#romerodetorres
LightNews LightNews
mdstamper.bsky.social
“La Buenaventura (The Fortune-telling)" by Julio Romero de Torres (Spanish) - Oil on canvas / 1920 - Museo Carmen Thyssen Málaga (Málaga, Spain) #WomenInArt #JulioRomeroDeTorres #RomeroDeTorres #MuseoCarmenThyssenMalaga #arte #BlueskyArt #artText #spanishartist #SpanishArt #FortuneTelling #1920sArt
Two women sit on a deep window ledge, shown in profile against a dreamlike view of Córdoba, Spain. At right, a dark-haired young woman in working-class dress folds her legs beneath her and raises a tarot card for the other to see. At left, her companion leans back with a long, elegant neck, heavy-lidded eyes, and a face turned inward with melancholy. Their bodies are close, but their moods do not meet. The fortune-teller seems alert, almost sly. The other woman appears distant, absorbed by private sorrow. Spanish artist Julio Romero de Torres stages them with velvety skin, dark hair, and sculptural stillness, setting their figures against a city assembled like emotional theater. In the middle distance, another tiny drama unfolds: a woman seems to reach toward a man as if trying to stop him, while farther back a red-shawled figure lingers in a doorway. The whole scene feels paused between prophecy and aftermath. Romero de Torres was already a celebrated painter by 1920, known for images of women that fused Andalusian identity, symbolism, desire, and unease. Here, he turns card-reading into a meditation on love’s imbalance. The cards are not light entertainment, but are a warning. The museum’s interpretation links the painting to sadness, indifference, and dangers of loving a married man, with the secondary scene acting almost like a cinematic flash of the story behind the sitter’s stress. The layered storytelling matters. the picture is not simply about “fortune” but about emotional knowledge, especially the kind women are left to carry, intuit, and survive. Romero de Torres often used paired women to suggest dualities like sacred and profane, innocence and experience, or hope and resignation. In this work, the contrast is quieter and more human: one woman reads signs, the other lives their consequences. The invented yet recognizable Córdoba behind them turns private heartbreak into civic myth, making female feeling the true monument at the center of the canvas.
April 7, 2026 at 8:44 PM
pandemicmasters.bsky.social
"A la amiga"
Romero de Torres (Julio Romero de Torres), 1905/1906
Museo de Bellas Artes de Asturias, Oviedo/Asturias, Spain
8.25 x 5 in (21,5 x 12,7 cm)
Ink marker and color pens on plain 70 G/M² sketchbook paper
01/04/25
#kuretake #romerodetorres #julioromerodetorres #museobbaaasturias
Sketch detail version of Julio Romero de Torres' "A la amiga", 1905/1906 Sketch version of Julio Romero de Torres' "A la amiga", 1905/1906
February 14, 2025 at 3:16 PM
retohistorico.bsky.social
Los lienzos de Romero de Torres destacan por su representación de la imagen femenina, donde se reflejan el pecado, la tragedia y la melancolía. 
👩🎨🎨💔 #RomeroDeTorres #ArteFemenino 🎭

Romero de Torres, "una mirada femenina"
La mayoría de los lienzos de Romero de Torres se ha caracterizado por representar a mujeres... el pecado, la ensoñación, la tragedia y la melancolía.
elretohistorico.com
April 28, 2025 at 5:02 AM