#screenlit
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anntigone.bsky.social
That charged screenlit hush
before cinema magic
brings us someplace else.

#screenlighthush #bspp55 #haiku #senryu #micropoem
July 17, 2026 at 8:13 AM
wolfieonblast.bsky.social
“Lola’s Screenlit Sanctuary”
#DaddyDaughterTime
#PigsJustWantToHaveFun

“Lola rests on pillows and lace,
Plush pixel haven, a quiet space,
Blanket soft, her gaze takes flight,
Marigolds bloom in the iPad’s light.”
#Poetry by Wolfie Darby
June 20, 2025 at 11:15 PM
indrapramitdas.bsky.social
The invention of smartphones was a truly dread milestone in human history, marking the screenlit path to 21st century technofascism.
August 1, 2025 at 6:56 PM
beautypill.bsky.social
as we sleep-drive to a screenlit hive
to exalt the flat plane
December 21, 2023 at 7:37 PM
austlit.bsky.social
Today, we're highlighting one of our bigger research datasets: ScreenLit! This is AustLit's collection of bibliographical records on film and television from the earliest days.
Find out more at www.austlit.edu.au/screenlit
Beautiful slides by Monica Clayton.
#AustLit25
Text reads: AustLit's 25th anniversary special: Research Project 1 of 25. In the centre of the page, two rows of stylised film, showing title screens from the following films and TV series: top row, left to right, Muriel's Wedding, The Sapphires, Heartbreak High (new series); bottom row, left to right, Ali's Wedding, Puberty Blues (new series), Red Dog. Text below reads: ScreenLit. Continue to explore the project! On a blue background, a grey text box. Text above the box reads: About ScreenLit Project start: 2009 In the text box, text reads: ScreenLit provides information-rich records about Australian cinema productions (including short and feature films, documentaries, and animated films) and television programs (including made-for-TV movies, series, mini-series, serials and documentaries). A row of three images show the posters for Ned Kelly (Heath Ledger version), Bran Nue Day, and The Babadook. Below that, text reads: Chronologically, the resource begins with the emergence of Australian film production in the first decades of the twentieth century. On a blue background, a grey text box. Text reads: ScreenLit will continue to evolve over time and is continually being updated. Explore the ScreenLit project on AustLit and please contact us if you would like to assist us in expanding information about Australian film, television and other audio-visual storytelling methods. In the middle, a banner of images shows the posters for the films and TV series Unsound, Moulin Rouge, Follow the Rabbit-proof Fence, Boy Swallows Universe, and The Dry. Below that, text reads: AustLit welcomes contributions from scholars and specialists in the area in order to build an authoritative and detailed resource for research and general interest. On a blue background, text reads: AustLit is celebrating 25 years in 2026 For this momentous anniversary, we have a year’s worth of celebrations planned, from in-person and online events to project highlights, video guides, and information trails. Celebrate with us by following, sharing our content and using #AustLit25 to share your Australian literature discoveries. Visit our website for more details! 25 years of discovering Australian stories
February 19, 2026 at 2:59 AM
wealie.bsky.social
Reaching - 2008 #Photoshopped #SelfPortrait lit by my #ComputerScreen which was accompanied by a #poem listed below Belated entry for #SelfieSunday #Shadowplay #portait #ambientlit #screenlit #B&W #blackandwhite #portrait #face #poetry #Portrait #ArtPhotography
Black and White ambient screen lit close up of a female face on a diagonal , with right hand of image in dark shadow fading to black
February 17, 2025 at 4:32 PM
ergot.dog
screenlit halos escape watery night-surfaces in congregation
December 11, 2025 at 10:08 AM
austlit.bsky.social
If you saw our celebration of ScreenLit, you might be curious about how to explore AustLit for film or television. This brief video (captions: no sound) will walk you through some of those search options!

#AustLit25
February 25, 2026 at 2:36 AM