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My new YouTube channel!

For my first video: tipping up pictorial space

youtu.be/a-VGd_AEJNo

#art #arthistory #picasso #pictorialspace #colormovementtheory #letstalkaboutart #painting #oilpainting #chagall #matisse #chineseart #chinesepainting #persianart #persianpainting
Tipping up pictorial space in a painting
YouTube video by Robert Najlis
youtu.be
July 18, 2025 at 8:27 PM
mdstamper.bsky.social
"Sisters" by Unknown artist (Iranian) - Oil on canvas / c. 1820–1840 - Shalva Amiranashvili State Museum of Fine Arts, Georgian National Museum (Tbilisi, Georgia) #WomenInArt #QajarArt #PersianPainting #GeorgianNationalMuseum #ShalvaAmiranashviliMuseum #IranianArt #art #artText #PersianArt #1830sArt
This painting belongs to the visual world of Qajar Iran, where portraiture often balanced ideal beauty with dazzling ornament. Here, intimacy matters as much as decoration. The title tells us these are sisters, but their individual names are lost, so the work preserves kinship more than biography. The two young women stand shoulder to shoulder against a quiet, darkened ground, looking directly toward us. Their skin is rendered in a smooth light olive tone as their dark hair falls in long masses beneath elaborate jeweled headdresses threaded with pearls and red ornaments. Each wears a fitted jacket densely patterned with white beading, floral motifs, and gemlike medallions, one (left) in a deep brick red and the other (right) in a dark blue-black. The sisters’ arched eyes, joined brows, small closed mouths, and calm expressions create an image of poised stillness rather than spontaneous emotion. One figure wraps an arm around the other’s waist, reinforcing closeness and mutual protection. Necklaces, cuffs, and belts catch the eye in repeating dots and circles, making the surface shimmer like embroidered fabric. Their paired pose suggests solidarity, shared status, and perhaps the way elite femininity was imagined and displayed in early 19th-century Persian painting. The artist emphasizes line, pattern, and tonal contrasts of red, blue, gold, and white more than deep space, giving the image its striking, iconic presence. Even so, the entwined arms and slight turns of the bodies bring warmth into the formality. What remains especially memorable is the double portrait’s tenderness with two nearly equal figures, richly adorned yet emotionally restrained, presented as siblings whose bond is the painting’s true center. This artwork is notably similar to a Qajar "Sisters" painting (also shared on bsky by me about a month ago) at the Metropolitan Museum of Art in New York from the same era ... and possibly the same unknown artist.
April 20, 2026 at 9:46 PM