#yingyue
yingyue zhi peng for bluedubz

#oc #smallartist #artfight2026 #digitalart
September 30, 2026 at 1:56 AM
Chengxi Li, Yan Di, Yingyue Li, Ruida Zhang, Mingyang Li, Xiangyang Ji: DualManip: Agentic Dynamic Manipulation via Dual-Path Semantic Reasoning and Geometric Adaptation https://arxiv.org/abs/2609.31112 https://arxiv.org/pdf/2609.31112 https://arxiv.org/html/2609.31112
September 28, 2026 at 6:45 AM
Yingyue Li, Chenyangguang Zhang, Ruida Zhang, Bowen Fu, Guangyao Zhai, Xiangyang Ji
Fetch My Beer: Synthetic-to-real Hierarchical Policy for Smooth Pick-and-place
https://arxiv.org/abs/2609.18119
September 19, 2026 at 10:32 PM
updated module headcanons #vocaloid #projectdiva
September 17, 2026 at 8:33 PM
Yingyue Li, Chenyangguang Zhang, Ruida Zhang, Bowen Fu, Guangyao Zhai, Xiangyang Ji: Fetch My Beer: Synthetic-to-real Hierarchical Policy for Smooth Pick-and-place https://arxiv.org/abs/2609.18119 https://arxiv.org/pdf/2609.18119 https://arxiv.org/html/2609.18119
September 17, 2026 at 6:44 AM
Racially motivated hate crimes are linked to higher rates of preterm birth.
New paper with Yingyue Jiang, grad student @brownsociology.bsky.social @brownpublichealth.bsky.social
More evidence of the negative (and intergenerational) effects of racist violence.
doi.org/10.1016/j.so...
Redirecting
doi.org
September 10, 2026 at 8:28 PM
What we can learn from China’s manual labour experiment.
The Saw and the Screen
Zhang Yingyue – with help from my nephew, Zhang O _Born into a family of CCP members in Beijing, Yingyue starved through the Great Leap Forward and was terrorised during the Cultural Revolution._ In the United Kingdom, a familiar anxiety quietly haunts millions of households every evening. It is the soft, blue glow of a tablet illuminating a child’s face, the frantic tapping of thumbs on a smartphone, and the predictable battle over screen time limits. British parents and educators watch with growing alarm as digital childhoods replace physical play, resulting in rising rates of sedentary behaviour, mental health crises, and a generation of teenagers who can code a website but struggle to boil an egg or safely use a handsaw. While the UK debates smartphone bans in schools and drafts voluntary digital wellness guidelines, China has taken a radically different, some say heavy-handed approach to rescuing its youth from digital paralysis. On September 1, 2022, the Chinese Ministry of Education enacted a sweeping nationwide mandate that shocked parents and children: hands-on, practical manual labour was officially made a compulsory subject for all primary and middle school students. From the age of six to 15, every child in China must now spend at least one hour per week engaged in physical creation, household maintenance, cooking, or agricultural labour. Seven-year-olds are learning to scale fish and master stir-fries; nine-year-olds are handling traditional Chinese woodworking joints; and young teenagers are operating 3D printers and laser cutters. This is not a casual after-school club – it is a mandatory, graded pillar of the national curriculum. For a British audience grappling with the consequences of an overly virtual childhood, China’s grand experiment offers a fascinating, polarised, and highly instructive case study in how to force a generation to put down their screens and pick up a hammer. Beijing took such a drastic step because of the unique, hyper-competitive pressure cooker of the Chinese education system. For decades, a child’s entire destiny in China has been dictated by a single milestone: the _Gaokao_ , the notoriously brutal national college entrance examination. A difference of a few marks on this exam can mean the difference between an elite university degree and a lifetime of underemployment. This extreme meritocracy created an intense ‘exam-genius’ culture. In urban centres, a standard childhood consisted of gruelling school hours followed by mandatory evening and weekend commercial cram schools. To maximise study time, Chinese parents adopted an attitude of hyper-protective academic indulgence. Children were actively forbidden from doing basic household chores like sweeping, washing dishes, or tidying their rooms under the parental logic that an hour spent washing a plate was an hour stolen from learning English vocabulary or practicing advanced calculus. The consequences of this system were dual crises that mirrors, and in some ways eclipses, the anxieties felt by British parents: severe digital addiction and physical helplessness. When Chinese children did get a break from the books, they did not go outside to play; instead, they retreated into the immersive, highly addictive worlds of online gaming, _Douyin_ (the Chinese counterpart to TikTok), and social media. The state found itself facing a generation dubbed “academic giants but life dwarfs” – children who could pass complex physics examinations but could not perform basic life self-sufficiency skills. Alarmed by skyrocketing rates of childhood myopia, obesity, screen addiction, and deteriorating adolescent mental health, the government realised that the hyper-academic model was unsustainable. The manual labour mandate was not an isolated policy: it was designed to work hand-in-hand with China’s 2021 “Double Reduction” policy, which legally banned commercial, for-profit tutoring and placed strict limits on daily homework. The overarching goal was to forcefully dismantle the rote-learning industry and systematically replace desk-bound digital stagnation with physical, tangible reality. The Ministry of Education’s “Labor Curriculum Standards for Compulsory Education” divides the mandatory