, 2024 at 5:01 AM
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Luisa Grace Bartolini (Bristol, 1818 - Pistoia, 1865)

« Autorretrato” 1860-1865

Óleo sobre tela

Galeria degli Uffizi, Florencia

#Perrosdemuseo #ArteConPerros #perrosenlapintura #dogs #dogsinart #luisagracebartolini #luisabartolini #magicdog #whitedog #chiens  #galleriadegliuffizi #firenze
March 28, 2026 at 12:17 AM
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Neroccio dei Landi

Escenas de la vida de San Benito (ca. 1480)

Tempra sobre madera.

Galeria degli Uffizi, Florencia

#Perrosdemuseo #ArteConPerros #perrosenlapintura #dogs #dogsinart #lorenzomonaco #magicdog #whitedog #chiens  #galleriadegliuffizi #firenze
March 28, 2026 at 12:14 AM
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Paolo di Dono “Paolo Uccello”

“La batalla de San Romano” (c. 1435-1440)

Galeria degli Uffizi, Florencia

#Perrosdemuseo #ArteConPerros #perrosenlapintura #dogs #dogsinart #paolouccello #magicdog #whitedog #chiens #chienstagram #galleriadegliuffizi firenze
March 9, 2026 at 11:31 PM
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Au musée
At the muséum
#streetphotography #people #Firenze #galleriadegliuffizi
February 28, 2026 at 7:48 AM
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La Madonna Rucellai, dipinta da Duccio di Buoninsegna, è esposta alla Galleria degli Uffizi. Il blu, simbolo di nobiltà e spiritualità, domina il mantello della Madonna.
#MadonnaRucellai #DucciodiBuoninsegna #nobiltàdelblu #GalleriadegliUffizi #arte
March 2, 2024 at 4:13 AM