#VinylSky #Vinyl #80sMusic
youtu.be/7AroWkTS_io
#VinylSky #Vinyl #80sMusic
youtu.be/7AroWkTS_io
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
from 𝙋𝙤𝙧𝙜𝙮 & 𝘽𝙚𝙨𝙨.
#jazz #jazzdisco #milesdavis
from 𝙋𝙤𝙧𝙜𝙮 & 𝘽𝙚𝙨𝙨.
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
"BLUE, no -s" (Set D)
#4: Afro Blue (Santamaria)
John Coltrane ss
McCoy Tyner p
Jimmy Garrison db
Elvin Jones d
Berlin 2 Nov 1963
A lower-flame version: to me, this song is better for it. Elvin a bit underrecorded, but hey. Location, date acc jazzdisco
"BLUE, no -s" (Set D)
#4: Afro Blue (Santamaria)
John Coltrane ss
McCoy Tyner p
Jimmy Garrison db
Elvin Jones d
Berlin 2 Nov 1963
A lower-flame version: to me, this song is better for it. Elvin a bit underrecorded, but hey. Location, date acc jazzdisco
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
#jazz #jazzdisco #milesdavis
Aside: The April 12th date is from a Monk solo session that became Thelonious Himself, which has Monk's Mood on it hence the date confusion. I think.
Aside: The April 12th date is from a Monk solo session that became Thelonious Himself, which has Monk's Mood on it hence the date confusion. I think.
@te-kanawa.bsky.social
@lproulx.bsky.social
@russjazz.bsky.social
If you see this, I'd be interested in yr views on "Straight Horn of SL"? ^
@te
@te-kanawa.bsky.social
@lproulx.bsky.social
@russjazz.bsky.social
If you see this, I'd be interested in yr views on "Straight Horn of SL"? ^
@te
A June recording in France was with NHOP, Art Taylor, Kenny Drew ....
(see 1964)
A June recording in France was with NHOP, Art Taylor, Kenny Drew ....
(see 1964)
Discographies are never entirely complete - new treasures (and not-so-treasures) still turn up - but jazzdisco is good at tracking main releases at least. ~Wish they stated composers!
Oh, & I said 27 years. More like 31!
Discographies are never entirely complete - new treasures (and not-so-treasures) still turn up - but jazzdisco is good at tracking main releases at least. ~Wish they stated composers!
Oh, & I said 27 years. More like 31!
which I consulted for the post (hence my mention of the 11-piece orchestra on that track) suggests the attached. (A site which does not credit composers, though.)
No discography is perfect ofc: but I try to get it right. I use artist discographies, jazzdisco, discogs, etc. AFAP.
which I consulted for the post (hence my mention of the 11-piece orchestra on that track) suggests the attached. (A site which does not credit composers, though.)
No discography is perfect ofc: but I try to get it right. I use artist discographies, jazzdisco, discogs, etc. AFAP.
Must admit an ambivalence towards GG. Spelndid ideas, thoroughly musical, & good collaborations (e.g. with a young Don Byrd). But I always found his tone so thin, a bit colourless, even cold? ...
Must admit an ambivalence towards GG. Spelndid ideas, thoroughly musical, & good collaborations (e.g. with a young Don Byrd). But I always found his tone so thin, a bit colourless, even cold? ...
(Details:)
(Details:)
It's just a lighter breeze. (In some ways also makes listeners appreciate EJ more on his return!)
Actually, I hadn't realised Roy sat in quite a few times, & not only 1963, recorded or not ... as jazzdisco makes clear
It's just a lighter breeze. (In some ways also makes listeners appreciate EJ more on his return!)
Actually, I hadn't realised Roy sat in quite a few times, & not only 1963, recorded or not ... as jazzdisco makes clear
How the crazy scheduling arose, I don't know.
I meant more that the NewJazz/Prestige session (Far Cry) was jammed between 2 demanding (exhausting?) Atlantic dates.
As ever, Jazzdisco is invaluable. See 20-21 Dec 1960!:
How the crazy scheduling arose, I don't know.
I meant more that the NewJazz/Prestige session (Far Cry) was jammed between 2 demanding (exhausting?) Atlantic dates.
As ever, Jazzdisco is invaluable. See 20-21 Dec 1960!:
And for its main interest, the "modern canon", listings are pretty comprehensive, incl. bootlegs etc where exist.
1957 was prolific for Mingus!
And for its main interest, the "modern canon", listings are pretty comprehensive, incl. bootlegs etc where exist.
1957 was prolific for Mingus!
A different jazzdisco page (I got there via SEARCH of "Danny Polo" IIRC) brings up these details.
As often happens with such dates, scratch bands go under different titles on different issues.
ONE of this scratch band's names "Varsity Seven" shows original (failed) record label, 1939-40
> 7
A different jazzdisco page (I got there via SEARCH of "Danny Polo" IIRC) brings up these details.
As often happens with such dates, scratch bands go under different titles on different issues.
ONE of this scratch band's names "Varsity Seven" shows original (failed) record label, 1939-40
> 7
As for the music, the sessions, the lineups themselves (if that is waht you meant by "the back story", well, jazzdisco - another fine reference site - is pretty good on this.
It lists (via Search box, top right) the Savoy MG 15000 series ... (attached) ...
>5
As for the music, the sessions, the lineups themselves (if that is waht you meant by "the back story", well, jazzdisco - another fine reference site - is pretty good on this.
It lists (via Search box, top right) the Savoy MG 15000 series ... (attached) ...
>5