hands-on skills into three age-appropriate tiers: For the youngest students, the focus is on personal independence: cleaning up after themselves, organising their desks, folding clothes, and learning basic food preparation like peeling vegetables and washing rice. By the time students reach middle school, they are expected to design weekly menus, master the thermodynamics of cooking over open fires, and confidently cook three to four traditional Chinese dishes independently. Next is where the traditional hands-on elements, such as woodwork, metalwork, and pottery, take centre stage. Students learn to handle basic tools, repair household items like leaking taps or broken chairs, and practice traditional Chinese handicrafts. Crucially, it also encompasses agriculture. Many schools have transformed concrete rooftops or adjacent plots of land into mini farms, where urban children must plant seeds, weed, manage irrigation, harvest vegetables, and in some rural districts, learn animal husbandry. As students mature, the curriculum bridges the gap between old-world craftsmanship and modern engineering and students learn advanced hands-on creation, learning how to operate modern industrial tools like 3D printers, laser cutters, and programmable routers to build functional physical prototypes. The true genius of the curriculum lies in its highly structured, multi-stage progression framework. It is not an arbitrary list of chores; rather, it is a systematically engineered ladder of complexity designed to accompany a child’s cognitive development and motor skills, dividing the nine years of compulsory education into four distinct bands. Between six and eight the goal is simply to establish a basic psychological connection between physical effort and tangible results, while stripping away early reliance on parental pampering. Children are taught basic motor coordination through simple tasks. In the kitchen, they do not touch knives or fire; instead, they learn to wash vegetables, peel fruit with plastic tools, and shell peas. In terms of crafts, they experiment with paper folding and clay modelling. The core educational objective here is spatial awareness and organisational discipline. Children are graded on how neatly they can pack their own schoolbags, fold their uniforms, and maintain a spotless desk space. Between eight and 10 they are introduced to the concept of structural assembly and basic chemistry via cooking. Children move from cold food prep to ‘thermal transformation’. They are taught how to operate basic kitchen appliances, such as electric rice cookers, blenders, and air fryers, and learn to make simple heated snacks like scrambled eggs or dumplings. In the crafting domain, students move from paper to tougher materials and are introduced to basic hand tools like hammers, screwdrivers, and hand drills to assemble prefabricated wooden kits. On the school farm, they move from merely observing plants to actively managing them, taking responsibility for daily weeding, soil aeration, and targeted watering. Then, between ages 10–12, the end of primary school, the training wheels come off, and the curriculum moves into what foreign observers often call ‘hardcore’ territory. Students are introduced to sharp edges and open flames. In cooking class, they master the art of the traditional Chinese wok, learning the precise control of high-heat stir-frying, braising, and deep-frying. They are expected to independently prepare at least two full hot dishes from scratch, which requires handling authentic kitchen cleavers to slice meats and vegetables. In the workshop, students no longer build from pre-cut kits. They are given raw, unpolished blocks of timber and metal wires. They must read technical drawings, measure exact dimensions using callipers, and use handsaws and chisels to carve out functional household items like step stools, pencil holders, or small wooden toys. Here, the focus heavily shifts to precision engineering, safety compliance, and patience. In the final middle school years, 12–15, the curriculum synthesises ancient manual craftsmanship with cutting-edge industrial technology. The agricultural aspect matures into community ecology, where teenagers must manage complex crop rotations, understand organic fertilisers, and troubleshoot plant diseases on the school plot. In the workshop, the traditional handsaw is paired with digital fabrication. Students are taught computer-aided design software on computers, transforming screen time from a passive entertainment loop into an active engineering tool. They use their digital designs to program and operate automated machinery, including 3D printers, laser cutters, and small CNC engraving machines. The final project for a graduating 15-year-old often involves designing a complex product, laser-cutting its structural wooden components, hand-assembling it using traditional mortise-and-tenon joints and integrating basic electronic wiring or microcontrollers. When the policy was first unveiled, it ignited a firestorm on Chinese social media platforms like Weibo, generating hundreds of millions of views. The initial reactions from parents were deeply polarised, fluctuating between immense relief and profound scepticism. One faction of parents, particularly those exhausted by their children’s round-the-clock screen attachment, welcomed the move with enthusiasm. They viewed the curriculum as a rescue mission to pull their kids away from phones and force them to experience the tactile, physical world. For these parents, teaching a child patience through woodworking or discipline through farming was far more valuable than