Agitation Free · Malesch · Song · 1972

Agitation Free's roots were in the same creative scene that most bands in late-60s Berlin shared. The group was founded in 1967 by bassist Michael Günther and guitarist Lutz "Lüül" Ulbrich. By the time their ranks had congealed enough to record their debut album, drummer Christopher Franke had already departed to Tangerine Dream, and guitarist Ax Genrich to Guru Guru. By 1971, keyboardist Michael Hoenig, guitarist Jörg Schwenke and drummer Burghard Rausch had joined Günther and Ulbrich, and teamed up with avant-garde composer Thomas Kessler and his Berlin studio. Improvisation and experimentation were at the band's core; and fortunately, so was endurance. Using a grant from the Goethe Institute, the band traveled to Egypt, Lebanon and Cyprus. Upon returning to Berlin, Agitation Free recorded their debut album, Malesch, for the Music Factory label in 1972. "You Play for Us Today" opens with a soundbite from their trip, one of the many field recordings interspersed throughout the record; while "Sahara City" drifts in stasis until it erupts, "Ala Tul" offers a progressive sound, anchored by organ and punctuated by a gripping rhythm from Rausch and guest Uli Popp. "Pulse" rises from a simple pulsating synth, just as the title track "Malesch" emerges from an organ line. Much like music from the Middle East, the band builds on a pattern, propelled forward by a fluid, moving rhythm. As avant-garde or even academic as their roots may be, there's still a musicality to the band that defies that pedigree. Like the best American psychedelic bands, Agitation Free excel at improvisation, and offer a free rock sound that's both stirring and moving. The closing "Ruecksturz" reprises a melodious theme, indicating the direction for their next album. [????? or "malesch" is an Egyptian word that translates to "take it easy, don't worry"—a response to their first concert's cancellation due to a customs delay entering Egypt.]

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Malesch is the debut album by German rock group Agitation Free. It was released in 1972 on the Music Factory label, and later on the Vertigo Records label. I...

How a Berlin band turned Egyptian street recordings into one of 1972’s strangest masterpieces

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