YouTube video by The Orphaned Bee

Faithless will return to Australia in 2026 for their first shows in 15 years, bringing their influential fusion of house, trip-hop and dub to Sydney, Melbourne and Brisbane.

YouTube video by Get Off The Speakers

At the Hordern Pavilion, the Pixies remind Sydney why their sound has endured. Sharp, taut, and emotionally charged, their set feels less like a throwback and more like a statement of continued purpose.

Charlotte de Witte will bring her trademark intensity to the Hordern Pavilion on 6 March 2025, a rare standalone Sydney show set between global festival appearances and the release of her self-titled debut album.

Throwing Muses return to Australia this December for their first tour since 2009, joined by Charm of Finches and A.C. Saunders — a celebration of raw songwriting and restless experimentation.

At Sydney’s Vanguard, Bear’s Den revisit Islands in its purest form. Alone with a guitar, Andrew Davie delivers a night of quiet intensity — an intimate, decade-spanning reflection on love, loss, and the craft of song.

At Sydney’s Hordern Pavilion, Bullet For My Valentine revisit The Poison with the weight and precision of a band still sharpening their edge. Joined by While She Sleeps and The Devil Wears Prada, the night feels less like a reunion and more like a reaffirmation — proof that metalcore still breathes in full force.

Thrice will return to Australia and New Zealand in 2026 to perform their new album Horizons/West live for the first time. With a setlist spanning over two decades, the band continue to evolve while holding fast to the conviction and connection that have defined them since the late ’90s.

YUNGBLUD will bring his IDOLS world tour to Australia in January 2026, following a year of global acclaim, a chart-topping album, and sold-out arenas across North America. Expect a blistering live experience from one of modern rock’s most dynamic performers.

Lloyd Cole will tour Australia in March 2026 with an electric solo show spanning his four-decade career — from Rattlesnakes to On Pain. It marks a shift from his acoustic performances toward a fuller, more electric sound as he reinterprets his extensive catalogue for a new era.