another hour of digital amusement. However, a massive wave of anxiety and resentment quickly emerged from a less prepared camp. In the first year of implementation, thousands of schools lacked the infrastructure to execute the policy safely. They did not have kitchens, woodworking tools, or safety gear. To fulfil the mandate, these underfunded schools shifted the burden onto the household, assigning the labour as homework. This triggered the infamous “parent homework” crisis. Exhausted urban parents, coming home from demanding corporate jobs, suddenly found themselves forced to buy raw lumber, organic vegetables, or crafting supplies. They had to act as unpaid safety supervisors and, crucially, were required to film high-definition video proof of their children chopping wood or cooking a meal to submit to the teachers. Social media filled with angry complaints from parents who felt the policy had backfired, transforming their limited evening family time into a stressful, video-recorded production studio. Furthermore, deeply pragmatic traditionalists worried about safety, fearing a classroom of 30 eight-year-olds handling sharp chisels and boiling oil, and fretted that these manual tasks would distract their children from the all-important academic subjects required to pass competitive exams. Four years into the experiment, China’s landscape of childhood has undergone a noticeable, structural shift. The government aggressively responded to early parental complaints by demanding that schools move the labour curriculum entirely onto school grounds. Wealthy urban districts in cities like Shenzhen, Shanghai, and Hangzhou poured millions into building state-of-the-art culinary labs with child-safe induction hobs, dedicated carpentry workshops equipped with specialised protective gear, and flourishing hydroponic rooftop gardens. Once the practical burden was removed from the home, parental scepticism dissolved into widespread enthusiasm. The most tangible, observed result of the policy has been a quantifiable reduction in childhood screen time. By carving out a mandatory hour during the school week – and inspiring an appetite for physical creation that carries over into the weekend – the policy successfully disrupted the cycle of digital dependency. Neurological and educational studies emerging from China show that replacing passive screen consumption with active physical labour acts as a powerful cognitive reset. When a child works with wood, they cannot swipe away a mistake or speed up time – they are forced to deal with the stubborn materiality of a physical block of timber. If they mismeasure a joint, the wood splits. If they are impatient with a saw, the cut is crooked. This tactile feedback loop has been shown to build sustained attention spans, improve spatial awareness, and dramatically lower adolescent anxiety by grounding children in tangible reality. The cultural impact has been so profound that it has created a viral phenomenon. Videos of ‘hardcore’ primary schools, where young children confidently handle knives, butcher meat, and execute flawless carpentry joints, routinely go viral across East Asia. More strikingly, the attitude of Chinese parents has flipped completely: an entirely new market has emerged for private, weekend ‘hardship camps.’ Parents are now willingly paying substantial fees to send their children to rural retreats over weekends and holidays, not to study English or math, but to voluntarily chop firewood, dig up sweet potatoes, and herd livestock in the mud. The structural challenges of China’s system cannot be ignored. A stark disparity remains between elite urban academies and underfunded, rural schools that still struggle to afford raw materials and tools, leaving the quality of the curriculum highly uneven across the country. Additionally, the cultural shadow of the _Gaokao_ means some families still view manual labour as a secondary distraction. Yet, for a UK audience looking on, the core philosophy of China’s experiment offers a compelling challenge to Western educational norms. While British schools increasingly digitise their classrooms, replacing textbooks with iPads and physical modelling with screen-based simulations, China has recognised that a healthy childhood requires a mandatory anchor in the physical world. The Chinese manual labour mandate demonstrates that screen addiction and physical helplessness are not inevitable side effects of modern childhood – they are systemic design flaws that can be corrected through policy. By elevating woodwork, cooking, and agriculture to the same status as geography or history, China is successfully teaching its youth that satisfaction is built with patience, physical effort, and raw materials – not delivered via an algorithm. As the UK continues to grapple with the digital displacement of youth culture, the image of a child confidently handling a piece of timber or tending to a garden plot stands as a powerful reminder: sometimes, the most forward-thinking step an education system can take is to look back to the basics of the physical world. This article was originally published by the Free Speech Backlash.
goodoil.news
September 10, 2026 at 4:30 AM
Ziqin Huang, Yingyue Li, Chenyangguang Zhang, Ruida Zhang, Yuxin Chen, Gu Wang, Xingyu Liu, Masayoshi Tomizuka, Xiangyang Ji: 3DWay: Generalizing Robot Manipulation via 3D Consistent Waypoints https://arxiv.org/abs/2609.08224 https://arxiv.org/pdf/2609.08224 https://arxiv.org/html/2609.08224
September 9, 2026 at 6:45 AM
Yingyue:”…….your incompetence is nauseating….”
September 7, 2026 at 8:06 AM
You kidding? There's tons of famous moon songs.

