We received a call from our family in Tehran, and they shared a terrifying story with us—one that is, heartbreakingly, not uncommon under this regime. My father-in-law’s nieces and a few of their fri...

We received a call from our family in Tehran, and they shared a terrifying story with us—one that is, heartbreakingly, not uncommon under this regime. My father-in-law’s nieces and a few of their fri...

We received a call from our family in Tehran, and they shared a terrifying story with us—one that is, heartbreakingly, not uncommon under this regime. My father-in-law’s nieces and a few of their fri...

A historical article published by Vintage Everyday revisits a rare circa-1909 photograph of Australian artist Norman Lindsay and his wife and muse, Rose Soady, taken by Norman’s brother Lionel Lindsay inside the artist’s Bond Street studio in Sydney. The image provides insight into the personal and creative life of one of Australia’s most influential artists of the early twentieth century. Norman Lindsay, born in 1879, became widely recognized for his provocative paintings, illustrations, and etchings that often challenged conservative social standards of the time. Rose Soady, born in 1885, played a central role in both his artistic and personal life. Introduced to Lindsay in 1902 by artist Julian Ashton, she quickly became his primary model and inspiration, appearing in many of his best-known works. Their relationship began while Lindsay was still married to his first wife, and after many years together they officially married in 1920. The article also emphasizes Rose Lindsay’s own artistic and professional contributions. Beyond modeling, she was an accomplished printmaker who hand-printed many of Norman Lindsay’s famous etchings. She additionally managed his business affairs and carefully preserved his artistic archive, helping secure his financial and creative legacy. In 1912, the couple moved to Springwood in the Blue Mountains, where their home became a gathering place for artists and writers, including Banjo Paterson and Henry Lawson. Following Rose Lindsay’s death in 1978, the property was acquired by the National Trust of Australia and transformed into the Norman Lindsay Gallery and Museum, preserving the couple’s contribution to Australian art and culture.

PCs Morgan Llewellyn and Owain Soady-Jackson tackled a man with a machete in Oxford last year.