They get lucky sometimes.

Their goal is really to have no one actually talking to anyone and just be stuck endlessly inside their product, isn’t it?

Because the actor’s placement in the photo is arranged by the photographer and the poster is made by an ad company and the credits are decided by agents and executives… and none of them talk to each other.

Why have I always had the feeling this was the third Ghostbusters movie that the couldn’t get everyone to sign off on?

Is it because Reitman directed it? Is it because Duchovny, Jones and Scott are totally playing Venkman, Egon, and Stanz? Is it because Aykroyd is in it?

I don’t know!

I love when the photographer asks Murray if he’s drinking and he says, ‘Am I drinking? As soon as I’m done.’

Was Jude Law busy or something?

My professional critique:

MEEP MEEP!

I don’t keep lists, because one of life’s joys is rediscovering the things you forgot about remembering.

That movie isn’t even a whisper of what it became without Bill Murray. Johansson plays off him so incredibly well. All you have to do is point a camera at them.

Is it a hot take to say Sofia Coppola got lucky with Lost In Translation and that she’s been chasing that film ever since?

Looks like the Criterion Channel disagrees with you.

I don’t, for the record.

I can’t imagine what it must’ve been like to be in the eye of that particular storm.

It’s like David Lynch said, ‘What a heavy load Einstein must’ve had with fuckin’ morons everywhere!’

Why you do dat?

So Tron:Ares was a biography?

He’s determined to be on the wrong side of just about every issue, isn’t he?

Jerry O’Connell?

This isn’t what I wanted to hear from a top Democrat right now.

Was Ray Wise never nominated for this performance?