Though I guess not all of them are for dancing to.
Moon River, Claire de Lune, Erquan Yingyue, the Moonlight Sonata, etc.

Though I bet she listens to www.youtube.com/watch?v=I0zB... to get pumped up and go hunt brigands or monsters.
The Rising of the Moon - Irish folk song
YouTube video by An Ghaoth Aniar
www.youtube.com
August 31, 2026 at 12:31 AM
revamped my carrd heheheh
August 4, 2026 at 12:48 AM
Pengzhao Lyu, Yeun Joon Kim, Hanlin Xiao, Yingyue Luna Luan
Why Large Language Models and Humans Converge and Diverge in Evaluating Creativity
https://arxiv.org/abs/2607.22218
July 28, 2026 at 12:29 AM
Pengzhao Lyu, Yeun Joon Kim, Hanlin Xiao, Yingyue Luna Luan: Why Large Language Models and Humans Converge and Diverge in Evaluating Creativity https://arxiv.org/abs/2607.22218 https://arxiv.org/pdf/2607.22218 https://arxiv.org/html/2607.22218
July 27, 2026 at 6:39 AM
Throwback to when yingyue met one of her biggest inspirations,Bella bunny!!,I’m still shook to this day from these two beauties meeting😭💕🫂🐇🐇 thank you again @pathesisnsfw.bsky.social to your wonderful friend who made this masterpiece
July 13, 2026 at 11:12 PM
Jingsheng Tang, Zhengkang Zhou, Yingyue Xin, Zihan Ning, Pengfei Wei, Mo Wang, Quanying Liu: OpTI-Mouse: Optimization for Targeted Temporal Interference Stimulation in the Mouse Brain https://arxiv.org/abs/2606.15192 https://arxiv.org/pdf/2606.15192 https://arxiv.org/html/2606.15192
June 16, 2026 at 7:00 AM
Who better to create powerful potions and elixirs for chang’e…than her very own beloved granddaughter,princess Yingyue Xiang 💚🐇✨🌙
June 4, 2026 at 3:18 AM
“Once every few hundred years,yingyue comes down from the moon to visit the lush green forests she adores so much,and plays her music for all the creatures of the forest to hear”

“Though she didn’t expect to attract “new company”into her vast green valley..”

How would your ocs react?
June 3, 2026 at 4:52 AM
#yingyue au. the dragon's bride. 🤔

among the vidyadhara exist an ancient tradition older than the xianzhou alliance itself. in every rebirth, each of the five high elders perform a sacred rite. now, imbibitor lunae is required to choose a lifelong companion.

he chooses yingxing.
June 2, 2026 at 9:51 PM
God I missed drawing yingyue so much yall…
May 25, 2026 at 6:31 AM
#InfinityNikki just released their new season's Theme Song, "ALL WE ARE" ❤️

It's been an absolute honor to sing on it 🎙️

Big congrats to wonderful Min He, music production team FoldEcho, composer 李茜, lyricist Yingyue Yessi Zhang, and producer Qiu Qiu!

#infinitynikki #singer #allweare #ost
May 14, 2026 at 7:02 PM
Matthew Diaz, Masoud Mohammadi-Arzanagh, Yingyue Zhu, Mohammad Hafezi, Norbert M. Linke, Alaina M. Green, Arthur Y. Nam
Arbitrary parallel entangling gates with independent calibration on a trapped ion quantum computer
https://arxiv.org/abs/2604.25993
April 30, 2026 at 9:18 PM
Arbitrary parallel entangling gates with independent calibration on a trapped ion quantum computer
https://arxiv.org/pdf/2604.25993
Matthew Diaz, Masoud Mohammadi-Arzanagh, Yingyue Zhu, Mohammad Hafezi, Norbert M. Linke, Alaina M. Green, Arthur Y. Nam.
https://arxiv.org/abs/2604.25993
arXiv abstract link
arxiv.org
April 30, 2026 at 4:46 AM
Why do some online reviews help decisions while others confuse them?
Research by Yeun Joon Kim and Yingyue (Luna) Luan at @CambridgeJudge, analysing ~200k Amazon reviews, shows structure matters as much as content. 💡
#CambridgeJudge #ConsumerBehaviour #AI #Technology
🔗 https://loom.ly/AKDkmyc
April 17, 2026 at 10:07 AM