Following multiple five-star sell-out runs at the Edinburgh Fringe, CSI: Crime Scene Improvisation returns with another rip-roaring crime comedy made up entirely on the spot.

Queer East festival presents No. 60, the culmination of esteemed Thai choreographer and dance artist Pichet Klunchun’s deconstruction of Thai traditional Khon dance. We sat down for an exclusive interview with Pichet Klunchun about his new show No. 60 at The Place for the Queer East Festival.

Prepare for a wonderfully funny, fast-paced romp as Graham Greene’s classic spy comedy arrives at Oxford Playhouse this month. Our Man in Havana sees Jack Ashton, Bob Barrett, Leon Ockenden and Jodie Steele playing more than 30 characters as they bring 1950s Havana vividly to life. Ahead of the run, we spoke to Jodie about the iconic espionage thriller

Silly and surreal comedian Ben O’Sullivan returns to Edinburgh with an absurd show asking the question, Is it possible to seduce someone, even if they know you sleep with a weighted blanket? Ben performs at the Fringe 6th-18th August 19:45 at Cellar at Laughing Horse @ The Raging Bull

From Tudor Queens to Pop Icons, the SIX wives of Henry VIII take the microphone to reclaim their identities out of the shadow of their infamous spouse – remixing five hundred years of historical heartbreak into a Euphoric Celebration of 21st century girl power!  We sat down with Mary Elliot to discus their upcoming performance.

he Rest Will Be Familiar to You from Cinema is the English language premiere of the play by Martin Crimp. It’s at Bridewell Theatre 25 - 27 June, part of a double bill of Greek tragedy inspired shows with After the Fall (18 - 20 June), both performed by the MA and MFA actors at Rose Bruford. We sat down with Course Director, Ivan V Talijančić, to discuss the upcoming performances.

The Last Man is a gripping one-person musical that unfolds like a psychological thriller. We sat down with dramaturg Jethro Compton to discuss their upcoming production.

We sat down for an exclusive interview with Tallulah Haddon to discuss their upcoming performance 'I Left my Vibrator in a Cave'.

The legendary production of Susan Hill’s chilling ghost story The Woman in Black comes to Bristol. One of the most successful and longest running theatre shows in the history of London’s West End, this gripping production is a brilliant study in atmosphere, illusion and controlled horror.

Ahead of TR[IA]L, we caught up with writer Mercy Brewer, director Fiona Popplewell, technical director Sam Bell, and performers Macsen Brown and Freya Popplewell to discuss this taut psychological thriller exploring memory, control and corporate power. Running at White Bear Theatre from 14–18 April

Q&A with Nicolás Pérez Costa on control, danger and body-led performance, exploring intensity, audience trust and how the work evolved from Buenos Aires to London.

AN EVENING WITHOUT KATE BUSH (WINNER: Best Cabaret Award, Adelaide Fringe 2025) returns to London to Underbelly Boulevard, Tuesday 14 - Sunday 26 April, following critically acclaimed sold out tours of Australia and New Zealand. Sarah-Louise Young is an actress, writer, director and renowned cabaret artist.

Laura K Bailey was cast as J.K. Rowling in a play that drew widespread attention at the Edinburgh Festival in 2024. Her new show revisits that experience, exploring the complexities of being a cis woman navigating a world where identity, voice, and visibility are under scrutiny — and where remaining neutral is not always a neutral act.

Set in a high-pressure Mayfair fashion atelier, Where There Is No Time explores the cost of ambition in the modern fashion world. We sat down with Mohammedally Hashemi to discuss their upcoming performance.

Charlie & Striptease is a double-bill of razor-sharp political satire by Sławomir Mrożek, blending absurd humour with unsettling situations, running at Golden Goose Theatre 21st April - 9th May 2026.

It’s easy to forget that, while we all know that theatres have four walls, they also have two doors. The one we all know has bright lights, glossy playbills, a welcoming foyer and, sometimes, a queue for a bag search, that mark of 21st century life. But where is the other? Hard to find, hard to get past a code pad for entry / scowling guard and hard to know what to do even if you’ve cleared those hurdles. You guessed it, it’s all a bit on the nose as a metaphor for breaking into theatre as a career.

'Any time you take on an existing play, you consider how it will resonate now,' says director Debbie Hannan. Willy Russell’s Educating Rita has arrived at Dundee Rep Theatre carrying more than four decades of cultural baggage. First staged in 1980, the comedy tracking the collision between a working-class hairdresser and a cynical academic is familiar territory. However, Hannan frames this revival not as an exercise in nostalgia, but as an attempt to dissect contemporary social friction.